Static (7) – Ghost Boy
| Label: | City Centre Offices – block 021 |
|---|---|
| Format: | Vinyl, 12", 33 ⅓ RPM |
| Country: | Germany |
| Released: | |
| Genre: | Electronic |
| Style: | Leftfield, IDM, Experimental |
Tracklist
| A1 | Ghost Boy | 5:06 | |
| A2 | A Pleasant Place | 7:28 | |
| B1 | Ghost Boy (ISAN Remix) | 7:04 | |
| B2 | Ghost Boy (Resistance Remix) | 6:01 |
Companies, etc.
- Phonographic Copyright ℗ – City Centre Offices
- Copyright © – City Centre Offices
- Published By – Copyright Control
- Lacquer Cut At – Dubplates & Mastering
Credits
- Bass, Keyboards [MS 20] – Stefan Schneider
- Lacquer Cut By – Loop-o
- Vocals – Ronald Lippok
- Written-By [W], Producer [P] – Hanno Leichtmann
Notes
c + p 2003, city centre offices
Correct rotation speed is 33⅓RPM despite "45RPM" in runout
Generic City Centre Offices die-cut sleeve
Durations do not appear on release
Correct rotation speed is 33⅓RPM despite "45RPM" in runout
Generic City Centre Offices die-cut sleeve
Durations do not appear on release
Barcode and Other Identifiers
- Matrix / Runout (Runout side A, handwritten): BLOCK 21 45RPM LOOP-O/D&M 20.03.03 Für Béla A₂
- Matrix / Runout (Runout side B, handwritten): BLOCK 21 45RPM LOOP-O/D&M 20.03.03 B₂
Recommendations
Released2002 — GermanyVinyl —12", 33 ⅓ RPM, 45 RPM, EP
Released2002 — GermanyVinyl —12", 33 ⅓ RPM
Released1999 — GermanyVinyl —12", 45 RPM, EP
Vinyl —12", EP, 33 ⅓ RPM
Vinyl —7", 33 ⅓ RPM, 45 RPM, Limited Edition
Released2001 — GermanyVinyl —7", 45 RPM
Released2003 — GermanyVinyl —12", 45 RPM, EP
Vinyl —7", Limited Edition
Released2002 — GermanyVinyl —7", 45 RPM
Released2003 — UKVinyl —12", 33 ⅓ RPM, EP
Reviews
It's amazing that this E.P has not had a review in the 19 years after being released. If you like IDM and experimental music this is for you. Ronald Lippok does the vocals but I think that he does it in a such a spoken word type of way that it doesn't subtract from the music. The over-riding atmosphere though is what sets this alight and the remixes serve to heighten this ambience. It also is a fine example of merging melody and more obtuse sounds while remaining on the periphery. It's still sounds fresh, intelligent and enjoyable.
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