Alice In Chains – Facelift
Label: | Columbia – 19439783861, Legacy – 19439783861 |
---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Grunge, Heavy Metal |
Tracklist
A1 | We Die Young | 2:32 | |
A2 | Man In The Box | 4:46 | |
A3 | Sea Of Sorrow | 5:49 | |
B1 | Bleed The Freak | 4:01 | |
B2 | I Can't Remember | 3:42 | |
B3 | Love, Hate, Love | 6:27 | |
C1 | It Ain't Like That | 4:37 | |
C2 | Sunshine | 4:44 | |
C3 | Put You Down | 3:16 | |
D1 | Confusion | 5:44 | |
D2 | I Know Somethin (Bout You) | 4:21 | |
D3 | Real Thing | 4:03 |
Companies, etc.
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Distributed By – Sony Music Entertainment
- Copyright © – Buttnugget Publishing
- Copyright © – Jack Lord Music
- Recorded At – London Bridge Studio
- Recorded At – Capitol Studios
- Mixed At – Sound Castle Recorders, Los Angeles
- Mastered At – Future Disc
- Remastered At – Gateway Mastering
- Pressed By – MPO
- Manufactured By – Noiseland Industries – 20-0479
Credits
- A&R – Nick Terzo
- Art Direction, Design [Logo] – David Coleman (5)
- Backing Vocals [Additional Backing Hacking] – Cantrell*, Kevin Shuss, Starr*, Kinney*
- Band [Alice In Chains Is:], Bass – Michael Starr
- Band [Alice In Chains Is:], Drums, Percussion – Sean Kinney
- Band [Alice In Chains Is:], Guitar, Backing Vocals – Jerry Cantrell
- Band [Alice In Chains Is:], Vocals – Layne Staley
- Booking [International, At] – X-ray Touring
- Booking [International] – Hannah Edds, Josh Javor, Steve Strange (2)
- Booking [North American] – ICM (2), Jon Pleeter
- Engineer [Additional Engineering By] – Ron Champagne
- Engineer [Assistant Engineering At Capitol By] – Leslie Ann Jones
- Engineer [Assistant Mix Engineering - Sound Castle] – Bob Lacivita
- Lacquer Cut By – CB*
- Legal – King Holmes Paterno & Berliner, LLP*, Peter Paterno
- Management [Agency] – ICM (2), Jeff Rowland (2)
- Management [Business] – David Weise & Associates
- Management [Worldwide Representation] – Susan Silver Management, Velvet Hammer Music And Management Group
- Mastered By [Originally] – Eddy Schreyer
- Photography By – Rocky Schenck
- Producer [Produced By], Recorded By, Mixed By – Dave Jerden
- Product Manager – Peter Fletcher
- Remastered By – Bob Ludwig
Notes
Comes with an MP3 download card from We Are Vinyl.
"Man In The Box" is mislabelled as "Man In A Box" in the centre label of side A.
℗ 1990 & © 1990, 2020 Columbia Records, a division of Sony Music Entertainment. All rights reserved by Sony Music Entertainment. / Made in France.
Recorded at London Bridge Studios, Seattle, WA and Capitol Recording Studios, Hollywood, CA.
Mixed at Sound Castle, Los Angeles, CA.
Originally mastered at Future Disc Systems, Hollywood, CA.
Remastered at Gateway Mastering, Portland, ME.
Tracks A1, A3, B1, C1 to C3, D2: © 1990 Buttnugget Publishing (ASCAP)
Tracks A2, B2, B3, D1, D3: © 1990 Jack Lord Music Buttnuggest Publishing (ASCAP)
"Man In The Box" is mislabelled as "Man In A Box" in the centre label of side A.
℗ 1990 & © 1990, 2020 Columbia Records, a division of Sony Music Entertainment. All rights reserved by Sony Music Entertainment. / Made in France.
Recorded at London Bridge Studios, Seattle, WA and Capitol Recording Studios, Hollywood, CA.
Mixed at Sound Castle, Los Angeles, CA.
Originally mastered at Future Disc Systems, Hollywood, CA.
Remastered at Gateway Mastering, Portland, ME.
Tracks A1, A3, B1, C1 to C3, D2: © 1990 Buttnugget Publishing (ASCAP)
Tracks A2, B2, B3, D1, D3: © 1990 Jack Lord Music Buttnuggest Publishing (ASCAP)
Barcode and Other Identifiers
- Barcode (Scanned): 194397838619
- Barcode (Printed): 1 9439-78386-1 9
- Matrix / Runout (Side A, variant 1 - etched, 'MPO 20179999' stamped): 20-0479/19439783861-A CB MPO 20179999
- Matrix / Runout (Side B, variant 1 - etched, 'MPO 20180002' stamped): 20-0479/19439783861-B CB MPO 20180002
- Matrix / Runout (Side C, variant 1 - etched, 'MPO 20181234' stamped): 20-0479/19439783861-C CB MPO 20181234
- Matrix / Runout (Side D, variant 1 - etched, 'MPO 20180447' stamped): 20-0479/19439783861-D CB MPO 20180447
- Matrix / Runout (Side A, variant 2 - etched, 'MPO 20179088' stamped): 20-4079/19439783861-A CB MPO 20179088
- Matrix / Runout (Side B, variant 2 - etched, 'MPO 20179089' stamped): 20-4079/19439783861-B CB MPO 20179089
- Matrix / Runout (Side C, variant 2 - etched, 'MPO 20179367' stamped): 20-4079 19439783861-C CB MPO 20179367
- Matrix / Runout (Side D, variant 2 - etched, 'MPO 20179366' stamped): 20-0479/19439783861-D CB MPO 20179366
- Matrix / Runout (Side A, variant 3 - etched, 'MPO® 20 179211' stamped): 20-0479 / 19439783861-A CB MPO® 20 179211
- Matrix / Runout (Side B, variant 3 - etched): 20-0479 / 19439783861-B CB
- Matrix / Runout (Side C, variant 3 - etched, 'MPO® 20 179411' stamped): 20-0479 19439783861-C CB MPO® 20 179411
- Matrix / Runout (Side D, variant 3 - etched, 'MPO® 20 179366' stamped): 20-0479 / 19439783861-D CB MPO® 20 179366
- Matrix / Runout (Side A, variant 4- etched, 'MPO 20179265' stamped): 20-4079/19439783861-A CB MPO 20179265
- Matrix / Runout (Side B, variant 4 - etched, 'MPO 20179089' stamped): 20-4079/19439783861-B CB MPO 20179089
- Matrix / Runout (Side C, variant 4 - etched, 'MPO 20179411' stamped): 20-4079 19439783861-C CB MPO 20179411
- Matrix / Runout (Side D, variant 4 - etched, 'MPO 20179366' stamped): 20-0479/19439783861-D CB MPO 20179366
- Rights Society: ASCAP
Other Versions (5 of 132)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Facelift (CD, Album, Stereo) | Columbia, Columbia | CK 46075, 46075 | US | 1990 | ||
Recently Edited | Facelift (CD, Album) | CBS | 467201 2 | Europe | 1990 | ||
Recently Edited | Facelift (Cassette, Album) | Columbia | CT 46075 | US | 1990 | ||
Recently Edited | Facelift (LP, Album) | CBS | 467201 1 | Europe | 1990 | ||
New Submission | Facelift (Cassette, Album) | CBS | 467201 4 | Europe | 1990 |
Recommendations
Reviews
- The 2024 version does not appear to be cut by Chris Bell (CB) unlike the 2020 US pressing. Does anyone know how you can tell the difference without opening the record?
- so glad they did this 1 right on 2xlp and let chris bellman cut it. sounds great !!!!!!!!!!!! ***** stars all the way on this
- Sounds very good, but my copy is pressed off-center and has some warping (does not affect playback). Little to no surface noise.
- Flat dead quiet pressing!
Best I’ve heard this album. Thundering lows and great highs with Laynes voice to the forefront.
Pressing: 9.5/10
Mix: 10/10 - Edited one year agoMy newly-arrived repress copy does not have the MPO logo stamped in the runout on either of the 4 sides, so it looks like this could have been manufactured by a completely different facility. Also the shrink-wrap on mine is folded over on the back (pull-apart style), as well of being completely devoid of any hype sticker. If anybody else has a copy that has these marks please let me know!
- Pretty awesome pressing. Front cover is pixelated, but the inner sleeves are nice, glossy reproductions. I disagree with other reviews regarding muddiness on the mid-to-upper ends. I've listened to this on everything but the original vinyl and the instrumentation is fine. If anything, the original recording was tinny and lacked the bass and toms/kick that the remaster pushes up. The vocals really shouldn't be touched and I'm not seeing anything level-wise that suggests they were. "Love, Hate, Love" is the best I've ever heard it, and I really don't see much to complain about. Touch of sibilance on "I Know Something 'Bout You" but generally solid otherwise. I have very few gripes about this pressing other than the front cover being pixelated and always wanting a gatefold for double disc titles.
Release
For sale on Discogs
Sell a copy64 copies from $22.48
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