Toshiya Tsunoda / Taku Unami – Wovenland 2
Label: | Erstwhile Records – erstwhile 090-2 |
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Format: | |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Experimental, Field Recording |
Tracklist
Mad Patissier | |||
1-1 | Fishing Spot In Misaki Port / 500 Ms / Three-Layer Freeze | 8:01 | |
1-2 | Fishing Spot In Misaki Port / 5 Secs / Three-Layer Freeze | 8:01 | |
1-3 | In The Glass, Kaneda / Equalize The Total Amplitude Ver. 1 | 8:01 | |
1-4 | In The Glass, Kaneda / Equalize The Total Amplitude Ver. 2 | 8:01 | |
1-5 | In The Glass, Kaneda / Slope Extraction | 8:01 | |
1-6 | Pigeon, With | 5:23 | |
1-7 | Pigeon, Without | 5:23 | |
1-8 | Fireworks, With | 8:03 | |
1-9 | Fireworks, Without | 8:01 | |
1-10 | Small Valley In Kaneda / 3 Secs Freeze | 8:00 | |
Speed Freak | |||
2-1 | Hiking Trail Near Zushi High School / Playback Speed At 16x | 1:48 | |
2-2 | Inside The Fish Market / Playback Speed Decreasing From 5x To 1x | 2:00 | |
2-3 | Sugaruya / Crickets / Playback Speed At 1/5 | 6:01 | |
2-4 | Miyagawa Port / Playback Speed At 1/5 | 8:01 | |
2-5 | Fireworks / Playback Speed At 64x | 0:26 | |
2-6 | Fireworks / Playback Speed At 128x | 0:13 | |
2-7 | In The Glass, Kaneda / Playback Speed At 1/5 | 11:13 | |
2-8 | Nagaura Port / Playback Speed At 1/3, Time-Stretched Without Pitch Shift | 8:13 | |
2-9 | Overlooking Hasse / Playback Speed At 1/3 | 10:34 | |
2-10 | Jinmu-Ji Temple, Evening Cicadas / Playback Speed At 1/3 | 20:00 |
Companies, etc.
- Phonographic Copyright ℗ – Erstwhile Records Inc
- Copyright © – Erstwhile Records Inc
Credits
- Layout [Layout Design], Producer – Yuko Zama
- Producer – Jon Abbey
- Written-By [All Tracks By], Artwork [Cover Artwork By], Liner Notes – Toshiya Tsunoda
- Written-By [All Tracks By], Performer [Manipulated By], Artwork [Cover Artwork By], Liner Notes – Taku Unami
Notes
Disc 1: With a fast Fourier transform, we extracted the results of spectral analysis at a specific moment. We then established the actions that occurred by setting a continuous process which split perpendicularly and a threshold that split parallel to the direction of the audio waveform.
1-1: We averaged out the change that happened over the course of every half second and outputted it. The process was divided into three layers every 0.5/3 of a second.
1-2: We averaged out the change that happened over the course of every 5 seconds and outputted it. The process was divided into three layers every 5/3 of a second. The same recording material was used as in Track 1-1.
1-4: All amplitudes that exceeded the specified value were uniformly shaped. The same recording material was used as in Track 1-3, but the value of the specified threshold value was changed for each.
1-5: The spectral analysis result for every 4092 samples (≈ 0.01 s) was compared with the previous result, and only the sine wave with a frequency where the difference in amplitude exceeds the specified value was outputted. The same recording material was used as in Tracks 1-3 and 1-4.
1-6: A recording of a dovehouse. Output only when the amplitude exceeded the specified threshold value.
1-7: A recording of a dovehouse. Output only when the amplitude was below the specified threshold value.
1-8: A recording of a fireworks event. Output only when the amplitude exceeded the specified threshold value.
1-9: A recording of a fireworks event. Output only when the amplitude was below the specified threshold value.
1-10: Freeze the sample every 3 seconds and outputted. The spectral analysis results of 4092 samples (≈ 0.01 s) were frozen every three second and outputted.
Disc 2: For Disc 2, the theme was the change in playback speed. As with magnetic tape, we processed the change of speed and pitch in a proportional manner. In 2-6, the missing samples caused by dropping the sampling frequency were interpolated, so that only the speed changed while maintaining the playback pitch.
2-6: For tracks 2-5 and 2-6, the same recording material was used as in tracks 1-8 and 1-9 of Disc 1.
2-7: The same recording material was used as in tracks 1-3 to 1-5 of Disc 1.
1-1: We averaged out the change that happened over the course of every half second and outputted it. The process was divided into three layers every 0.5/3 of a second.
1-2: We averaged out the change that happened over the course of every 5 seconds and outputted it. The process was divided into three layers every 5/3 of a second. The same recording material was used as in Track 1-1.
1-4: All amplitudes that exceeded the specified value were uniformly shaped. The same recording material was used as in Track 1-3, but the value of the specified threshold value was changed for each.
1-5: The spectral analysis result for every 4092 samples (≈ 0.01 s) was compared with the previous result, and only the sine wave with a frequency where the difference in amplitude exceeds the specified value was outputted. The same recording material was used as in Tracks 1-3 and 1-4.
1-6: A recording of a dovehouse. Output only when the amplitude exceeded the specified threshold value.
1-7: A recording of a dovehouse. Output only when the amplitude was below the specified threshold value.
1-8: A recording of a fireworks event. Output only when the amplitude exceeded the specified threshold value.
1-9: A recording of a fireworks event. Output only when the amplitude was below the specified threshold value.
1-10: Freeze the sample every 3 seconds and outputted. The spectral analysis results of 4092 samples (≈ 0.01 s) were frozen every three second and outputted.
Disc 2: For Disc 2, the theme was the change in playback speed. As with magnetic tape, we processed the change of speed and pitch in a proportional manner. In 2-6, the missing samples caused by dropping the sampling frequency were interpolated, so that only the speed changed while maintaining the playback pitch.
2-6: For tracks 2-5 and 2-6, the same recording material was used as in tracks 1-8 and 1-9 of Disc 1.
2-7: The same recording material was used as in tracks 1-3 to 1-5 of Disc 1.
Barcode and Other Identifiers
- Matrix / Runout (Disc 1): ERST0902 6745-CD-4027 20-189-14-3
- Matrix / Runout (Disc 2): ERST0902 6745-CD-4028 20-189-19
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