Fiona Apple – When The Pawn
Label: | Epic – 88985415301, Clean Slate – 88985415301 |
---|---|
Series: | Vinyl Me, Please. Exclusive Pressing |
Format: | Vinyl, LP, Album, Club Edition, Reissue, 180g |
Country: | US |
Released: | |
Genre: | Rock, Pop |
Style: |
Tracklist
A1 | On The Bound | |
A2 | To Your Love | |
A3 | Limp | |
A4 | Love Ridden | |
A5 | Paper Bag | |
B6 | A Mistake | |
B7 | Fast As You Can | |
B8 | The Way Things Are | |
B9 | Get Gone | |
B10 | I Know |
Companies, etc.
- Copyright © – Epic Records
- Phonographic Copyright ℗ – Epic Records
- Record Company – Sony Music Entertainment
- Manufactured For – Vinyl Me, Please
- Manufactured By – Sony Music Entertainment
- Copyright © – FHW Music
- Recorded At – Chateau Brion Studio
- Recorded At – NRG Studios
- Recorded At – Ocean Way Recording
- Recorded At – Andora Studios
- Recorded At – One On One South
- Recorded At – Presence Studios
- Mastered At – Oasis Mastering
- Mastered At – Capitol Mastering
- Lacquer Cut At – Capitol Mastering
- Pressed By – GZ Media – 192779E
- Exclusive Retailer – Vinyl Me, Please
Credits
- Arranged By [Horn Arranger] – John Bainbridge (5) (tracks: A4)
- Arranged By [Strings Arranger] – Randall Brion* (tracks: A4, B9, B10)
- Art Direction – Hooshik
- Bass – Greg Cohen (tracks: B10)
- Cello – Daniel Smith (4) (tracks: A4, B9, B10), Larry Corbett (tracks: A4, B9, B10), Paula Hochalter* (tracks: A4, B9, B10), Suzie Katayama (tracks: A4, B9, B10)
- Chamberlin – Patrick Warren (tracks: A2, B9)
- Chamberlin, Electric Piano [Wurlitzer] – Patrick Warren (tracks: A3, B7)
- Contractor – Suzie Katayama (tracks: A4, B9, B10)
- Contractor, Horns – Don Sweeney (tracks: A5)
- Coordinator [Production Coordinator - For] – Harvest Moon Prods.*
- Coordinator [Production Coordinator] – Valerie Pack
- Copyist – Don Sweeney (tracks: A4, B9, B10)
- Cover [Album Cover Concept], Design [Album Cover Design] – Fiona Apple, Michael "Jocco" Phillips
- Double Bass [Bass] – Mike Elizondo (tracks: A4, B9, B10)
- Drums – Jim Keltner (tracks: B10)
- Drums, Percussion – Butch* (tracks: A2, A3), Matt Chamberlain (tracks: A1 to A5, B7 to B9)
- Engineer [Assistant Engineers] – Greg Collins, John Tyree, Rob Brill, Steve Mixdorf, Tom Banghart
- Guitar, Synth – Tom Biller (tracks: B8)
- Horns – Jean Martinelli (tracks: A5), John Noreyko (tracks: A5), Paul Loredo (tracks: A5), Wendell Kelly (tracks: A5)
- Instruments [All Other Instruments] – Jon Brion (tracks: A1 to A3, A5 to B10)
- Lacquer Cut By – IS*
- Management – Andrew Slater, HK Management
- Mastered By – Eddy Schreyer
- Mastered By [Mastered For Vinyl By - Uncredited] – Ian Sefchick
- Mixed By – Jon Brion, Rich Costey
- Orchestrated By – John Bainbridge (5) (tracks: A4, B9, B10)
- Photography By – David Goggin (2), Rich Costey, Robert Elswit
- Producer – Jon Brion
- Programmed By – Rich Costey
- Recorded By – Rich Costey
- Songwriter – Fiona Apple
- Viola – Denyse Buffum (tracks: A4, B9, B10), Maria Newman (tracks: A4, B9, B10), Robert Becker (tracks: A4, B9, B10), Scott Haupert (tracks: A4, B9, B10)
- Violin – Armen Garabedian (tracks: A4, B9, B10), Berj Garabedian (tracks: A4, B9, B10), Brian Leonard (tracks: A4, B9, B10), Charlie Bisharat (tracks: A4, B9, B10), Edmund Stein (tracks: A4, B9, B10), Eve Butler (tracks: A4, B9, B10), Gerardo Hilera (tracks: A4, B9, B10), John Wittenberg (tracks: A4, B9, B10), Michele Richards (tracks: A4, B9, B10), Peter Kent (2) (tracks: A4, B9, B10), Robert Peterson (tracks: A4, B9, B10), Susan Chatman (tracks: A4, B9, B10)
- Vocals, Piano – Fiona Apple
- Woodwind – Michael Breaux (tracks: A1, A3, B7)
- Words By, Music By – Fiona Apple
Notes
Foil stamped "Vinyl Me, Please. Exclusive Pressing"
VMP exclusive vinyl edition
Hype Sticker reads:
- First Official Vinyl Release of Apple's Landmark Sophomore Album
- Foil-Stamped Heavyweight Tip-On Jacket with Lyric Sleeve
- Pressed on Exclusive 180g Black Vinyl
From the Vinyl Me, Please website: “... alternate art chosen by Apple.”
Tracklist is numbered 1 to 10 on labels and sleeve.
Vinyl mastering information taken from the VMP website.
© 1999, 2020 Epic Records, a division of Sony Music Entertainment/℗ 1999 Epic Records, a division of Sony Music Entertainment/Manufactured for Vinyl Me, Please by Sony Music Entertainment/25 Madison Avenue, New York, NY 10010-8601
This album was made on unceded Tongva territory
Studios: Chateau Brion Studio, NRG, Ocean Way Studios, Andora Studios, One On One South, Woodwinds @ Presence Studio Westport, CN
Mastering [...] @ Oasis Mastering, Studio City, CA
VMP exclusive vinyl edition
Hype Sticker reads:
- First Official Vinyl Release of Apple's Landmark Sophomore Album
- Foil-Stamped Heavyweight Tip-On Jacket with Lyric Sleeve
- Pressed on Exclusive 180g Black Vinyl
From the Vinyl Me, Please website: “... alternate art chosen by Apple.”
Tracklist is numbered 1 to 10 on labels and sleeve.
Vinyl mastering information taken from the VMP website.
© 1999, 2020 Epic Records, a division of Sony Music Entertainment/℗ 1999 Epic Records, a division of Sony Music Entertainment/Manufactured for Vinyl Me, Please by Sony Music Entertainment/25 Madison Avenue, New York, NY 10010-8601
This album was made on unceded Tongva territory
Studios: Chateau Brion Studio, NRG, Ocean Way Studios, Andora Studios, One On One South, Woodwinds @ Presence Studio Westport, CN
Mastering [...] @ Oasis Mastering, Studio City, CA
Barcode and Other Identifiers
- Matrix / Runout (On label, side A): 88985415301A
- Matrix / Runout (On label, side B): 88985415301B
- Rights Society: ASCAP
- Matrix / Runout (Variant 1 - runout side A, stamped [88985415301-A RE1 エ∽ etched]): 88985415301-A RE1 エ∽ 192779E1/A1 MASTERED BY CAPITOL
- Matrix / Runout (Variant 1 - runout side B, stamped [88985415301-B RE1 エ∽ etched]): 88985415301-B RE1 エ∽ 192779E2/A1 MASTERED BY CAPITOL
- Matrix / Runout (Variant 2 - runout side A, stamped [88985415301-A RE1 エ∽ etched]): 88985415301-A RE1 エ∽ 192779E1/A MASTERED BY CAPITOL
- Matrix / Runout (Variant 2 - runout side B, stamped [88985415301-B RE1 エ∽ etched]): 88985415301-B RE1 エ∽ 192779E2/A
Other Versions (5 of 36)
View AllRecommendations
- Released2017 — USVinyl —LP, 45 RPM, Album, Club Edition, Reissue, Remastered
- Released2019 — USVinyl —LP, Album, Club Edition, Reissue
- Released2020 — USVinyl —LP, Album, Club Edition
- Released2022 — USVinyl —LP, Album, Club Edition, Reissue, Stereo
- Vinyl —LP, Album, Club Edition, Reissue, Remastered
- Released2020 — USVinyl —LP, Album, Club Edition, Reissue, Remastered
- Released2020 — USVinyl —LP, Album, Club Edition, Reissue, Remastered
- Released2021 — USVinyl —LP, Album, Club Edition, Reissue, Remastered
- Released2020 — USVinyl —LP, Album, Club Edition, Reissue
- Released2020 — USVinyl —LP
Reviews
- Just got my copy from the recent restock and it sounds incredible. Very quiet with a full dynamic sound. The record could be louder overall but it still sounds exceptionally good. So happy to have this in my collection.
- Received a copy from the recently back -in-stock batch. Vinyl is flat (relieved after the Lyle Lovett) and exceptionally quiet. As others have commented, while it sounds good (this is a sonically/musically dense album as it is; could there be more separation? Yes; is it better than CD? Noticeably; is Apple lost a little bit in the mix? Yeah, a bit) but very much seems to be a non-analog or hybrid mix of some kind. I assume VMP would have said analog if it were so, as it does with other releases. The dead quiet vinyl confirms this to my ears. All that said, as a fan of WTP, I’m glad I have this. But there is all kinds of potential out there for a fully analog pressing.
- Mid-quality pressing, imo. Heavy disc, nice sleeve and nice jacket - the issue is that my copy has several instances of repeated clicks with no visible scratches. I have yet to clean it, and I'm hoping that's the issue.
- I've owned this one for a while and am finally listening to it. I'm playing it on a Pro-Ject Debut Carbon EVO through a NAD C 3050 LE and out of some KEFs, with a subwoofer. To my ears it sounds very quiet, almost silent. I've had to really crank my amplifier which to me is the sign of a great pressing. Some of the midrange is a little bit muddled but I think that's intentional. Overall, a great pressing well worth tracking down.
- I just acquired a copy this week and it is stunning. Not sure what's going on to explain why some hear a bad pressing vs. a good one, but mine is spectacular. Every bit as good as Tidal, IMO.
- Extraordinary Machine reissue just announced by VMP. That will probably move even faster than this did...
- I bought the record and listened to it without reading all these reviews. Quite surprised by the comments.
My copy sounds decent out right without any cleaning. Quiet, good dynamic, good bass, soundstage could be larger. Is it the best sounding record? Absolutely not. But if all vinyl factories manufacture to this standard as baseline i would be really thankful. You can complain about the package not being in gatefold, you can complain about the cover, or the price whatever it's subjective. But it sounds decent, fact. Not regret buying it for one second
And I like the cover, it's a "paying tribute " kind of cover.
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