Phoebe Bridgers – Punisher
Label: | Dead Oceans – DOC200 |
---|---|
Format: | Vinyl, LP, Album |
Country: | US |
Released: | |
Genre: | Rock, Folk, World, & Country |
Style: | Indie Rock, Folk |
Tracklist
A1 | DVD Menu | |
A2 | Garden Song | |
A3 | Kyoto | |
A4 | Punisher | |
A5 | Halloween | |
A6 | Chinese Satellite | |
B1 | Moon Song | |
B2 | Savior Complex | |
B3 | ICU | |
B4 | Graceland Too | |
B5 | I Know The End |
Companies, etc.
- Copyright © – Dead Oceans, Inc.
- Phonographic Copyright ℗ – Dead Oceans, Inc.
- Recorded At – Sound City Studios
- Mixed At – ARC Studios, Omaha, NE
- Mastered At – Gateway Mastering
- Published By – Whatever Mom Music
- Published By – Corn Fox Publishing
- Published By – Goldmeyn Music
- Published By – Bedrooms; Bedrooms And Spiders
- Published By – Pizza Money Music
- Published By – Sliondelion
- Pressed By – Independent Record Pressing
Credits
- 12-String Acoustic Guitar – Harrison Whitford (tracks: A3)
- Acoustic Guitar – Christian Lee Hutson (tracks: B2), Ethan Gruska (tracks: B3), Harrison Whitford (tracks: B4)
- Acoustic Guitar [Hi Strung] – Harrison Whitford (tracks: A3)
- Arranged By [Horns] – Nathaniel Walcott*
- Arranged By [Strings] – Rob Moose
- Autoharp – Tony Berg (tracks: A3)
- Bandura – Tony Berg (tracks: B1)
- Banjo – Tony Berg (tracks: B4)
- Baritone Guitar [Electric] – Blake Mills (tracks: A5), Christian Lee Hutson (tracks: A5), Phoebe Bridgers (tracks: A1, A3, A6, B5)
- Bass – Anna Butterss (tracks: B3), Emily Retsas (tracks: B5), Ethan Gruska (tracks: A6, B1), Jenny Lee Lindberg (tracks: A3, B3, B5)
- Bass [Bowed] – Sebastian Steinberg (tracks: B4)
- Bass [Sub Bass] – Ethan Gruska (tracks: A4)
- Bass [Tenor Bass] – Ethan Gruska (tracks: A4)
- Celesta – Christian Lee Hutson (tracks: B2)
- Clarinet – Blake Mills (tracks: B2)
- Classical Guitar [Nylon Guitar] – Phoebe Bridgers (tracks: B1)
- Double Bass [Upright Bass] – Sebastian Steinberg (tracks: A5, B2)
- Drums – Jim Keltner (tracks: A5, B2), Marshall Vore (tracks: A3, A6, B1, B3, B5)
- Electric Guitar – Ethan Gruska (tracks: A3), Harrison Whitford (tracks: A3, A6, B1, B3), Joseph Lorge (tracks: A3), Nick Zinner (tracks: B5), Phoebe Bridgers (tracks: A3, B3), Tony Berg (tracks: A3, A6, B2, B3)
- Electronic Drums [Syndrum] – Tony Berg (tracks: A4)
- Engineer [Engineered By] – Joseph Lorge, Will Maclellan
- Fiddle – Sara Watkins (tracks: B4)
- Guitar [Hi Strung] – Phoebe Bridgers (tracks: B2, B4)
- Guitar [Rubber Bridgers Guitar] – Phoebe Bridgers (tracks: A2, B3)
- Horns – Nathaniel Walcott* (tracks: A3, B5)
- Illustration [Booklet Illustrations] – Chris Riddell
- Instruments [Fader Performance] – Ethan Gruska (tracks: A4), Phoebe Bridgers (tracks: A4)
- Keyboards [Optigan Flutes] – Ethan Gruska (tracks: A5, B5)
- Lacquer Cut By – CM*
- Layout [Booklet], Design [Booklet] – Open Sea Design Co., Travis DeMello
- Layout, Design – Nathaniel David Utesch
- Lyrics By [Emotional And Lyrical Support] – Christian Lee Hutson (tracks: A2, A5, B2, B4, B5), Conor Oberst (tracks: A4 to A6, B2, B5), Marshall Vore (tracks: A2 to A4, A6, B3, B5), Morgan Nagler (tracks: A3), Nicholas White* (tracks: B3)
- Management – Darin Harmon
- Mastered By – Bob Ludwig
- Mellotron – Ethan Gruska (tracks: A3, B3, B5), Nick White (tracks: B5), Tony Berg (tracks: B1)
- Mixed By – Mike Mogis
- Percussion – Marshall Vore (tracks: A3, A4, A6, B3, B5)
- Percussion [Slat Drum] – Blake Mills (tracks: A5)
- Performer – Jeroen Vrijhoef (tracks: A2, B5)
- Photography By – Olof Grind
- Piano – Ethan Gruska (tracks: A4, A5, B1), Nick White (tracks: B5)
- Piano [Pocket] – Ethan Gruska (tracks: B1)
- Producer [Produced By] – Ethan Gruska, Phoebe Bridgers, Tony Berg
- Programmed By [Programming] – Ethan Gruska (tracks: A2)
- Pump Organ – Ethan Gruska (tracks: B4)
- Sampler [Sampling] – Ethan Gruska (tracks: B3)
- Songwriter [All Songs Written By] – Phoebe Bridgers
- Sound Designer – Ethan Gruska (tracks: A1, A5 to B2, B5)
- Strings – Rob Moose (tracks: A1, A4, A6, B2, B5)
- Synth [Synths] – Ethan Gruska (tracks: A2, A3, A5, B5)
- Twelve-String Guitar – Christian Lee Hutson (tracks: A2)
- Twelve-String Guitar [Electric] – Harrison Whitford (tracks: A3)
- Vocals – Christian Lee Hutson (tracks: B5), Conor Oberst (tracks: A5, B5), Julien Baker (tracks: B4, B5), Kane Ritchotte (tracks: B5), Lucy Dacus (tracks: B4, B5), Lukas Frank (tracks: B5), Malcolm McRae (2) (tracks: B5), Marshall Vore (tracks: B3, B5), Tomberlin (tracks: B5)
- Vocoder – Ethan Gruska (tracks: A4)
Notes
Recorded at Sound City Studios, Van Nuys, CA
Mixed at ARC Studios, Omaha, NE
Mastered at Gateway Mastering Studios, Portland, ME
All songs written by Phoebe Bridgers, Whatever Mom Music / ASCAP
With emotional and lyrical support by
Christian Lee Hutson, Corn Fox Publishing / ASCAP [A2, A5, B2, B4, B5]
Morgan Nagler, Goldmeyn Music / BMI [A3]
Conor Oberst, Bedrooms; Bedrooms and Spiders / BMI [A4, A5, A6, B2, B5]
Marshall Vore, Pizza Money Music / ASCAP [A2, A3, A4, A6, B3, B5]
Nicholas White, Sliondelion / BMI [B3]
Julien Baker and Lucy Dacus appear coutesy of Matador Records
Ethan Gruska appears courtesy of Warner Bros. Records
Blake Mills appears courtesy of New Deal/Verve Records
© & ℗ 2020 Dead Oceans, Inc.
Black vinyl variant includes a 24-page illustrated lyric booklet and a digital download card.
Mixed at ARC Studios, Omaha, NE
Mastered at Gateway Mastering Studios, Portland, ME
All songs written by Phoebe Bridgers, Whatever Mom Music / ASCAP
With emotional and lyrical support by
Christian Lee Hutson, Corn Fox Publishing / ASCAP [A2, A5, B2, B4, B5]
Morgan Nagler, Goldmeyn Music / BMI [A3]
Conor Oberst, Bedrooms; Bedrooms and Spiders / BMI [A4, A5, A6, B2, B5]
Marshall Vore, Pizza Money Music / ASCAP [A2, A3, A4, A6, B3, B5]
Nicholas White, Sliondelion / BMI [B3]
Julien Baker and Lucy Dacus appear coutesy of Matador Records
Ethan Gruska appears courtesy of Warner Bros. Records
Blake Mills appears courtesy of New Deal/Verve Records
© & ℗ 2020 Dead Oceans, Inc.
Black vinyl variant includes a 24-page illustrated lyric booklet and a digital download card.
Barcode and Other Identifiers
- Barcode (Scanned, back cover): 656605150017
- Barcode (Text, back cover): 6 56605 15001 7
- Barcode (Sticker): 656605150048
- Label Code: LC 29265
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Side A runout, etched): DOC200LP-A cut 3-11-20 ♡ cm ♡
- Matrix / Runout (Side B runout, etched): DOC200LP-B cm
Other Versions (5 of 24)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Punisher (LP, Album, Limited Edition, Blue With Kind Of Swirly Silver) | Dead Oceans, Dead Oceans | DOC200, DOC200lp-C2 | US | 2020 | ||
Recently Edited | Punisher (LP, Album, Limited Edition, Red And Swirly [Merlot Wave]) | Dead Oceans | DOC200 | US | 2020 | ||
New Submission | Punisher (LP, Album, Limited Edition, Blue And Green And Swirly [Peacock Splash]) | Dead Oceans, Dead Oceans | DOC200, DOC200lp-C3 | UK | 2020 | ||
Punisher (CD, Album) | Dead Oceans | DOC200 | US | 2020 | |||
New Submission | Punisher (LP, Album, Limited Edition, Seaglass Wave) | Dead Oceans | DOC200lp-C4 | Europe | 2020 |
Recommendations
Reviews
- Phoebe’s records all sound phenomenal on vinyl, and I don’t put that lightly. This album sounds amazing on CD, but it’s even better on vinyl. Cannot recommend this enough to the fans.
- pretty great release, my only complaint is that there was a bit of hissing and pops during icu, which is a shame because it’s my fav on the album. also noticed a bit of static on dvd menu and garden song but not enough for me to notice without turning it up quite a bit.
- Edited 5 months agoMy copy has a lot of static on DVD Menu/Garden Song, to the point where I came to the reviews to see if others had the same problem and felt relieved when they did. It’s a shame that an album this beautiful was given such a subpar pressing. If anyone has suggestions on better pressings of this album, please let me know :’)
- Horrible pressing. The record sounds like someone sucked the life out of the singer. Her singing is muffled. There are no dynamics. The noise on the record is unbearable. Gateway mastering Bob Ludwig, what is happening?
- So many lines that pop into my head at whatever times in life invoke the sentiment of a lyric. Beautifully sung melodies in tone that matches the emotions of the words. First album bought on vinyl.
- Love this project! Brand new copy for me. Tone of this pressing is good, but the overall volume is quite a bit lower than your average vinyl.
- damn i love this record but the pressing is really bad. side b is a bit better but not acceptable. wish i could fix it
- My favorite album. Phoebe crafts an amazing record which really shines on vinyl from the between-song transitions to her voice to the production this album fails to disappoint.
- Just received my new stock copy from HMV UK March 2023. Runout matches exactly this release. Sounds good. A few very light clicks/crackles in the background which isn't really noticeable in the tracks, more so on DVD/Garden tracks. Background noise seems way too common on many vinyl pressings nowadays unlike in good old days but this is almost clear compared to one or two I've had recently (Angel Olsen). The volume seems a little low but when cranked up a bit more the dynamics seem good enough to my old ears! Last track sounds a bit like the instruments are suppressed which I didn't expect at all on a track that I expected to be loudest? Overall I'm happy I waited to see if the pressings improved.
Release
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