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Rolling Stones* – Let It Bleed
| Label: | ABKCO – 8584-1 |
|---|---|
| Format: | Vinyl, LP, Album, Reissue, Remastered, Stereo, 50th Anniversary Edition, 180g |
| Country: | Europe |
| Released: | |
| Genre: | Rock |
| Style: | Blues Rock, Rock & Roll, Classic Rock |
Tracklist
| A1 | Gimme Shelter | 4:30 | |
| A2 | Love In Vain | 4:19 | |
| A3 | Country Honk | 3:07 | |
| A4 | Live With Me | 3:33 | |
| A5 | Let It Bleed | 5:28 | |
| B1 | Midnight Rambler | 6:52 | |
| B2 | You Got The Silver | 2:50 | |
| B3 | Monkey Man | 4:11 | |
| B4 | You Can't Always Get What You Want | 7:28 |
Companies, etc.
- Phonographic Copyright ℗ – ABKCO Music And Records, Inc.
- Copyright © – ABKCO Music And Records, Inc.
- Published By – ABKCO Music, Inc.
- Published By – Handle Bar Music
- Mastered At – Gateway Mastering
- Lacquer Cut At – Abbey Road Studios
- Pressed By – Optimal Media GmbH – BJ 85267
Credits
- Design [Cover & Liner Design] – Robert Brownjohn
- Design [Sleeve Design] – Victor Kahn (2)
- Engineer [Assistant] – Bruce Botnick, George Chiantz*, Jerry Hansen
- Engineer [Chief Engineer] – Glyn Johns
- Lacquer Cut By – Sean Magee
- Legal [Licensing] – Keibu Morton
- Management [Business Affairs], Legal [Legal Affairs] – William Pittenger
- Photography By – Don McAllester
- Producer – Jimmy Miller
- Producer [Restoration Producer] – Teri Landi
- Product Manager – Dina Kanner
- Promotion [Sales & Marketing] – Cathy Bauer, Julian Klein (3)
- Remastered By – Bob Ludwig
- Written-By – Mick Jagger & Keith Richards* (tracks: A1, A3 to B4), Robert Johnson (tracks: A2)
Notes
℗ & © 2019 ABKCO Music & Records
Golden/black hype-sticker on shrinkwrap:
50th Anniversary Edition
180g LP
Made in the EU [labels, back sleeve]
Comes with download code on extra card enabling 9-track download in MP3 format (320 kBit/s) via redeem.thesoundofvinyl.com.
Golden/black hype-sticker on shrinkwrap:
50th Anniversary Edition
180g LP
Made in the EU [labels, back sleeve]
Comes with download code on extra card enabling 9-track download in MP3 format (320 kBit/s) via redeem.thesoundofvinyl.com.
Barcode and Other Identifiers
- Barcode (Text): 018771858416
- Label Code: LC 22670
- Matrix / Runout (Runout, side A, etched): BJ 85267-01 A1 [7185791 A scratched out] 7185841 A
- Matrix / Runout (Runout, side B, etched): BJ 85267-01 B1 [7185791 B scratched out] 7185841 B
- Rights Society: BMI
Other Versions (5 of 404)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Let It Bleed (LP, Album, Terre Haute Pressing) | London Records | NPS-4 | US | 1969 | ||
| Let It Bleed (LP, Album, Stereo) | Decca, Decca | SLK 16 640-P, SLK 16 640 P | Germany | 1969 | |||
Recently Edited | Let It Bleed (LP, Album, Stereo, Unboxed Labels) | Decca, Decca | SKL 5025, SKL. 5025 | UK | 1969 | ||
| Let It Bleed (LP, Album, Stereo) | Decca | SKLM 5025 | New Zealand | 1969 | |||
Recently Edited | Let It Bleed (LP, Album, Mono) | Decca | LK 5025 | UK | 1969 |
Recommendations
Reviews
Keith's solo guitar is buried so deep in the mix you can barely make it out. This is particularly noticeable on Gimme Shelter, pretty muddy overall as well. Disappointing pressing to say the least. Standard issue CDs sound better than this.- Terrible pressing, you almost cant hear the singing. It sounds like the band is playing a stunning performance on stage and you are listening outside of the building smoking a cigarette.
After searching high and low for a good used copy of this on vinyl after selling my original release copy a few years back, I decided to take a chance on this release. Like the minority here, I find no issues with this copy. Of course, I have nothing to compare with, but it all sounds solid.
I have nothing to complain about my copy, great background silence, dynamic micro and macros present and great instrumental detailing. Strong punch on the drums and clear realism on the guitar picks.
Equipment tested:
Rega RP8 Aphetta2
PSAUDIO BHK SIGNATURE
PSAUDIO BHK POWER 250
BW 800 D
CABLES AUDIOQUEST ROCKFELLER
CABLES FURUTECH
Edited one year agoCompared to the UK original, the EQ is a bit darker, the overall sound therefore murkier, but
IMO, a bit of murk fits this record well and there is still very good depth and clarity.
And listening at high volume shouldn't be a problem with this EQ.
The 2003 ABKCO is a wee bit clean in direkt (!) comparison and a 70ies German copy excessively mid-rangy.
So no real complaints here.
And my copy is very well pressed.- Atrocious, flat as a turtle's tit, just try turning up the volume and really hear the lack of life, soul and balls that this sorry issue is encumbered with. - Avoid!
- This plays really quite badly. I returned it - will seek out another pressing.
The remastering is excellent, the problem is in the Optimal Media pressing, too noisy and full of clicks, especially in the quiet passages.
Absolute rubbish. Do not spend a penny on this "50TH Horror Edition" The treble and shine have been removed from the original recording. It is like listening to music with a pillow in front of the speakers.
