Al Stewart – Past, Present & Future
Tracklist
| A1 | Old Admirals | 5:55 | |
| A2 | Warren Harding | 2:39 | |
| A3 | Soho (Needless To Say) | 3:51 | |
| A4 | The Last Day Of June 1934 | 4:47 | |
| A5 | Post World War Two Blues | 4:16 | |
| B1 | Roads To Moscow | 8:00 | |
| B2 | Terminal Eyes | 3:21 | |
| B3 | Nostradamus | 9:50 |
Companies, etc.
- Phonographic Copyright ℗ – CBS Records
- Produced At – Trident Studios
- Published By – Gwyneth Music Ltd.
- Pressed By – CBS Pressing Plant, Aston Clinton
- Made By – Shorewood Packaging Co. Ltd.
Credits
- Acoustic Guitar – Al Stewart
- Acoustic Guitar [2nd] – Isaac Guillory, Peter Berryman*
- Arranged By [String, Brass] – Richard Hewson
- Backing Vocals – John Donelly, Kevin Powers, Krysia Kocjan, Mick Welton
- Bass – Brian Odgers, Bruce Thomas
- Classical Guitar [Spanish Guitar] – Isaac Guillory
- Concertina [English] – Alistair Anderson
- Design – Theatregraphics
- Drums – John Wilson*
- Electric Guitar – Tim Renwick
- Engineer – Mike Stone
- Keyboards – Bob Andrews, Bob Sargeant, Peter Woods*, Rick Wakeman, Tim Hinkley
- Mandolin – Dave Swarbrick, Haim Romano
- Percussion – Frank Ricotti, Roger Meddows Taylor*
- Photography By [Cover] – Mario Grattarola
- Piano, Accordion – Peter Woods*
- Producer – John Anthony
- Sleeve Notes – Erika Cheetham
- Steel Drums – Lennox James, Luciano Bravo, Michael Oliver
- Steel Guitar – B.J. Cole*
- Synthesizer [Moog] – Francis Monkman
- Written-By – Al Stewart
Notes
Gatefold sleeve.
1st cat no. - on front & spine of sleeve, 2nd - on labels.
Recorded at Trident Sound Studios
Interpak I by Shorewood Packaging Co. Ltd., England
Made in England
℗ 1973 CBS Records
1st cat no. - on front & spine of sleeve, 2nd - on labels.
Recorded at Trident Sound Studios
Interpak I by Shorewood Packaging Co. Ltd., England
Made in England
℗ 1973 CBS Records
Barcode and Other Identifiers
- Matrix / Runout (A-side label): S 65726 A
- Matrix / Runout (B-side label): S 65726 B
- Matrix / Runout (A-side runout stamped, variant 1): S 65726 A2 ⋀
- Matrix / Runout (B-side runout stamped, variant 1): S 65726 B3 ⋀
- Matrix / Runout (A-side runout stamped, variant 2): S 65726 A2 ⋀ 19
- Matrix / Runout (B-side runout stamped, variant 2): S 65726 B3 ⋀ -1-
- Matrix / Runout (A-side runout stamped, variant 3): S 65276 A2 3 ⋀
- Matrix / Runout (B-side runout stamped, variant 3): S 65276 B3 3 ⋀
- Matrix / Runout (A-side runout stamped, variant 4): S 65726 A2 ⋀
- Matrix / Runout (B-side runout stamped, variant 4): S 65726 B2 ⋀
Other Versions (5 of 57)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Past, Present & Future (LP, Album, Orange Labels) | CBS | S 65726 | Netherlands | 1973 | ||
New Submission | Past, Present & Future (LP, Album, Orange Labels) | Epic | ECPL-105 | Japan | 1973 | ||
New Submission | Past, Present And Future (LP, Album, Stereo, Orange Labels) | CBS | SBP 474259 | New Zealand | 1973 | ||
New Submission | Past, Present & Future (LP, Album, Stereo, Orange Label) | CBS | SVL 365 | Australia | 1973 | ||
New Submission | Past, Present & Future (Cassette, Album, Stereo) | CBS | 40-32026 | UK | 1973 |
Recommendations
Reviews
I concur. This UK pressing sounds so more intimate and detailed than the US pressing. Like Al and the band are in your living room.- Side B is a must. I had '74 and '76 U.S. pressings, which I thought sounded quite good. I still do, but I picked up a U.K. first pressing and it's just incredible. Heck, now I even listen to Side A on occasion. :)
Release
For sale on Discogs
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