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Miles DavisOn The Corner

Label:

Columbia – KC 31906

Format:

Vinyl, LP, Album, Stereo, Gatefold

Country:

US

Released:

Genre:

Jazz

Style:

Fusion, Jazz-Funk

Tracklist

A1aOn The Corner2:58
A1bNew York Girl1:32
A1cThinkin' One Thing And Doin' Another1:42
A1dVote For Miles8:45
A2Black Satin5:16
B1One And One6:09
B2aHelen Butte16:06
B2bMr. Freedom X7:13
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Companies, etc.

  • Copyright ©CBS Inc.
  • Phonographic Copyright ℗CBS Inc.
  • Manufactured ByColumbia Records
  • Manufactured ByCBS Inc.
  • Mastered AtCustomatrix

Credits

  • Bass ClarinetBennie Maupin
  • CelloPaul Buckmaster
  • Congas, ShakerDon Alias
  • CoverCorky McCoy
  • DrumsJack DeJohnette
  • Drums, Percussion, CowbellBilly Hart
  • Electric BassMichael Henderson
  • Electric Piano, Organ, Piano, SynthesizerHerbie Hancock
  • Electric Piano, Organ, Synthesizer [Ring Modulator]Harold Williams*
  • Electric Piano, Piano, SynthesizerChick Corea
  • EngineerRuss Payne, Stan Tonkel
  • GuitarDavid Creamer, John McLaughlin
  • Painting [Cover Paintings]Corky McCoy
  • Percussion [Water Drum], BellsMtume
  • Photography By [Inside Cover Photo]Allen Morgan (3)
  • ProducerTeo Macero
  • SitarCollin Walcott
  • Soprano SaxophoneDavid Liebman (tracks: A1-A5)
  • Soprano Saxophone, Tenor SaxophoneCarlos Garnett (tracks: B1-B3)
  • TablaBadal Roy
  • TrumpetMiles Davis
  • Written-ByM. Davis*

Notes

1st U.S. Pressing.
Gatefold Cover.

all selections are BMI
© 1972 CBS, Inc. ℗ 1972 CBS, Inc. Manufactured by Columbia Records/CBS, Inc.

Barcode and Other Identifiers

  • Matrix / Runout (Side A Label): AL 31906
  • Matrix / Runout (Side B Label): BL 31906
  • Matrix / Runout (Side A runout [Variant 1]): P AL-31906-1A
  • Matrix / Runout (Side B runout [Variant 1]): P BL-319061A
  • Matrix / Runout (Side A runout, stamped [Variant 2]): P AL 31906-1C
  • Matrix / Runout (Side B runout, stamped [Variant 2]): PBL 31906-1C
  • Matrix / Runout (Side A runout, stamped [Variant 3]): ⬭ P AL 31906-1B
  • Matrix / Runout (Side B runout, hand-etched ["⬭" is stamped][Variant 3]): PBL-31906-1B ⬭
  • Matrix / Runout (Side A runout, stamped [Variant 4]): P ⬭ P AL-31906-1A C2
  • Matrix / Runout (Side B runout, hand-etched ["⬭" is stamped] [Variant 4]): PBL-31906-1B ⬭ P
  • Matrix / Runout (Side A runout, stamped [first "P" is small] [Variant 5 ]): P P PAL AL31906-1A
  • Matrix / Runout (Side B runout, hand-etched ["T" is stamped][Variant 5]): ƨ PBL-31906 1C T
  • Rights Society: BMI

Other Versions (5 of 87)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
On The Corner (LP, Album)ColumbiaKC 31906Canada1972
Recently Edited
On The Corner (LP, Album, Gatefold)CBS, CBSS 65246, KC 31906Europe1972
Recently Edited
On The Corner (LP, Album, Stereo, Gatefold)CBS/SonySOPL 125Japan1972
Recently Edited
On The Corner (LP, Album)ColumbiaC 31906US1972
New Submission
On The Corner (LP, Album, Gatefold)CBSS 65246UK1972

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Reviews

  • lharrison47's avatar
    lharrison47
    Compared to various pressings of this album, this -1a/-1a pressing takes the crown
    • ryanstratton's avatar
      ryanstratton
      I love this wild music. A beautiful wall of jazz. I had a pressing of this bought in the 2000s and it sounded dead a lifeless. A friend sold me hi entire jazz collection and I found this original pressing in there. It was a little beat up but the vinyl is clean and while a touch scratchy the sound is spectacular. Full of energy and life and played loud as hell it's one hell of a trip, no drugs or alcohol required.
      • hiphon's avatar
        hiphon
        Bought this on day of release London 1972 I loved it and could not understand why all my friends around at the time were all caught up with Chick Corea's "light as a feather" era music which was nice but not exactly ballsy or showing where the future of music was heading, in my humble opinion this is and was the most hated and misunderstood wall of amazing sound which on reflection I think is far more appreciated today ?. I remember Downbeat rated it the worst Jazz record ever ! I still play it often to cheer me up!
        • failed-bohemian's avatar
          Considering there is much commentary on this same subject below -
          What is the best vinyl press of this music? It could easily sound thin, as there's a lot of music for a single disc, over 50 minutes. My original Columbia sounds very much this way. The BGO digital master for ceedee from the early 90's was - pardon the pun - Miles Ahead! Seethingly alive in comparison..... But which is the best vinyl cut?
          • cesare74's avatar
            cesare74
            amazing infectious funk at the highest heights. Miles predicted lots of music to come in later decades.
            • _Obscuremuse_'s avatar
              _Obscuremuse_
              The wildest and most brazen goddamn thing ever. Vote Miles.
              • Hadox's avatar
                Hadox
                This album can be described in one word: Pure badness. OK, that's two words, such is it's power. The headspring for so much music to follow, OTC should be on any list of greatest albums ever. If Kind of Blue is a jazz album for people who don't like jazz, then just who the hell is this for, Miles, you crazy mother...? My wife just came into the room where this is playing and started throwing shapes I've never seen before.
                • DISC_CONNECT's avatar
                  DISC_CONNECT
                  Edited 5 years ago
                  One of the trippiest, funkiest, most jamminest thing I've ever heard.
                  • phaks's avatar
                    phaks
                    Strike of a genius! For me this record is the blueprint for Bitches Pangaea Agharta. A weird world music with crazy rhythms and hard noises and wonderful solos. My favourite Miles.

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