Lindstrøm ‎– Where You Go I Go Too

Smalltown Supersound ‎– STS153CD, Smalltown Supersound ‎– STS153
CD, Album


Companies, etc.



Written, recorded, arranged, performed & mixed at Feedelity Studios / LHA Studio in Oslo, Norway
Final mix at Krise Studio, Oslo.
Mastered at Engine Ears in Oslo.

Thanks to Knut Sævik, Vegard Waske, Rune Nordhaug, Trond Tornes, Alex Lindblad, Kim Hiorthøy, Chris Sansom, Jonas Holst, Prins Thomas, Lin, Leo & Julian.

Special thanks to Joakim Haugland!

All tracks published by Feedelity Music Publishing / Sony/ATV Publishing Scandinavia
Utgitt med støtte fra Fond For Lyd Og Bilde og Fond For Utøvende Kunstnere
(C)&(P) 2008 Feedelity Records / Smalltown Supersound.

Cat# STS153CD is found on the spine, cat# STS153 is found on the last page in the booklet.

Barcode and Other Identifiers

  • Barcode: 6 00116 84532 0
  • Matrix / Runout: manufactured by optimal media production A834634-01
  • Mastering SID Code: ifpi L573
  • Mould SID Code (Variant 1): IFPI 9712
  • Mould SID Code (Variant 2): IFPI 9710

Other Versions (5 of 6) View All

Cat# Artist Title (Format) Label Cat# Country Year
none Lindstrøm Where You Go I Go Too (Bonus Track Version)(File, AAC, Album, 256) Feedelity none Norway 2008
STS153CD Lindstrøm Where You Go I Go Too(CD, Album, Promo) Smalltown Supersound STS153CD Norway 2008 Sell This Version
STS153CDX Lindstrøm Where You Go I Go Too(2xCD, Album, Spe) Smalltown Supersound STS153CDX Norway 2008 Sell This Version
STS153 Lindstrom* Where You Go I Go Too(2x12", Album) Smalltown Supersound STS153 Norway 2008 Sell This Version
none Lindstrøm Where You Go I Go Too(CDr, Album, Promo) Sony / ATV Music Publishing none Scandinavia 2008 Sell This Version



Add Review



October 20, 2008
"Where Georgio goes so does Lindstrøm". At the end of a decade artists either break off and start building on new ground (as punk did in the 70's, and acid house in the 80's) or turn out a more polished version of the sound du jour. This album falls in the latter category. It is nice enough, three solid tracks of slowly evolving italo grooves, but there is nothing here that stands out in a crowded genre. At the end of the album I felt like I had been listening to a product demo for Native Instruments FM8. Next time I think you should go somewhere no-one has been before Lindstrøm.