Saturday Night Band – Come On Dance, Dance
Label: | Prelude Records – PRL 12155 |
---|---|
Format: | Vinyl, LP, Album |
Country: | US |
Released: | |
Genre: | Electronic, Funk / Soul |
Style: | Disco |
Tracklist
A1 | Don't (Take My Love Away) | 5:10 | |
A2 | Touch Me On My Hot Spot | 13:36 | |
B | Come On Dance, Dance | 12:48 |
Companies, etc.
- Phonographic Copyright ℗ – Prelude Records
- Copyright © – Prelude Records
- Manufactured By – Prelude Records
- Distributed By – Prelude Records
- Mixed At – Sigma Sound Studios
- Recorded At – Wishbone Recording Studio
- Overdubbed At – Columbia Recording Studios, Nashville
- Mastered At – Frankford/Wayne Mastering Labs
Credits
- Arranged By [Horns & Strings] – Lloyd Barry
- Arranged By [Rhythm] – Jesse Boyce, Moses Dillard
- Art Direction – Ancona/Hoffman
- Baritone Saxophone [Bari Sax] – Ronald Eades
- Contractor [Strings] – Cliff Parman
- Drums – Roger Clark
- Electric Piano [Fender Rhodes] – Clayton Ivey
- Engineer – Leslie King, Lou Bradley, Steve Moore (4)
- Engineer [Mixing] – Michael R. Hutchinson*
- Guitar – Moses Dillard
- Mastered By [Mastering Engineer] – Jack Skinner
- Other [Clothes By] – Teresa Bajandas And Rafael
- Percussion – Thomas Roady*
- Producer – Jesse Boyce, Moses Dillard
- Synthesizer [Oberheim], Programmed By [Synthesizer] – Jim Boling
- Synthesizer, Piano [Acoustic], Bass – Jesse Boyce
- Tenor Saxophone – Harvey Thompson
- Trumpet, Trombone – Harrison Calloway, Jr.*
- Vocals – Donna McElroy, Jesse Boyce, Vicki Hampton
Notes
Produced for Dillard & Boyce Productions, Inc.
Recorded at Wishbone Studio, Muscle Shoals, Ala.
Strings overdubs Columbia Studios, Nashville, Tn.
Mixed at Sigma Sound Studio, New York, N.Y.
Mastered at Frankford/Wayne Mastering Lab, New York, N.Y.
A1 Daiquiri Music, ASCAP/Dillboy Music, ASCAP/Trumar Music, BMI
A2 Dillco Music Inc. BMI/Trumar Music, BMI
B Song Tailors Music, BMI
Photographed at Starship Discovery I, New York City
Manufactured and Distributed by Prelude Records
© 1978 Prelude Records
℗ 1978 Prelude Records
A Product of Prelude Records
Thanks: Marvin for believing, Stan for becoming a believer,
Joe for recognizing what was needed
and Melvin for the advance commitment.
Special thanks to God for helping us help ourselves.
Recorded at Wishbone Studio, Muscle Shoals, Ala.
Strings overdubs Columbia Studios, Nashville, Tn.
Mixed at Sigma Sound Studio, New York, N.Y.
Mastered at Frankford/Wayne Mastering Lab, New York, N.Y.
A1 Daiquiri Music, ASCAP/Dillboy Music, ASCAP/Trumar Music, BMI
A2 Dillco Music Inc. BMI/Trumar Music, BMI
B Song Tailors Music, BMI
Photographed at Starship Discovery I, New York City
Manufactured and Distributed by Prelude Records
© 1978 Prelude Records
℗ 1978 Prelude Records
A Product of Prelude Records
Thanks: Marvin for believing, Stan for becoming a believer,
Joe for recognizing what was needed
and Melvin for the advance commitment.
Special thanks to God for helping us help ourselves.
Barcode and Other Identifiers
- Rights Society: ASCAP BMI
- Matrix / Runout (Side 1 Label): PRL 12155 AS
- Matrix / Runout (Side 2 Label): PRL 12155 BS
- Matrix / Runout (Side 1 Runout): P RL12155 A-1A C8 1T
- Matrix / Runout (Side 2 Runout): P RL12155 B-1A A1 1T
- Matrix / Runout (Side 1 Runout Variation One): PRELUDE PRL-12155-AS-RE CP2
- Matrix / Runout (Side 2 Runout Variation Two): PRL 12155 BS RE F/WJS
Other Versions (5 of 23)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Come On Dance, Dance (LP, Album) | Chart Records | DS 4036 | Sweden | 1978 | ||
Recently Edited | Come On Dance, Dance (LP, Album) | CBS, Prelude Records | S CBS 82887 | UK | 1978 | ||
New Submission | Come On Dance, Dance (LP, Album) | Prelude Records | 940 571 | France | 1978 | ||
Come On Dance, Dance (LP, Album) | Prelude Records | PRL 501 | Spain | 1978 | |||
Recently Edited | Come On Dance, Dance (LP, Album, Promo) | Prelude Records | PRL 12155 | US | 1978 |
Recommendations
Reviews
- anyone who loves 70's underground disco will break a hip to all three of this dance floor grooves. Come on, Dance dance, was i big hit in disco's that played funky disco with its driving bassline and clapping breaks. Touch me, got less play but it was also a floor filler, but "don't take your love away, was & remains the standout track. its straight up uptempo philadelphia sounding soulful disco in the lines, of harold melvin, dexter wansel, teddy pendergrass dance classics, & MFSB. don't sleep this gem here on the cheap.
Release
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