Nine Inch Nails – The Slip
Label: | The Null Corporation – HALO 27 V |
---|---|
Series: | NIN – HALO 27 V |
Format: | |
Country: | US |
Released: | |
Genre: | Electronic, Rock |
Style: | Industrial, Alternative Rock |
Tracklist
A1 | 999,999 | |
A2 | 1,000,000 | |
A3 | Letting You | |
A4 | Discipline | |
A5 | Echoplex | |
B6 | Head Down | |
B7 | Lights In The Sky | |
B8 | Corona Radiata | |
B9 | The Four Of Us Are Dying | |
B10 | Demon Seed |
Companies, etc.
- Copyright © – NIN
- Published By – Form And Texture
- Manufactured By – RED Distribution, LLC
- Distributed By – RED Distribution, LLC
- Mastered At – Bernie Grundman Mastering
- Pressed By – Rainbo Records – S-66249
- Pressed By – Rainbo Records – S-66250
Credits
- Art Direction – Rob Sheridan (2), Trent Reznor
- Booking [World Wide Booking For William Morris Agency] – Marc Geiger
- Booking [World Wide Booking] – William Morris Agency
- Coordinator [Project Coordination Assistance] – Sherri Durrell
- Coordinator [Project Coordination] – Brett Bachemin
- Cover [Cover Styling] – Amy Hall
- Engineer – Alan Moulder, Atticus Ross, Michael Tuller
- Hair – Cori Bardo
- Lacquer Cut By – DC*
- Legal – David Byrnes (2), Gary Stiffelman
- Management – Rebel Waltz
- Management [Business Management For Gelfand, Rennert & Feldman] – Michael Walsh (6), William Harper (2)
- Management [Business Management] – Gelfand, Rennert & Feldman
- Mastered By – Brian Gardner
- Mixed By – Alan Moulder
- Other [Press (UK) (RMP)] – Frances McCahon
- Other [Press (US) (Nasty Little Man)] – Steve Martin
- Other [The Null Corporation Europe] – Didi Parlevliet
- Performer [Performed By] – Trent Reznor
- Performer [With] – Alessandro Cortini, Josh Freese, Robin Finck
- Producer [Produced By] – Alan Moulder, Atticus Ross, Trent Reznor
- Programmed By – Atticus Ross
- Technician [Room Tuning] – Steve "Coco" Brandon*
- Written-By – Trent Reznor
Notes
Includes a 12" square, 24 page glossy colour booklet containing artwork, lyrics and credits.
Hype sticker applied to shrink-wrap.
Tracks are numbered sequentially across the release, 01 to 10.
Mastered at Grundman Mastering, Hollywood, California.
Business management for Gelfand, Rennert & Feldman.
Published by: Form and Texture (ASCAP)
Label: The Null Corporation
© 2008 NIN
This album is licensed under a creative commons attribution-noncommercial share alike license.
Hype sticker applied to shrink-wrap.
Tracks are numbered sequentially across the release, 01 to 10.
Mastered at Grundman Mastering, Hollywood, California.
Business management for Gelfand, Rennert & Feldman.
Published by: Form and Texture (ASCAP)
Label: The Null Corporation
© 2008 NIN
This album is licensed under a creative commons attribution-noncommercial share alike license.
Barcode and Other Identifiers
- Barcode (Text): 7 66929 93471 9
- Barcode (Scanned): 766929934719
- Matrix / Runout (Side A hand etched): 11362 - HALO 27V - 1(A) S- 66249 DC
- Matrix / Runout (Side B hand etched): 11362 - A̶̷̸̸̶̷̸ɴ̶̷̸̸̶̷̸ᴠ̶̷̸̸̶̷̸ HALO27V - 1(B) S- 66250
- Rights Society: ASCAP
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Slip (10×File, MP3, Album, VBR) | The Null Corporation | HALO 27 | US | 2008 | ||
The Slip (CD, Album, DVD, DVD-Video, NTSC, All Media, Limited Edition, Numbered) | The Null Corporation | HALO 27 CD-LE | US | 2008 | |||
The Slip (10×File, FLAC, Album, 24bit, 96khz) | The Null Corporation | HALO 27 | 2008 | ||||
New Submission | The Slip (Cassette, Album, Promo, Unofficial Release) | Not On Label (Nine Inch Nails) | none | Indonesia | 2008 | ||
New Submission | The Slip (CD, Album, Promo, DVD, DVD-Video, NTSC, All Media, Limited Edition) | The Null Corporation | Halo 27 CD-LE | US | 2008 |
Recommendations
Reviews
- Listened to my original pressing today after not having listened to it in a hot minute. There’s definite surface noise during the quieter moments but it’s not as bad as I remember it being when it originally came out. I might have cleaned it at some point, but overall it sounds great and will probably sound fine if you wash yours, as well.
- I got this new on Amazon in 2009 for literally $13. It sounds absolutely terrible. Crackles all over the place. Every review you read is true. Just wait for a re-release... You don't need to spend $100 on it......
- Sonido algo sucio, sobre todo en las primeras canciones, y que persiste incluso luego de haber lavado el disco. Es lamentable, porque este disco es excelente. De todas formas el sonido original de este álbum ya es algo sucio (no por nada se incluye el termino "Lo-Fi" dentro de los Estilos del disco). Sería genial una reedición que incluya las sesiones en vivo que, a mi parecer, son superiores que las versiones de estudio.
- stop paying so much for this album they will be repressing it very soon... cd version sound 10x better than lp!
- This pressing is one of the quietest I own and for that reason I barely play it. When the volume has to be that high to get it to sound loud, the tiniest pop/click (of which there are MANY) is startling and takes you out of the experience. Were it a clean pressing it wouldn’t be an issue, but even brand new out of the shrink it was a noisy yet quiet LP. Do not recommend
- Edited 3 years agoUse a miscrofiber tissue and you will rediscover this LP ! Sound is far better after this !
- Edited 5 months agoThe comments calling this release quiet are spot on. You really have to crank your system to get the volume up, which unfortunately also means surface noise is louder than usual.
- Purchased from new. Very noisy and crackly. Looking forward to the definitive version as I really like this album.
- Grunge + Emo fucked and had an industrial baby. This could be on repeat for hours and won't get old.
- Currently giving this my first listen thru after recently picked up a sealed copy.
The sound is interesting. There are some real pounders, tracks with a great bass line and good punch like Head Down. The A Side is good, but neither 1,000,000, Discipline or Echoplex really match the punch of Head Down.
Not picking up a lot of surface noise, just the occasional pop. No real complaints from me here. Although the noise does start to kick in a fair bit Lights in the Sky.
We know Trent doesn't record like this, but I've always sort of thought of this album as the closest he gets to a live band recording. The mix and the mastering really reflects that. Some are a bit light on the low end, others punch like we expect NIN to.
Release
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