Beatrice Dillon – Workaround

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Label:	Pan (3) – PAN106
Format:	Vinyl, LP, Album
Country:	Germany
Released:	Feb 6, 2020
Genre:	Electronic
Style:	Abstract, Dubstep, Experimental, Minimal Techno, Techno

Tracklist

A1		Workaround One
A2		Workaround Two
A3		Workaround Three
A4		Workaround Four
A5		Workaround Five
B1		Clouds Strum
B2		Workaround Six
B3		Workaround Seven
B4		Workaround Eight
B5		Workaround Nine
B6		Square Fifths
B7		Workaround Bass
B8		Pause
B9		Workaround 10

Companies, etc.

Copyright © – Pan (3)
Phonographic Copyright ℗ – Pan (3)
Mastered At – Dubplates & Mastering
Lacquer Cut At – Dubplates & Mastering

Credits

Artwork – Thomas Ruff
Bodhrán – Morgan Buckley (tracks: B1)
Cello – Lucy Railton (tracks: A3, A5)
Claves, Electronic Drums [Wavedrum] – Kenichi Iwasa (tracks: A3, B6)
Double Bass – Petter Eldh (tracks: B2, B3)
Drum Programming, Synth [Modular], Electronics, Synth, Software Instrument [Tidal], Bass, Percussion – Beatrice Dillon
Electric Guitar – Untold (tracks: A2, A3)
Hihat – Batu (4) (tracks: B1)
Kora – Kadialy Kouyate (tracks: B3)
Lacquer Cut By – r*
Layout – Bill Kouligas, Johannes Schnatmann
Mastered By – Rashad Becker
Mixed By, Edited By [Additional Editing] – James Rand
Pedal Steel Guitar – Jonny Lam (tracks: A2)
Producer – Beatrice Dillon
Tabla, Dholak, Goblet Drum [Darabukka] – Kuljit Bhamra (tracks: A1, A4, B1, B6)
Tenor Saxophone, Soprano Saxophone – Verity Susman (tracks: A2)
Vocals, Synth [Additional] – Laurel Halo (tracks: A2)

Notes

Orange outer PVC sleeve with sticker showing artist, title, and barcode

Recorded 2019-19 in London, NY, Berlin.
Thanks to all the contributing musiciands, PAN / BK / RR, Thomas Ruff Studio, RB, NF, TP, LH, GW, TTB, AFD, NTS, PP, FP & PB, SE, MM & SHS, DL & WAC, CT / SS / BK, JRS, MW, Annex, Jorinde Voigt Studios / OW/ Lisson.
Special thanks to AT, JR, LD, JCH, WB & TTT. © + ℗ 2020 PAN

Note: The runout signature 'r@D&M' is squiggly and hard to read.

Barcode and Other Identifiers

Barcode (Text, on plastic outer wallet): 5 060165 48533 8
Matrix / Runout (Runout side A, hand-etched): PAN 106 A 33⅓rpm r@D&M
Matrix / Runout (Runout side B, hand-etched): PAN 106 33⅓rpm r@D&M B

Other Versions (5 of 7)

View All

	Title (Format)	Label	Cat#	Country	Year
	Workaround (LP, Limited Edition, Green Clear)	Pan (3)	PAN106	Germany	2020
New Submission	Workaround (14×File, MP3, VBR (V0))	Pan (3)	PAN106		2020
New Submission	Workaround (CD, Album)	Pan (3), P-Vine Records	PCD-24960	Japan	2020
New Submission	Workaround (14×File, AIFF, 24-bit 44.1 kHz)	Pan (3)	none		2020
New Submission	Workaround (LP, Limited Edition, Repress, White)	Pan (3)	PAN106	Germany	2020

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Reviews

sviestssviests Apr 5, 2023
hello, could someone sell me only sleeve, thanks, appreciate is this message reach someone
New.Love.Unlimited Aug 13, 2022
Posting again: play this shit on 45 rpm. Sounds just as beautiful.
martian_shore Feb 22, 2022
Great mastering and pressing. Get this one if you like the music.
vicious_violet Oct 28, 2021
finally found one of these in stores and wow this pressing kicks ass.
BomagJackson Mar 26, 2021
So late to this but this album is pure fire from start to finish.
mr.datsun Mar 5, 2021
My black vinyl copy is a poor pressing. And I'll say that again just to reach minimum wordcount – my black vinyl copy is a poor pressing.
New.Love.Unlimited Sep 30, 2020
Edited 2 years ago
I bought my copy directly from Pan (the label). If you are selling/shipping this, PLEASE remove the record from the orange plastic sleeve prior to shipping and pack with extra care. My copy was handed directly to me in the post (not left in the sun) but somehow was very warped from being in some heat somewhere during transit. Also, the spindle hole is super tight, takes some effort to pull off the platter.

The good news is, the music and design are exceptionally beautiful! The record has a lot of dynamic range for so much audio to be on both sides. Sounds punchy, deep and clear, just a little crackly and noisy.
Jazzual May 11, 2020
Please in the name of sweet Jesus release this on Compact Disc!!!
ManticoreMantra Feb 18, 2020
I'm really enjoying this minimalist, creative LP. I'd never heard of Beatrice Dillon but stumbled across a review online, and then streamed it before getting hold of the LP. A first spin shows this to be a really good pressing with no noise, and good dynamics.