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Rain Like The Sound Of TrainsRain Like The Sound Of Trains

Label:Dischord Records – 96.5, Rebel Music – 3, Dischord Records – DIS 96.5, Rebel Music – RM 3
Format:
CD, Album
Country:US
Released:
Genre:Rock
Style:Punk, Indie Rock, Funk

Tracklist

1Puzzled States2:44
2Held Back3:49
3The Goods3:49
4Unplug2:40
5Branching Out3:36
6So Long As Forever6:29
7Missed2:30
8Pave America4:06
9School5:18
10Bad Man's Grave4:56
11Cooking With Anger2:37
12What I Want4:50
13Washington Bullets9:25
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Companies, etc.

  • Engineered AtSweatbox Studio
  • Manufactured ByU.S. Optical Disc
  • Printed ByBarefoot Press

Credits

  • BassDug E. Bird*
  • DrumsJoshua LaRue*
  • EngineerPaul Stautinger
  • GraphicsJason Farrell
  • GuitarPete Chramiec
  • Photography By [Band]Pat Graham
  • Photography [Courtesy Of]Suzanne Pardee
  • ProducerTim Kerr
  • Vocals, PercussionBobby Sullivan

Notes

Engineered at The Sweatbox, Austin, Texas, January 1994.

Tracks 10 and 11 originally released as Bad Man's Grave / Cooking With Anger, Dischord 87.5 / Rebel Music 2.
Tracks 12 and 13 originally released as What I Want, Dischord 85.5 / Rebel Music 1.

Track 13 was inspired by a song of the same name on the Sandinista! album by The Clash.

Track 13 includes 5:00 of blank space, which is followed by an untitled and unlisted track 14 of duration 6:36, which is a dub version of So Long As Forever (track 6).

The catalog numbers 96.5 and 3 appear on the back of the CD packaging, while the catalog numbers DIS 96.5 and RM 3 appear on the CD matrix.

Barcode and Other Identifiers

  • Matrix / Runout: DIS 96.5/RM 3 <01> U.S. OPTICAL DISC

Other Versions (2)

View All
Title (Format)LabelCat#CountryYear
New Submission
Rain Like The Sound Of Trains (LP, Album)Dischord Records, Rebel MusicNumber 96.5, Number 3US1994
New Submission
Rain Like The Sound Of Trains (LP, Album, Test Pressing, White Label)Dischord Records, Rebel Music96.5, 3US1994

Recommendations

Reviews

  • vonu's avatar
    vonu
    Largely overlooked at the time of it's release I believe this album to be the perfect distillation of the post hardcore variant in the nineties. RLT/SOT all high ranking veterans of the 80s hardcore scene forged their own sound which was indebted to 70s funk and choogle and garage rock as much as post punk or hardcore. The strong political stance put them closer to the UK peace punk scene than anything happening stateside at the time and are almost more poignant now. Funny that Maximum Rock and Roll refused to publish their ads thinking that they had strayed to far from punk. Strongly recommended.

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    • Want:37
    • Avg Rating:4.75 / 5
    • Ratings:8

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