Robert Fripp – Exposure
Label: | EG – EGLP 41, Virgin – EGLP 41 |
---|---|
Format: | Vinyl, LP, Album, Remixed |
Country: | UK |
Released: | |
Genre: | Electronic, Rock |
Style: | Alternative Rock, Experimental |
Tracklist
A1 | Preface | 1:15 | |
A2 | You Burn Me Up I'm A Cigarette | 2:22 | |
A3 | Breathless | 4:36 | |
A4 | Disengage | 2:47 | |
A5 | North Star | 3:08 | |
A6 | Chicago | 2:12 | |
A7 | NY3 | 2:16 | |
A8 | Mary | 2:06 | |
B1 | Exposure | 4:25 | |
B2 | Häaden Two | 1:53 | |
B3 | Urban Landscape | 2:35 | |
B4 | I May Not Have Had Enough Of Me But I've Had Enough Of You | 3:40 | |
B5 | First Inaugural Address To I.A.C.E. Sherborne House | 0:03 | |
B6 | Water Music I | 1:27 | |
B7 | Here Comes The Flood | 3:54 | |
B8 | Water Music II | 6:10 | |
B9 | Postscript | 0:37 |
Companies, etc.
- Marketed By – Virgin
- Recorded At – The Hit Factory
- Recorded At – House Of Music, West Orange, NJ
- Recorded At – The Fripp Mobile
- Mixed At – The Hit Factory
- Phonographic Copyright ℗ – E.G. Records Ltd.
- Copyright © – E.G. Records Ltd.
- Published By – E.G. Music
- Published By – Cliofine Ltd.
- Published By – Intersong Music Ltd.
- Published By – Run It Music
- Published By – E.G. Music Ltd.
- Published By – Static Music Ltd.
- Published By – Zomba Music
- Produced For – EG Records
- Lacquer Cut At – The Town House
Credits
- Cover, Artwork [Album Cover Colorist] – Steve Sprouse*
- Cover, Artwork [Album Cover VTR Images] – Amos Poe
- Cover, Design [Album Cover Design], Photography By [Album Cover Photography] – Chris Stein
- Engineer [Assistant Engineers - The Hit Factory] – David Prentice, Jon Smith (3), Michael Ruffo
- Engineer [Fripp Mobile] – Fripp*
- Engineer [The Hit Factory] – Ed Sprigg
- Hair – Mary Lou Green
- Performer [Contributors] – Barry Andrews, Brian Eno, Daryl Hall, Jerry Marotta, Narada Michael Walden, Peter Gabriel, Peter Hammill, Phil Collins, Robert Fripp, Sid McGinness*, Terre Roche, Tony Levin
- Producer – Robert Fripp
- Typography – Cream (7)
- Voice – Mrs Edith Fripp*, Mrs Evelyn Harris*, J. G. Bennett*, Shivapuri Baba
Notes
Second edition. Remixed in 1983, released in 1985. Originally released in 1979.
Recorded mainly and mixed entirely at The Hit Factory, New York between January 1978 and January 1979.
Track for "Exposure" recorded at Relight Studios, November 1977.
"Water Music II" recorded at The House of Music, New Jersey, July 1977.
N.B. Ms. Roche's voice on "Exposure" was Fritched.
All Frippertronics other than "Water Music II" - recorded at the Fripp Mobile in the Lower East Side, Upper East Side, Hell's Kitchen and the West Village of New York between June 1977 and November 1978.
Location recordings mainly at W. 51st and the West Village.
℗1979 E.G. Records Ltd.
©1979 E.G. Records Ltd.
All lyrics © 1978 E. G. Music except "Here Comes The Flood" © 1978 Cliofine/Run-It Music, Inc.
All songs published by EG Music Ltd. except
A2, A5, A6, A8 published by EG Music Ltd./Intersong Music Ltd. and
A4 published by EG Music Ltd./Static Music Ltd./Zomba Music.
B1 published by EG Music Ltd./Cliofine Ltd. and
B7 published by Cliofine Ltd.
Recorded mainly and mixed entirely at The Hit Factory, New York between January 1978 and January 1979.
Track for "Exposure" recorded at Relight Studios, November 1977.
"Water Music II" recorded at The House of Music, New Jersey, July 1977.
N.B. Ms. Roche's voice on "Exposure" was Fritched.
All Frippertronics other than "Water Music II" - recorded at the Fripp Mobile in the Lower East Side, Upper East Side, Hell's Kitchen and the West Village of New York between June 1977 and November 1978.
Location recordings mainly at W. 51st and the West Village.
℗1979 E.G. Records Ltd.
©1979 E.G. Records Ltd.
All lyrics © 1978 E. G. Music except "Here Comes The Flood" © 1978 Cliofine/Run-It Music, Inc.
All songs published by EG Music Ltd. except
A2, A5, A6, A8 published by EG Music Ltd./Intersong Music Ltd. and
A4 published by EG Music Ltd./Static Music Ltd./Zomba Music.
B1 published by EG Music Ltd./Cliofine Ltd. and
B7 published by Cliofine Ltd.
Barcode and Other Identifiers
- Barcode: 5012985304115
- Matrix / Runout (Side 1 runout): EGLP 41 A-1-1U-1-1- D TOWNHOUSE
- Matrix / Runout (Side 2 runout): EGLP 41 B-1-1U-1-1- D
Other Versions (5 of 76)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Exposure (LP, Album) | EG, Polydor | EGLP 101, 2302 092 | UK | 1979 | ||
Recently Edited | Exposure (LP, Album, Monarch Pressing) | EG, Polydor, EG | PD 1- 6201, EGLP 101 | US | 1979 | ||
Exposure (LP, Album) | EG, Polydor | EGLP 101, PD-1-6201 | Canada | 1979 | |||
Recently Edited | Exposure (LP, Album, Stereo) | EG, Polydor | 2302 092 | Germany | 1979 | ||
Exposure (Cassette, Album) | Polydor | 3100 500 | France | 1979 |
Recommendations
Reviews
- This “second edition” is a remix of the original album. “But why remix it”?, you might ask. I suppose the number one reason is “Because Robert Fripp could”. Since Fripp owns the record company he could do pretty much anything he wants to. Ask any musician whether they are happy with the mix of their album that they recorded 5 years ago and I bet a large number of them would jump at the chance of remixing their recording. Is this second mix better than the first? Opinions might vary, but objectively lots of the full band tracks, in other words, the tracks with drums DO sound “better” - especially the drums, which are more dynamic, have more slam, and are louder. Also the vocals sound clearer and louder, in fact everything sounds a bit cleaner and more intelligible. Not drastically, but I notice it. Did this album NEED to be remixed? No. Does it sound better, in some places, yes. MUST you acquire this 2nd version? I did, but I’m a very devoted Fripp fan. A nut. I try to hear and have everything he recorded, to the best of my ability (and wallet). I have the third edition, too, on a double LP that includes the original version.