Jóhann JóhannssonFordlandia

Label:4AD – CAD 2812 CD
CD, Album, Digipak
Genre:Electronic, Classical
Style:Abstract, Modern Classical, Experimental, Contemporary


2Melodia (i)1:56
3The Rocket Builder (Io Pan!)6:25
4Melodia (ii)1:49
5Fordlandia - Aerial View4:33
6Melodia (iii)3:12
8Melodia (iv)2:45
9The Great God Pan Is Dead4:56
10Melodia (Guidelines For A Space Propulsion Device Based On Heim's Quantum Theory)9:04
11How We Left Fordlandia15:25

Companies, etc.



Orchestra recorded at Barrandov Studios, Smecky Soundstage, Prague.
String quartet recorded in Langholtskirkja, Reykjavik.
Pipe organ recorded in Langholtskirkja, Reykjavik and Bragernes church in Drammen, Norway.
Additional recordings in Copenhagen, Reykjavik and Tokyo.
Mixed in Sýrland, Reykjavik and in NTOV, Copenhagen.
Mastered at Abbey Road.

Published by Mute Song
Art direction and design at v23.

Manufactured in the UK

Packaging: 6-panel digipak.

Barcode and Other Identifiers

  • Barcode (String): 652637281224
  • Barcode (Text): 6 52637 28122 4
  • Matrix / Runout (Variant 1 & 2): [Arvato Digital Services logo] 52943449/CAD2812CD 21
  • Mastering SID Code (Variant 1 & 2): IFPI LP 73
  • Mould SID Code (Variant 1): IFPI 0752
  • Mould SID Code (Variant 2): IFPI 0757
  • Label Code: LC 05807

Other Versions (5 of 15)

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Title (Format)LabelCat#CountryYear
Recently Edited
Fordlandia (CDr, Album, Promo)4ADCAD 2812 CD PUK2008
New Submission
Fordlandia (CD, Album)4ADWPCB-10097Japan2008
New Submission
Fordlandia (CD, Album, Promo, Advance)4ADCAD 2812 CDUS2008
Recently Edited
Fordlandia (CD, Album)4ADCAD 2812 CDUS2008
New Submission
Fordlandia (CDr, Album, Promo)4AD, Beggars JapannoneJapan2008



  • aermotor's avatar
    I would most likely kill to get this on vinyl. Nothing else to be said about it.
    • Headphone_Commute's avatar
      A few years ago, when I was regularly creating mixes for a podcast, an idea came across to compile music for my funeral. One thing I am sure about - I will die. And when I pass on, music will be filling in the void that was once my presence. How touching. Why shouldn't I be the one to select the pieces that would make others weep? Yes, I'll admit, I can be self centered like that. For my opening track, I turned to Jóhann Jóhannsson, and his Odi Et Amo from Englabörn (4AD, 2007). Now, with the release of Fordlandia, I may need to compile a second volume. On second thought, just play the whole album! But don't get me wrong. I don't want to come across saying that Jóhannsson's compositions are full of funeral sound [perhaps that should be a genre in itself?]. Yet, this Icelandic-born modern classical musician composes some of the most beautiful and soul drenching works that I have ever heard. The saturation of emotion approaches even my limits, and my eyes swell up with tears, as the concrete humanity gets cleansed in the rain, out in the windows of my crawling train. This is Jóhannsson's sixth full length album. Besides these contemporary classical conceptual pieces, Jóhannsson produced about a dozen of soundtracks for [mostly] Icelandic films, shorts and documentaries. There are also his theatrical works, arrangements for many artists, and music for installations. It would be an understatement to say that Jóhann Jóhannsson is a prominent figure in Icelandic contemporary artistic community. After all, he's one of the co-founders (along with Kira Kira and Hilmar Jensson) behind Kitchen Motors, "a think tank, a record label, and an art collective specializing in instigating collaborations and putting on concerts, exhibitions, performances, chamber operas, producing films, books and radio shows based on the ideals of experimentation, collaboration, the search for new art forms and the breaking down of barriers between forms, genres and disciplines." Thematically, Fordlandia continues the exploration of technology where Jóhannsson's last conceptual album, IBM 1401, a User's Manual (4AD, 2006) left off. Jóhannsson elaborates: "one of the two main threads running through [Fordlandia] is this idea of failed utopia, as represented by the [its] title - the story of the rubber plantation Henry Ford established in the Amazon in the 1920's, and his dreams of creating an idealized American town in the middle of the jungle complete with white picket fences, hamburgers and alcohol prohibition." For a detailed insight into creation of the album, including a commentary on each individual track, you absolutely must visit Jóhannsson's web site. Fordlandia thus becomes a second installment in a series of works documenting human hunger for ideals, technological progress, doomed failures, and the beauty of nature reclaiming itself. Such it is still, music for the born and the departed. Highly recommended! Undoubtedly one of the best albums of 2008.


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