Faith No More – Angel Dust
Label: | Mobile Fidelity Sound Lab – MFSL 2-310 |
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Series: | Original Master Recording, GAIN 2™ Ultra Analog LP 180g Series |
Format: | |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Funk Metal |
Tracklist
A1 | Land Of Sunshine | 3:44 | |
A2 | Caffeine | 4:28 | |
A3 | MidLife Crisis | 4:21 | |
A4 | RV | 3:43 | |
B1 | Smaller And Smaller | 5:11 | |
B2 | Everything's Ruined | 4:33 | |
B3 | Malpractice | 4:02 | |
C1 | Kindergarten | 4:31 | |
C2 | Be Aggressive | 3:42 | |
C3 | A Small Victory | 4:57 | |
D1 | Crack Hitler | 4:39 | |
D2 | Jizzlobber | 6:38 | |
D3 | Midnight Cowboy | 4:12 |
Credits
- Lacquer Cut By – Rob LoVerde
- Producer – Faith No More, Matt Wallace
Notes
Two 180 gram half-speed mastered LPs from Mobile Fidelity Sound Lab's "Original Master Recording" series.
Numbered limited edition of 3000.
1/2" / 30 IPS analog master to analog console to lathe
Numbered limited edition of 3000.
1/2" / 30 IPS analog master to analog console to lathe
Barcode and Other Identifiers
- Barcode: 821797231015
- Matrix / Runout (Side 1): MFSL 2-310 A1 RML/2 3 17715.1 (3)..
- Matrix / Runout (Side 2): MFSL 2-310 B1 RML/2 To Alli...their newest fan 17715.2 (3)...
- Matrix / Runout (Side 3): MFSL 2-310 C1 RML/2 GIANTS STADIUM - JULY 12, 1992 ROCK ON KEVIN! 17715.3 (3)..
- Matrix / Runout (Side 4): MFSL 2-310 D1 RML/2 RECORD EXPLOSION! 17715.4 (3)...
Other Versions (5 of 192)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Angel Dust (CD, Album, Germany Hub) | Slash, London Records | 828 321-2 | Europe | 1992 | |||
Recently Edited | Angel Dust (LP, Album, Stereo) | Slash, London Records | 828 321-1 | Europe | 1992 | ||
Recently Edited | Angel Dust (LP, 12", 45 RPM, All Media, Album, Limited Edition) | Slash, London Records | 828 326-1 | UK | 1992 | ||
Recently Edited | Angel Dust (CD, Album) | Slash, Reprise Records | 9 26785-2 | US | 1992 | ||
Recently Edited | Angel Dust (CD, Album, Red Square Picture CD) | Slash, Liberation Records, Liberation Records | D93363, TVD93363, RMD53363 | Australia | 1992 |
Recommendations
- 1979 USVinyl —LP, Album, Limited Edition, Reissue, Remastered, Stereo
- 2009 USVinyl —LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition
Reviews
- I agree with the comments about being bass heavy, but I am a bass head.
I still think it’s a great press.
McIntosh C2700 -> 275 -> Klipsch Forte IV - Edited one year agoNot thrilled with this version- haven’t played it in a while but got an improved hifi setup so gave it another listen. No way can this be considered some kind of audiophile master/press. Muddy, bass bloat, guitar track too low and missing its bite. Markedly worse than original cd it’s flat and lacking dynamics. I could go on
- Edited 10 months agoOverall I prefer the MOV version, but the MFSL puts up a good fight and it took a while spinning both records to figure out which one I preferred. Compared to the MOV, the MSFL:
-Is more dynamic with stronger bass
-Has better packaging (more sturdy, and the MOV cover looks hilariously over-saturated when they are next to each other)
However, I find the mastering to be a bit too warm tilted, the bass bleeds a bit into the mids making for slightly muffled vocals, and there is less top end compared to the original mastering so that worsens the issue.
The MOV is a more faithful interpretation and overall more neutral - this brings better clarity since everything is balanced nicely, and overall makes for a more engaging listen. Patton sounds like he's in the room on the MOV version, while on the MSFL he's simply in the mix. The MOV is generally cheaper as well, making it a better value. - Edited 2 years agoAs confirmed from a mofi rep via Facebook, this pressing was mastered by the following:
1/2" / 30 IPS analog master to analog console to lathe - If you are a big fan of this album, buy this pressing. Giant soundstage, great separation, deep and punchy bass and of course great music that never seems to bore you. It is a bit quiet so it does require you to crank the volume up quite a bit.
Equipment:
Accuphase E-600 integrated amp,
Transrotor zet-1 turntable with audiotechnica VM750SH cartridge,
Selfbuilt 130L housing speakers with each 2x 16” scanspeak sub, 1x 8 inch woofer, 2x scanspeak tweeter. - I love this version too.
The Music On Vinyl version is well-balanced, but hard and a bit thin, while the Mobile Fidelity version is thicker and has more three-dimensional depth. I also think the Mobile Fidelity version has a stronger driving bass.
Both of them bring out the best of this album, so it's not that one is better than the other, but I personally feel more comfortable listening to the Mobile Fidelity version. - I recommend this LP with great enthusiasm.
I disagree with reviews stating that the remastering is flawed. (guitars to quiet and thin etc...)
Being a long time fan of this album and having owned and loved it on cassette, cd, and now this MFSL remastered LP I can say that the remastering is very good. Not only the sound but the quality of the package, vinyl, sleeve. Money well spent in my opinion.
There are people writing reviews who feel the guitar track has been quietened too much and sounds thin. Addressing this issue I can only state the obvious, that FNM were never a guitar driven band. Their excellence is in the overall feel of their songs. Not only that but when I listen to this remastering I can hear the guitar track well and if anything the overall sound of all the instruments have been balanced nicely.
The sound is excellent. This will surely please anyone not dreaming of having heavier guitar tones as a focus in the remastering.
Bloody brilliant. Get it, spin it, love it. - Edited 13 years agoThis is regarding the 2008 Remaster on vinyl:
I'm a little bit disappointed and not just in the areas I expected. First of all, the remaster is not great. The guitars are thin and are noticeably quieter and the vocals are up way too much. Pitch is also increased, negatively affecting the dynamic of the album. However the album sounds a lot cleaner and a lot what was wrong with the originals muddy production has been addressed. I thought the latter would be a good thing but I'm afraid it's execution here is not great.
I've listened to the CD version of this mix and the same is true.
Though I'm happy with the quality of the vinyl itself, the fact that this mix has been committed and not the original (which was not great to begin with) is a gripe which I knew I'd have after hearing the above problems through CD first.
The packaging is average. They could have taken a leaf out of Sony's book and taken a good look at how albums like Pearl Jam's Binaural and Manic Street Preacher's Lifeblood have been assembled with beautiful glossy artwork a decent booklet with a bit of effort would have been the least you'd expect at this price point.
The artwork within the gatefold is a shockingly poor montage of the stills from the original album. These stills themselves not being the issue, just the crappy arrangement and stretched images which have lost their definition. Album specific liner notes would have been appreciated, and a little bio of the album would have been appreciated but instead we get gatefold adverts for Mobile Fidelity. Would it have been too much to ask to get the first verse of Jizzlobber included in the lyrics after the initial 1992 cock up has gone unaddressed yet again.
If you like the new mix, this pressing is fanstastic - flawless even. As I prefer the original mix - which is not what I expected since I've been campaigning for a remaster for the last ten years - this version will find a lot of shelf time.
Though I rate Angel Dust a 5/5, this version I'd score 3/5.
Release
For sale on Discogs
Sell a copy7 copies from $148.14