Tom Petty – Wildflowers & All The Rest
Label: | Warner Records – 093624929291 |
|---|---|
Format: | Vinyl, LP, Stereo |
Country: | UK, Europe & US |
Released: | |
Genre: | Rock |
Style: | Classic Rock, Folk Rock, Rock & Roll, Pop Rock |
Tracklist
| Wildflowers | |||
| A1 | Wildflowers | 3:12 | |
| A2 | You Don't Know How It Feels | 4:49 | |
| A3 | Time To Move On | 3:15 | |
| A4 | You Wreck Me | 3:23 | |
| B1 | It's Good To Be King | 5:11 | |
| B2 | Only A Broken Heart | 4:31 | |
| B3 | Honey Bee | 4:59 | |
| B4 | Don't Fade On Me | 3:32 | |
| C1 | Hard On Me | 3:49 | |
| C2 | Cabin Down Below | 2:51 | |
| C3 | To Find A Friend | 3:24 | |
| C4 | A Higher Place | 3:56 | |
| D1 | House In The Woods | 5:32 | |
| D2 | Crawling Back To You | 5:06 | |
| D3 | Wake Up Time | 5:19 | |
| All The Rest | |||
| E1 | Something Could Happen | 4:34 | |
| E2 | Leave Virginia Alone | 4:15 | |
| E3 | Climb That Hill Blues | 2:33 | |
| E4 | Confusion Wheel | 4:20 | |
| E5 | California | 2:37 | |
| F1 | Harry Green | 3:53 | |
| F2 | Hope You Never | 3:02 | |
| F3 | Somewhere Under Heaven | 4:38 | |
| F4 | Climb That Hill | 3:33 | |
| F5 | Hung Up And Overdue | 6:02 |
Companies, etc.
- Record Company – Warner Records Inc.
- Record Company – Warner Music Group
- Copyright © – Tom Petty Legacy
- Phonographic Copyright ℗ – Tom Petty Legacy
- Licensed To – Warner Records Inc.
- Copyright © – Warner Records Inc.
- Phonographic Copyright ℗ – Warner Records Inc.
- Copyright © – Gone Gator Music
- Copyright © – Wixen Music Publishing, Inc.
- Copyright © – Wild Gator Music
- Recorded At – Sound City Studios
- Recorded At – Ocean Way Recording
- Overdubbed At – Shoreline Recorders, Malibu
- Recorded At – Rumbo Recorders
- Mixed At – Andora Studios
- Mastered At – Bernie Grundman Mastering
- Pressed By – Record Industry – 29901
Credits
- Art Direction [For], Design [Package Design For] – SMOG Design, Inc.
- Art Direction, Design [Package Design By] – Jeri Heiden, Nick Steinhardt
- Compilation Producer [Compilation Produced By] – Ryan Ulyate
- Consultant [Consultant On Anything Really Important] – George Drakoulias (tracks: A1 to D3)
- Coordinator [Logistical Coordination], Crew [Equipment Manager] – Alan "Bugs" Weidel* (tracks: A1 to D3)
- Cover [Original Cover Beadwork Created By] – Maria Sarno
- Creative Director [Creative Direction For Wildflowers Project By] – Adria Petty
- Curated By [Compilation Curated By] – Adria Petty, Annakim Violette, Benmont Tench, Dana Petty, Mike Campbell
- Engineer – David Bianco (tracks: A1 to D3), Jim Scott (tracks: A1 to D3), Richard Dodd (tracks: A1 to D3)
- Engineer [Assistant] – Jeff Sheehan (tracks: A1 to D3), Joe Barresi (tracks: A1 to D3), Steve Holroyd (tracks: A1 to D3)
- Engineer [The Yard Dog Orchestra Engineered By] – Stephen McLaughlin
- Illustration [Original Illustrations Created By] – Blaze Ben Brooks
- Lacquer Cut By – CB*
- Management [Digital Platforms And Merchandizing Formats Managed By] – Jay Barnings
- Management [Digital Platforms And Merchandizing Formats Managed For] – Red Light Management
- Management [Management For Tom Petty Legacy LLC, For] – Red Light Management
- Management [Management For Tom Petty Legacy LLC] – Coran Capshaw, Will Botwin
- Management [Tom Petty Personal Archive And Tom Petty Radio Managed By] – Adam Hohlt
- Management [Tom Petty Personal Archive And Tom Petty Radio Managed For] – Red Light Management
- Management [Video Commissioner For Warner Records] – Lydia Sarno
- Marketing [Project Marketing For Warner Records By] – Ingrid Erickson, Jesse Ervin (2)
- Mastered By [Compilation Mastered By] – Chris Bellman
- Mixed By – Richard Dodd (tracks: A1 to D3)
- Mixed By [Assistant] – Kenji Nasai (tracks: A1 to D3)
- Orchestra – The Yard Dog Orchestra
- Photography By [Wildflowers In-Studio Film Assets Created By] – Martyn Atkins
- Photography By [Wildflowers-era Photography Supplied By] – Mark Seliger, Martyn Atkins, Robert Sebree
- Producer [Produced By] – Rick Rubin (tracks: A1 to D3)
- Producer [Produced With] – Mike Campbell (tracks: A1 to D3), Tom Petty (tracks: A1 to D3)
- Project Manager [Project Management For Warner Records By] – Robin Hurley
- Research [Photo, Video And Spoken Audio Archivist] – Alison Tavel
- Research [Physical Tom Petty Archive And Historical Accuracy Maintained By] – Alan "Bugs" Weidel*, Mary Klauzer
- Songwriter [Songs Written By] – Mike Campbell (tracks: A4, B4, E3, F3, F4), Tom Petty
Notes
3 LPs in triple gatefold sleeve with 3 printed innersleeves with lyrics and art.
Hype sticker on shrink: "25 Songs originally recorded during the Wildflowers sessions..."
Tracks A1 to D3: Recorded in Los Angeles, CA, at Sound City Studios & Ocean Way Recording
Track E1: Previously unreleased song and recording - July 26, 1993 / Recorded at Ocean Way Recording
Track E2: Previously unreleased recording - January 26, 1993 / Recorded at Sound City Studios
Track E3: Previously unreleased song and recording - 1993 / Produced, recorded & mixed by Tom Petty at his home studio
Track E4: Previously unreleased song and recording - April 11, 1994 / Recorded at Sound City Studios
Track E5: Alternate version - original on "She's the One" - April 14, 1994 / Recorded at Sound City Studios
Track F1: Previously unreleased song and recording - 1994 / Recorded at home studio with overdubs (2014) at Shoreline Recorders
Track F2: Alternate version - original on "She's the One" - April 11, 1994 / Recorded at Sound City Studios
Track F3: September 30, 1992 - Released in 2015 in "Entourage" film / Recorded at Rumbo Recorders
Track F4: Alternate take - different than one on "She's the One" - November 30, 1993 / Recorded at Sound City Studios
Track F5: Alternate version - original on "She's the One" - June 3, 1993 / Recorded at Ocean Way Recording
Compilation mastered at Bernie Grundman Mastering.
Tracks A1, to A3, B1 to B3, C1 to E2, E4 to F2, F5: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc.
Track F3: © 1992 Gone Gator Music (ASCAP), administered by Wixen Music Publishing Inc./Wild Gator Music (GMR)
Tracks A4, B4, E3, F4: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc./Wild Gator Music (GMR)
On rear artwork:
Warner Records Inc., A Warner Music Group Company
©℗ 2020 Tom Petty Legacy under exclusive license to Warner Records Inc. ℗2020 Warner Records Inc.
Made in the Netherlands
On labels:
©℗ 2020 Warner Records Inc., A Warner Music Group Company.
Made in the Netherlands
Although "Made In Netherlands" is printed on back, some copies also include a "Made In Germany" sticker.
Hype sticker on shrink: "25 Songs originally recorded during the Wildflowers sessions..."
Tracks A1 to D3: Recorded in Los Angeles, CA, at Sound City Studios & Ocean Way Recording
Track E1: Previously unreleased song and recording - July 26, 1993 / Recorded at Ocean Way Recording
Track E2: Previously unreleased recording - January 26, 1993 / Recorded at Sound City Studios
Track E3: Previously unreleased song and recording - 1993 / Produced, recorded & mixed by Tom Petty at his home studio
Track E4: Previously unreleased song and recording - April 11, 1994 / Recorded at Sound City Studios
Track E5: Alternate version - original on "She's the One" - April 14, 1994 / Recorded at Sound City Studios
Track F1: Previously unreleased song and recording - 1994 / Recorded at home studio with overdubs (2014) at Shoreline Recorders
Track F2: Alternate version - original on "She's the One" - April 11, 1994 / Recorded at Sound City Studios
Track F3: September 30, 1992 - Released in 2015 in "Entourage" film / Recorded at Rumbo Recorders
Track F4: Alternate take - different than one on "She's the One" - November 30, 1993 / Recorded at Sound City Studios
Track F5: Alternate version - original on "She's the One" - June 3, 1993 / Recorded at Ocean Way Recording
Compilation mastered at Bernie Grundman Mastering.
Tracks A1, to A3, B1 to B3, C1 to E2, E4 to F2, F5: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc.
Track F3: © 1992 Gone Gator Music (ASCAP), administered by Wixen Music Publishing Inc./Wild Gator Music (GMR)
Tracks A4, B4, E3, F4: © 1994 Gone Gator Music (ASCAP), administered by Wixen Music Publishing, Inc./Wild Gator Music (GMR)
On rear artwork:
Warner Records Inc., A Warner Music Group Company
©℗ 2020 Tom Petty Legacy under exclusive license to Warner Records Inc. ℗2020 Warner Records Inc.
Made in the Netherlands
On labels:
©℗ 2020 Warner Records Inc., A Warner Music Group Company.
Made in the Netherlands
Although "Made In Netherlands" is printed on back, some copies also include a "Made In Germany" sticker.
Barcode and Other Identifiers
- Barcode (Scanned): 093624929291
- Barcode (Text): 0 93624 92929 1
- Matrix / Runout (Side A runout): 29901 1A 093624899105 093624892991-A Re-1 CB
- Matrix / Runout (Side B runout): 29901 1B 093624899105 093624892991-B Re-1 CB
- Matrix / Runout (Side C runout): 29901 1C 093624899105 093624892991-C Re-1 CB
- Matrix / Runout (Side D runout): 29901 1D 093624899105 093624892991-D Re1 CB
- Matrix / Runout (Side E runout): 29901 1E 093624899105 093624892991-E CB
- Matrix / Runout (Side F runout): 29901 1F 093624899105 093624892991-F CB
- Matrix / Runout (Side A to D labels): 093624978312
- Matrix / Runout (Side E, F labels): 093624892991
- Rights Society: ASCAP
- Rights Society: GMR
Other Versions (5 of 89)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Wildflowers (CD, Album) | Warner Bros. Records | 9362-45759-2 | Europe | 1994 | ||
| Wildflowers (CD, Album, Stereo, Specialty Pressing) | Warner Bros. Records | 9 45759-2 | US | 1994 | |||
| Wildflowers (2×LP, Album, Stereo) | Warner Bros. Records | 9362 45759-1 | Europe | 1994 | |||
Recently Edited | Wildflowers (2×LP, Album) | Warner Bros. Records | 9 45759-1 | US | 1994 | ||
Recently Edited | Wildflowers (Cassette, Album) | Warner Bros. Records | 9362-45759-4 | Europe | 1994 |
Recommendations
2016 USVinyl —LP, Compilation, Reissue, Remastered, Stereo
2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo
Reviews
Believe the hype on this edition. Great pressing of a great Lacquer of a great master of a great album. $13 per disc?! Thank you Tom Petty.
This 'Made in Netherlands' pressing is perfect. Flat and quiet.
Sound is fantastic.
This is the first new pressing I've had in a long time that is completely flat and without noise!
Thank you!
Edited 2 months agoNothing extraordinary here—except that it’s absolutely extraordinary. This presentation of Wildflowers & All the Rest is everything you want it to be: simple, intimate, and utterly perfect for the music it delivers.
It’s slightly less dynamic than some vinyl pressings, but that’s not a knock—it’s exactly what this music calls for. The beauty of Wildflowers is in its simplicity: Tom’s voice, Tom’s strumming, and yes, Tom’s harmonicanizing (pretty sure that’s not a word but it should be). The soundstage doesn’t need to be massive; it just needs to feel honest, and Chris Bellman nails it here. And the vinyl itself? Dead. Ass. Quiet. From the very first needle drop, there’s not a whisper of hiss or noise.
Highlight for me: Don’t Fade on Me, Tom’s vocals here are just so friggin intimate. In a two channel system, Tom is front and center and in your room.
The packaging is as thoughtful as the sound. Posters, photos—it’s all here, and it’s stunning. But I’ll admit, dealing with a triple gatefold is a bit challenging. Do triple gatefold sleeves exist?
Listening to this record is a bittersweet experience. It’s a flawless representation of Petty’s artistry, but it’s also a reminder of how much we miss him. This is more than a reissue; it’s a love letter to one of the most heartfelt and timeless records of his career.
The listing says 2 lps. Is it 3 lps or two? I ask bc I found a new copy for $20 but the listing says 3 lps- Amazing package. Really beautiful design of the sleeve and inserts and everything- a pretty thick gatefold but easily cool enough to justify it.
This is the best sounding record in my collection. It’s got a holographic sound quality. Smoother than silk but retains crispness, absolutely minimal noise, beautiful definition and separation. Big warm soundstage with Petty & Friends mostly positioned close to the listener. The intimacy is used to great effect. A remarkable argument for vinyl as a medium. 
Edited 6 months agoInitially I didn't want to get this because I didn't really care about the extra tracks, but I'm glad I did. One, the quality is exceptional. I had this on CD when it came out and played it over and over, and even though it's been years, I can tell you it didn't sound any better than this. And two, the extra tracks are totally worth your time. I had no idea that Tom wrote Leave Virginia Alone, but it explains why I found myself liking it despite not giving Rod Stewart a chance on anything else (maybe he's good, no idea frankly). But Tom's version is better and now I can't hear that song in my head the way Stewart did it. Oh, and the packaging is really nice too. Quality material, well designed. Highly recommend this release.
Edited 10 months agoWouldn't you know it....I finally find a copy. Buy it, open it, go to clean it.....and something is embedded in the record that makes it pop as the stylus passes over it. It looks like a flake of paper or something but totally ruined it for me. Not to mention Side 2 of record 1 the label is grossly off centre making the record look warped as it spins. Now I have to return it and go on the hunt for ANOTHER copy. FML!
This pressing is absolutely spectacular. It's also a really beautiful cover and the material feels velvety smooth just holding it in your hands. Love the 3-panel gatefold and just staring at the photos. Sounds crisp, clean, and quiet. Do not pass this up. If you are on the fence, just do it. No regerts.- This pressing is absolutely spectacular. It's also a really beautiful cover and the material feels velvety smooth just holding it in your hands. Love the 3-panel gatefold and just staring at the photos. Sounds crisp, clean, and quiet. Do not pass this up. If you are on the fence, just do it. No regerts.
What's already been said doesn't need to be repeated, but I found this at my local Barnes and Noble for $39.99 and had a $30 gift card so I figured why not... Blown. A. Way. An already lush. well -rounded, Rick-Rubin-Produced masterpiece becomes even more lush and well-rounded. I haven't even touched "All the Rest" yet - Listening to Wildflowers with this amount of detail is a treat enough.
Release
For sale on Discogs
Sell a copy74 copies from $27.00
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