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    Ian Carr's Nucleus*Exit 1971

    Label:678 Records – SSE 12011
    Format:
    2 x Vinyl, LP, Album, Mono
    Country:Netherlands
    Released:
    Genre:Jazz, Funk / Soul
    Style:Jazz-Rock, Jazz-Funk

    Tracklist

    A1Song For The Bearded Lady
    Composed ByKarl Jenkins
    10:10
    A2Exit Interlude 1
    Composed ByNucleus (3)
    7:03
    B1We’ll Talk About It Later
    Composed ByKarl Jenkins
    6:17
    B2Snakehips’ Dream
    Composed ByIan Carr
    13:58
    C1Oasis
    Composed ByKarl Jenkins
    19:38
    C2Exit Interlude 2
    Composed ByNucleus (3)
    1:22
    D1Torrid Zone
    Composed ByKarl Jenkins
    11:54
    D2Exit Interlude 3
    Composed ByNucleus (3)
    4:09
    D3Persephone’s Jive
    Composed ByIan Carr
    1:23
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    Credits

    Notes

    recorded live at Exit, Rotterdam, Friday June 11, 1971, 9 pm

    recorded by Jim Rip for VPRO radio
    licensed courtesy of VPRO and with the kind permission of Ian Carr’s estate
    edited & mastered by Marc Broer at Live Concert Recording, Monnickendam
    release initiated by P-Dog & Zembie and produced by Frank Jochemsen (Gallio Producties) & Sander Huibers for 678 Records
    cover designed by Piet Schreuders

    Thanks:
    Bart Baas (VPRO)
    Selina Carr & Sandra Carr Cleland (Ian Carr Trust)
    Roy Babbington
    Karl Jenkins
    John Marshall

    Scottish Trumpet Player Ian Carr had already made quite a name for himself in the British jazz scene with the Don Rendell-Ian Carr Quintet when he decided to leave the sound of the sixties jazz behind and move on. Sucked into the progressive spirit of the times, Nucleus was founded.

    The band of which Ian Carr was the only core member until the end had a permanent line-up in their early days with Karl Jenkins on keyboards, John Marshall on drums, Chris Spedding on guitar and Brian Smith on tenor, soprano sax and flute. With this line-up the band made a huge impression live, especially on the European mainland where they performed regularly in the early seventies. In 1970, they started recording albums for the impressive Vertigo label and they won a prestigious best group award at the Montreux jazz festival. In those days the group described theirselves as a "total musical experience".

    In June 1971 Nucleus embarked on a small tour through Holland and performed in several youth centres including the Electric Centre in Haarlem and De Toverbal in Maassluis. They also shared a stage with the group Centipede (containing more than 50 musicians!) for a special concert in the Rotterdam concert hall De Doelen, together with musicians from the notorious Soft Machine and King Crimson.

    This live recording was made by the progressive VPRO radio on the day before; June 11, 1971 in Rotterdam, Holland.
    The location, youth centre Exit, was not regarded as a traditional venue on the circuit at that time; a venue that attracted the kind of audience that appreciated certain mind-expanding hallucinogens.
    In later years it would become famous under the name Eksit because of early concerts by the Simple Minds, Tom Waits, The Cramps, The Sex Pistols and The Police.

    Ian Carr’s Nucleus was in a transitional line-up in June 1971. In September 1970 they had recorded the album We'll Talk About It Later and in December 1970 Solar Plexus which would both be released in 1971. At the Exit concert, Karl Jenkins (who wrote a lot of pieces for the band's first two albums) rested from the original line up. Next to him we hear original band members Brian Smith & John Marshall, who would both leave Nucleus some months later and would end up in Soft Machine in 1972, together with bass player Roy Babbington. It is quite unusual that Chris Spedding didn't feature in Rotterdam and that he was not replaced by another guitarist (eg Ray Russell) but by a second keyboard player: Hywel Thomas. Why Spedding was replaced by Thomas is unclear, but the fact remains that there were two electric pianos on stage that evening, and that makes these recordings very special. What is also unique is the rare perfomance of percussionist Vic Higgins, who was the first drummer of Nucleus when the band was founded in 1969.

    Ian Carr released his next album Belladonna in 1972, but it would last until 1973 before the next Nucleus album would be released. The Karl Jenkins pieces played by the band this particular night in Rotterdam were mostly from their new album We'll Talk About It Later and its predecessor Elastic Rock. What is especially mind blowing is the almost 14 minute live performance of Ian Carr's Snakehips' Dream from the then unreleased album Solar Plexus, which is considered as something of a musical blueprint for future Nucleus releases. They hold the pieces together with the improvised four chord blues we named Exit Interlude. These conceptual, totally musical genre-crossing sounds make this Nucleus performance a real trip. Indeed, a "total musical experience".

    Barcode and Other Identifiers

    • Barcode: 9 789078 377405
    • Matrix / Runout (Runout side A): 204700E1/A1
    • Matrix / Runout (Runout side B): 204700E2/A
    • Matrix / Runout (Runout side C): 204700E3/A1
    • Matrix / Runout (Runout side D): 204700E4/A1
    • Rights Society: STEMRA

    Reviews

    maxencerobinet's profile picture
    maxencerobinet
    Great music and live, beautifully recorded, record sounds nice, great release!
    miss.erica's profile picture
    miss.erica
    great music and good vinyl. a gatefold with pics from the gig would have been nice but really no complaints except that Chris Spedding was absent from the band at the time of this gig.
    G.D.GAYTER's profile picture
    G.D.GAYTER
    Nucleus are one of those groups whose live albums are as good as their studio albums and vice versa. This is a great album and should be bought by those willing to pay big money for their studio albums with confidence, in particular as I understand it is a limited number release. Get it whilst the price is still remotely sensible. My copy is in perfect condition when I got it for the record.
    YeswaveUK's profile picture
    YeswaveUK
    Thanks for notes on the original submission. This album is stunning. For what it's worth my copy is in perfect condition.
    BlurryTick's profile picture
    BlurryTick
    Lots of surface scratches and debris on all sides of LPs. Cheap flimsy cover came with heavy creasing.