Beatrice Dillon – Workaround
Label: | Pan (3) – PAN106 |
|---|---|
Format: | Vinyl, LP, Album |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Abstract, Dubstep, Experimental, Minimal Techno, Techno |
Tracklist
| A1 | Workaround One | |
| A2 | Workaround Two | |
| A3 | Workaround Three | |
| A4 | Workaround Four | |
| A5 | Workaround Five | |
| B1 | Clouds Strum | |
| B2 | Workaround Six | |
| B3 | Workaround Seven | |
| B4 | Workaround Eight | |
| B5 | Workaround Nine | |
| B6 | Square Fifths | |
| B7 | Workaround Bass | |
| B8 | Pause | |
| B9 | Workaround 10 |
Companies, etc.
- Copyright © – Pan (3)
- Phonographic Copyright ℗ – Pan (3)
- Mastered At – Dubplates & Mastering
- Lacquer Cut At – Dubplates & Mastering
Credits
- Artwork – Thomas Ruff
- Bodhrán – Morgan Buckley (tracks: B1)
- Cello – Lucy Railton (tracks: A3, A5)
- Claves, Electronic Drums [Wavedrum] – Kenichi Iwasa (tracks: A3, B6)
- Double Bass – Petter Eldh (tracks: B2, B3)
- Drum Programming, Synth [Modular], Electronics, Synth, Software Instrument [Tidal], Bass, Percussion – Beatrice Dillon
- Electric Guitar – Untold (tracks: A2, A3)
- Hihat – Batu (4) (tracks: B1)
- Kora – Kadialy Kouyate (tracks: B3)
- Lacquer Cut By – r*
- Layout – Bill Kouligas, Johannes Schnatmann
- Mastered By – Rashad Becker
- Mixed By, Edited By [Additional Editing] – James Rand
- Pedal Steel Guitar – Jonny Lam (tracks: A2)
- Producer – Beatrice Dillon
- Tabla, Dholak, Goblet Drum [Darabukka] – Kuljit Bhamra (tracks: A1, A4, B1, B6)
- Tenor Saxophone, Soprano Saxophone – Verity Susman (tracks: A2)
- Vocals, Synth [Additional] – Laurel Halo (tracks: A2)
Notes
Orange outer PVC sleeve with sticker showing artist, title, and barcode
Recorded 2019-19 in London, NY, Berlin.
Thanks to all the contributing musiciands, PAN / BK / RR, Thomas Ruff Studio, RB, NF, TP, LH, GW, TTB, AFD, NTS, PP, FP & PB, SE, MM & SHS, DL & WAC, CT / SS / BK, JRS, MW, Annex, Jorinde Voigt Studios / OW/ Lisson.
Special thanks to AT, JR, LD, JCH, WB & TTT. © + ℗ 2020 PAN
Note: The runout signature 'r@D&M' is squiggly and hard to read.
Recorded 2019-19 in London, NY, Berlin.
Thanks to all the contributing musiciands, PAN / BK / RR, Thomas Ruff Studio, RB, NF, TP, LH, GW, TTB, AFD, NTS, PP, FP & PB, SE, MM & SHS, DL & WAC, CT / SS / BK, JRS, MW, Annex, Jorinde Voigt Studios / OW/ Lisson.
Special thanks to AT, JR, LD, JCH, WB & TTT. © + ℗ 2020 PAN
Note: The runout signature 'r@D&M' is squiggly and hard to read.
Barcode and Other Identifiers
- Barcode (Text, on plastic outer wallet): 5 060165 48533 8
- Matrix / Runout (Runout side A, hand-etched): PAN 106 A 33⅓rpm r@D&M
- Matrix / Runout (Runout side B, hand-etched): PAN 106 33⅓rpm r@D&M B
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Workaround (LP, Limited Edition, Green Clear) | Pan (3) | PAN106 | Germany | 2020 | |||
New Submission | Workaround (14×File, MP3, VBR (V0)) | Pan (3) | PAN106 | 2020 | |||
New Submission | Workaround (CD, Album) | Pan (3), P-Vine Records | PCD-24960 | Japan | 2020 | ||
New Submission | Workaround (14×File, AIFF, 24-bit 44.1 kHz) | Pan (3) | none | 2020 | |||
New Submission | Workaround (LP, Limited Edition, Repress, White) | Pan (3) | PAN106 | Germany | 2020 |
Recommendations
2017 UKVinyl —12", 33 ⅓ RPM, Album, Reissue, Repress
Reviews
- Posting again: play this shit on 45 rpm. Sounds just as beautiful.
Great mastering and pressing. Get this one if you like the music.- finally found one of these in stores and wow this pressing kicks ass.
So late to this but this album is pure fire from start to finish.
My black vinyl copy is a poor pressing. And I'll say that again just to reach minimum wordcount – my black vinyl copy is a poor pressing.- Edited 3 years agoI bought my copy directly from Pan (the label). If you are selling/shipping this, PLEASE remove the record from the orange plastic sleeve prior to shipping and pack with extra care. My copy was handed directly to me in the post (not left in the sun) but somehow was very warped from being in some heat somewhere during transit. Also, the spindle hole is super tight, takes some effort to pull off the platter.
The good news is, the music and design are exceptionally beautiful! The record has a lot of dynamic range for so much audio to be on both sides. Sounds punchy, deep and clear, just a little crackly and noisy. 
I'm really enjoying this minimalist, creative LP. I'd never heard of Beatrice Dillon but stumbled across a review online, and then streamed it before getting hold of the LP. A first spin shows this to be a really good pressing with no noise, and good dynamics.
Release
For sale on Discogs
Sell a copy23 copies from $20.69
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