Garland Jeffreys – Ghost Writer
Label: | A&M Records – SP-4629 |
---|---|
Format: | Vinyl, LP, Album, Gatefold |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Pop Rock, Rock & Roll |
Tracklist
A1 | Rough And Ready | 2:57 | |
A2 | I May Not Be Your Kind | 3:46 | |
A3 | New York Skyline | 3:29 | |
A4 | Cool Down Boy | 4:04 | |
A5 | Ghost Writer | 5:39 | |
B1 | Lift Me Up | 3:28 | |
B2 | Why-O | 3:38 | |
B3 | Wild In The Streets | 2:59 | |
B4 | 35 Millimeter Dreams | 3:12 | |
B5 | Spanish Town | 7:43 |
Companies, etc.
- Phonographic Copyright ℗ – Atlantic Records
- Phonographic Copyright ℗ – A&M Records, Inc.
- Recorded At – Atlantic Studios
- Mastered At – A&M Mastering Studios
- Published By – Garland Jeffreys Music
- Published By – Sheepshead Bay Music
- Published By – Castle Music, Inc.
- Pressed By – Monarch Record Mfg. Co. – △22026
Credits
- Arranged By – Garland Jeffreys
- Arranged By [With] – Alan Freedman, David Spinozza
- Coordinator [Production Coordination] – Christine Martin
- Design Concept [Cover Concept], Art Direction – Carole Langer
- Engineer [Assistant] – Randy Mason
- Management [Direction] – Carole Langer
- Mastered By – Bernie Grundman
- Photography By [Cover] – Duane Michals
- Photography By [Inside] – Manny Gonzalez
- Producer – David Spinozza, Garland Jeffreys
- Recorded By, Mixed By – Lew Hahn
- Words By, Music By – Garland Jeffreys
Notes
No plant code on label, however (MR) in runouts indicate pressing from Monarch Record Mfg. Co.
A1, B3: Sheepshead Bay Music and Castle Music Inc. (ASCAP)
A2 to B2, B4, B5: Garland Jeffreys Music (ASCAP)
B3 ® 1973 Atlantic Records
A1, A2 to B2, B4, B5 ® 1977 A&M Records, Inc.
Recorded at Atlantic Studios October 12-18, 1976
Mastered by Bernie Grundman at A&M Recording Studios
A1, B3: Sheepshead Bay Music and Castle Music Inc. (ASCAP)
A2 to B2, B4, B5: Garland Jeffreys Music (ASCAP)
B3 ® 1973 Atlantic Records
A1, A2 to B2, B4, B5 ® 1977 A&M Records, Inc.
Recorded at Atlantic Studios October 12-18, 1976
Mastered by Bernie Grundman at A&M Recording Studios
Barcode and Other Identifiers
- Rights Society: ASCAP
- Matrix / Runout (Matrix A on label): SP-4995
- Matrix / Runout (Matrix B on label): SP-4996
- Matrix / Runout (Variant 1: Runout A etched / (MR) stamped): A+M SP4995-M1 (MR) △22026
- Matrix / Runout (Variant 1: Runout B etched / (MR) stamped): A+M SP4996-M1 (MR) △22026-X
- Matrix / Runout (Variant 2: Runout A etched / (MR) stamped): A&M SP4995-M1 (MR) (backward check mark)△22026
- Matrix / Runout (Variant 2: Runout B etched / (MR) stamped): A&M SP4996-M2 (MR) △22026-X(2)
- Matrix / Runout (Variant 3: Runout A etched / (MR) stamped): A+M SP4995-M1 (MR) △22026(1)
- Matrix / Runout (Variant 3: Runout B etched / (MR) stamped): A+M SP4996-M1 (MR) △22026-X(1)
Other Versions (5 of 30)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Ghost Writer (LP, Album, Promo, Terre Haute Pressing, Gatefold) | A&M Records | SP-4629 | US | 1977 | ||
New Submission | Ghost Writer (LP, Album) | A&M Records | 985.057 | France | 1977 | ||
New Submission | Ghost Writer (LP, Album) | A&M Records | AMLH 64629 | UK | 1977 | ||
New Submission | Ghost Writer (LP, Album, Gatefold sleeve) | A&M Records | AMLH 64629 | Spain | 1977 | ||
New Submission | Ghost Writer (LP, Album, Gatefold sleeve) | A&M Records | L 36271 | Australia | 1977 |
Recommendations
- Vinyl —LP, Album, Stereo
- Released1979 — USVinyl —LP, Album
- Released1972 — USVinyl —LP, Album, Stereo
- Released1970 — USVinyl —LP, Album, Stereo
- Released1980 — USVinyl —LP, Album
- Released1984 — USVinyl —LP, Album, Stereo
- Released1985 — USVinyl —LP, Album
- Released1981 — USVinyl —LP, Album
- Released1984 — USVinyl —LP, Album
- Released1975 — USVinyl —LP, Album, Stereo
Reviews
- Garland Jeffreys is one of the most underrated singer/songwriters of the 70s and this is his magnum opus. A great album full of street-wise lingo and reggae rhythms. One of the 100 best albums of the 70s.
- **** recommended
While I’ve spotted this 1977 set countless times in the cheapskate bins, I’d never actually given it a listen, which is a shame because it’s a solid set, pure East Coast, dripping with New York Big Apple in the 1970s, mixing a laidback version of the East Coast R&B sound with some urban folk and island rhythms, dreaming of Hollywood in the back of the movie house on a rotten apple dog day, freezing in the heat and meeting up with Lou Reed heading down to meet Bruce Springsteen to go south and catch Elton John backing the Rolling Stones with their show stolen from a million souls from the West Indies to Kansas City, his own bag of Americana from a man who’s been there, Puerto Rican black man New York City running through his veins and spilling out on these songs, ballads mixed with no nonsense rockers, what a million new wavers wished upon...and just when it sounds like it might grow tired, it springs back like an old mattress on a bare floor, includes the earlier recorded and much covered “Wild in the Streets” wonderfully placed deep into the set, but moving around in moods and tempos, there’s more to this than that, closing with “Spanish Town”...with the subdued quality of most of the songs, it’s easy to have this fade into the background and with his lack of focus on one clear category, he never moved a massive amount of units in the States, but this set certainly gave him plenty of street cred for decades and left listeners something to remember, maybe nothing here to make it worth rushing out to get but next time you catch it in the cheap bins, snab it and give it a spin. (In fact, maybe even pay a few extra bucks and spend the time to find a clean white-label radio promo, strap on the headphones, click off the lights and give it a close listen: it deserves that.)