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    Various - Ultrablack Of Music II album cover

    VariousUltrablack Of Music II

    Label:Mille Plateaux – MP10
    Format:
    34 x File, WAV, Compilation
    Country:Germany
    Released:
    Genre:Electronic
    Style:Abstract, Experimental, Drone, Noise

    Tracklist

    1Pavel ZhagunMemo2:15
    2Khem OneCopperopolis4:11
    3Antonia S. ManhartsbergerWhen Fires Burn4:16
    4Mijk van DijkHoffnung Stirbt Zuletzt7:51
    5B.AshraGas3:07
    6Omsk Info, Dr. WSofaacid Reconx_66:00
    7PaesaggioMelodico4:24
    8SomnambuleEuphony Of The Machines7:29
    9Schmickler / RohrhuberPolitiken Der Frequenz7:30
    10svensynteticsAmbigue AmFm11:06
    11A Solar DebrisMaevan Cellar5:17
    12Stefan PaulusStratum14:07
    13BienoiseInfinitiny7:15
    14Zoy WintersteinMira Mar4:27
    15Stine MUndermining6:05
    16The AllegoristLevitating Forms8:08
    17EchonautHyroglyph7:59
    18EPSAsymptotic 8085:45
    19Dr. NoiseMDie Monster WG12:24
    20Thomas BrinkmannVIE:KGD8:07
    21Marcel DaemgenFrohes Neues Jahr5:59
    22Siegfried KärcherLet It Ultrablack Snow5:44
    23SifirDesonance7:44
    24DJ DurbinLash Of Love4:28
    25AutomatismeAlter-Rate 18:02
    26Thomas Köner10 000 000 0008:06
    27Grupo Coral A Voz Do Alentejo Na Quinta Do Conde Feat. Dr. WalkerAlentejo Ambient Voices 16:40
    28bpmfSwing In The Sky5:37
    29Stine MThicket6:07
    30Dr. W1969 - Schatten Der Erinnerung8:00
    31WoulgI Cant Remember What It Feels Like8:18
    32Gerriet K. SharmaFirniss_redux11:14
    33NicoNotePaysage Mélodique Avec Artaud4:24
    34Bill B. WintermuteCalling All. This Is Our Last Cry Before Our Eternal Silence.3:20
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    Notes

    This compilation is also part of the book "Ultrablack Of Music":
    force-inc.org/p/ultrablack-of-music

    When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic - toc - fuck the clock.

    Against this backdrop Ultra-Black of Music speculates on the manifold ways in which the objective, inhuman soundworlds, which roar underneath humans’ sensological apparatus, pervade and smoothly colonize our humanoid-alien, affective and cognitive capacities – and how to construct ways out of the mess of the Master Rhythms of Sonic Thanaticist Capital and its stratagems of annihilation and pulpification.

    Speculative rhythm productions drive the mathematical ope-rationality and its decisional self-amputations to the edge and create the missing corporeality that rewires our affective capacities and inhibitions by un-mooring, alienating/de-realizing our relations to the killing abstractions (reductive Binarism, identitism/autism), the techgnostical mindset and its mystifications.

    Ultrablackened music confronts and pushes us also into the experimentation with this nameless in-between, in which new temporalities can emerge whose winding paths and outcomes can neither be predicted nor guaranteed.

    Its cruel love vigorously informed and fueled by the hate in ending this world, as we know and sonically experience it.

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