Fazer – Tekknological Crime
Label: | Generator Records (2) – GEN 9102-12 |
|---|---|
Format: | Vinyl, 12", 45 RPM, Stereo |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Techno, Trance |
Tracklist
| A | Tekknological Crime | 5:20 | |
| B1 | Raizzer | 5:40 | |
| B2 | Hellraizzer | 5:13 |
Companies, etc.
- Published By – Michael Zosel Musikverlag
- Copyright © – Generator Records (2)
- Lacquer Cut At – SST Brüggemann GmbH
Credits
- Lacquer Cut By – SST (8)
- Programmed By, Arranged By, Producer – Raymond Boyé & G.O.D*
- Written-By – Dietz*, Beyer*
Notes
© 1991 • Generator Records
Barcode and Other Identifiers
- Barcode (Text): 090204 035298
- Rights Society: GEMA
- Label Code: LC 6269
- Matrix / Runout (A Side): GEN 9102-12 A SST
- Matrix / Runout (B Side): GEN 9102-12 B SST
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Tekknological Crime (CD, Maxi-Single) | Generator Records (2) | GEN 9102-8 | Germany | 1991 |
Recommendations
1991 CanadaVinyl —12", 33 ⅓ RPM, 45 RPM
Reviews
- Edited one year agoTOP oldskool release. Both sides are killer.
''Tekknological Crime'' is a dark mechanical oldskool techno, with great hi-tek electric sounds, very 1991 sounding, known track, but
original, nothing that can come close to this, one of the best i've ever heard. (5/5)
''Raizzer / Hellraizzer'' is a trance acid track, ahead of its time, similar to German 1993 trance tracks from Bonzai/Eye Q etc. The piano/vocals in the beginning , and the rest of the arrangement of the track reminds me heavily ''Caspar Pound's - The House Is Mine'' so they are very similar tracks both, but i clearly like more this one, as it is harder. (4.5/5) - Edited 8 years agoDefinitely for the headstrong. Both sides are very intense oldschool techno rave, pumping and relentless.
Tekknological Crime is the main track, and my god it is psychotic. Many old rave tracks sound cheesy not because of the sounds used, but by the riffs themselves. This track has a riff that could cut steel.
It's a lethal journey through metallic landscapes that fill you with terror. Which is nice for a dancefloor of course.
As mentioned by Davros, the b-sides are very similar. Nonetheless, both tracks are equally insane!
It's seriously brain-melting stuff, no matter if you choose Raizzer or Hellraizzer.
Full-on wipeout, maximum warp to oblivion shit.
As I said, interesting material for a dancefloor. - For my money, Raizzer / Hellraizer is one of the greatest hardcore anthems that never was. Few other techno tracks from this period out of Germany even came close to the ripping mayhem and incredible builds of Raizzer. Maybe it was just a Melbourne thing (it was never played here), so I'm hoping there were DJs who championed this record overseas.
Oddly, Raizzer starts with a basic house piano and female vocal, and perhaps it was the producer's plan to lull the dancefloor into a false sense of fluffiness, but detuned analogue syntheziser patterns drop not long into the record and the piano quickly disappears. Steady lifts in pitch are introduced by the sound of a needle being dragged across a record. And for those with no patience for the intro, Hellraizzer is exactly the same track but dispenses with the piano and goes straight for the dirty action. This jams in all the best elements of the rave, techno and acid sounds of the day. Do yourself a favour - buy it - play it - and live the dream baby...
Release
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