Love – Forever Changes
Label: | Elektra – RM1 74013, Rhino Records (2) – RM1 74013 |
---|---|
Format: | Vinyl, LP, Album, Limited Edition, Reissue, Mono |
Country: | USA & Europe |
Released: | |
Genre: | Rock |
Style: | Folk Rock, Psychedelic Rock |
Tracklist
A1 | Alone Again Or | 3:15 | |
A2 | A House Is Not A Motel | 3:25 | |
A3 | Andmoreagain | 3:15 | |
A4 | The Daily Planet | 3:25 | |
A5 | Old Man | 2:57 | |
A6 | The Red Telephone | 4:45 | |
B1 | Maybe The People Would Be The Times Or Between Clark And Hilldale | 3:30 | |
B2 | Live And Let Live | 5:24 | |
B3 | The Good Humor Man He Sees Everything Like This | 3:00 | |
B4 | Bummer In The Summer | 2:20 | |
B5 | You Set The Scene | 6:49 |
Companies, etc.
- Published By – Grass Roots Music
- Published By – Maclean-Breadcrust
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Pressed By – Optimal Media GmbH – BH97544
Credits
- Arranged By [Orchestration] – David Angel (3)
- Bass – Ken Forssi
- Brass – Bud Brisbois, Roy Caton
- Double Bass – Chuck Berghofer
- Guitar – John Echols
- Guitar, Vocals – Arthur Lee, Bryan Maclean
- Lacquer Cut By – Bernie Grundman
- Percussion – Michael Stuart*
- Producer – Arthur Lee, Bruce Botnick
- Strings – Arnold Belnick, Darrel Terwilliger, James Getzoff, Marshall Sosson, Robert Barene
- Trombone – Richard Leith
- Trumpet – Ollie Mitchell
- Viola – Jesse Ehrlich
- Violin – Norman Botnick
Barcode and Other Identifiers
- Barcode (Scanned (Sticker)): 603497846184
- Barcode (Printed (Sticker)): 6 03497 84618 4
- Matrix / Runout (Side A runout, etched): R1 4013 A MONO BH97544-01 A1 BG
- Matrix / Runout (Side B runout, etched): R1 4013 B MONO BH97544-01 B1 BG
Other Versions (5 of 161)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited | Forever Changes (LP, Album, Stereo, Allentown Pressing) | Elektra | EKS-74013 | US | 1967 | ||
New Submission | Forever Changes (LP, Album) | Elektra | EKS 74013 | Canada | 1967 | ||
Recently Edited | Forever Changes (LP, Album, Stereo, Monarch) | Elektra | EKS 74013 | US | 1967 | ||
Forever Changes (LP, Album, Mono, Allentown Pressing) | Elektra | EKL-4013 | US | 1967 | |||
New Submission | Forever Changes (LP, Album, Stereo) | Elektra | EKS-74013 | New Zealand | 1967 |
Recommendations
- Released2018 — WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo
- Released2020 — UK, Europe & USVinyl —LP, Album, Reissue, Remastered, Stereo
- Released2016 — WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo
- Released2016 — WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo
- Released2013 — EuropeVinyl —LP, Album, Reissue, Remastered, Stereo
- Released2020 — WorldwideVinyl —LP, Album, Reissue, Stereo
- Released2021 — WorldwideVinyl —LP, Album, Reissue, Stereo
- Released2021 — WorldwideBox Set —Deluxe Edition
- Released2016 — USVinyl —LP, Album, Reissue, Remastered, Stereo
- Released2010 — USVinyl —LP, Album, Reissue, Remastered, Stereo
Reviews
- Edited 7 months agoEverybody calm your tits.. yes, this is a mono fold down but, it still sounds killer in mono. Go ahead and hit that mono button on your stereo version. I like having a dedicated mono pressing (cut by Bernie Grundman) of this record. Why? Because it sounds killer and I like to nerd out on this kind of shit..
- I've listened to all Rhino reissues (US & EU) and this is the one I've kept. Whether it's a fold-down Mono or not, this one sounds absolutely fantastic. Trust me, go for this one. It sounds so much better than the stereo cut - on speakers, but especially on headphones. To me, this is the definite version of this record. I won't be looking no further. They should reissue this Mono cut again.
- This variant sounds so amazing. My ears have been used to the stereo version for years, but the mono version absolutely obliterates it imo. The rock-leaning cuts sound punchy and in your face, and the more subdued tracks that feature horns and strings sound warm and beautiful. This is the version to have.
- This is a wonderful version. I have a few stereo versions I was more than happy with and had been stalling on getting this mono version but I was wrong to stall. This is my new favourite of this incredible album.
- I have to say that this is another example of the mono version ( however that has come about in terms of production) beating any stereo version by some distance, in my opinion. A great record becomes even better. I have thought for some time that the stereo version just sounds "odd". Now I have a mono version to compare to; my suspicions have been proved right. Get it while you can.
- I have nothing to compare this with except streaming, but I love this mono mix. Moreover, I would have no idea how different a true mono vs. fold down would compare. Suffice to say, this pressing is flat, quiet, has great dynamic range at my normal listen volume to the extent that I was really surprised, as was my wife from downstairs. I had read some reviews after I bought it, but before I had opened and played it. I was tempted to just return it and seek out something else, but in the end curiousity got the better of me. In the end, I really enjoy this mix and the music is great.
- This pressing sounds great. I agree with some of the other positive reviews, the vinyl is quiet, the mix is punchy, and it has a fantastic dynamic range. We'll worth getting for "A House is Not a Motel" alone.
- Edited 2 years agoSo my 2 cents on this “elusive”” mono “record, I bought this because the curiosity has been killing me after reading reviews on diff sites incl discogs. First and foremost this is an awesome mix and pressing, there is a reason this was released - it sounds great! this “mix” seems to put forward the drums , guitar and vocals, the strings and horns are more in backround, so in my opinion the songs/songwriting are more noticeable they dont get lost in the production.nothing wrong with the original , its a great record but this “ mono” mix is top notch! I think the fact that the description says “elusive “ implies its kind of vague or tongue in cheek ( Grundman is in on the joke) otherwise it would have just said “ mono mix” period.
If u like this record i would def recommend this version, it will also be my go to.
I have compared the this mono with the Rhino remaster 2012 and an original early 80s stereo press and for me this wins! - Edited 2 years agoFold down or not, this sounds good. Punchy and dynamic, the vinyl itself is clean and flat. Compared to the 800 dollar ERC pressing, which I understand is also a fold down this seems like a great value. You cant go wrong getting this at the current price.
- Edited 2 years agoI have the Bellman stereo cut and I actually think this version sounds better. I think the extra punchiness of the mono mix helps the album even if it is a fold but I actually think this is closer to a remix by BG
Will be my go to when I want to listen to it. Will still keep the Bellman cut for the stereo mix.
This is an album that is worth having both.
Release
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