Hell – Teufelswerk
Label: | International Deejay Gigolo Records – GIGOLO 250 |
---|---|
Format: | 2 x CD, Album |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | House, Techno, Tech House, Ambient, Progressive House, Electro, Minimal |
Tracklist
Night | |||
1-1 | U Can Dance | 9:45 | |
1-2 | Electronic Germany | 8:02 | |
1-3 | The DJ | 8:18 | |
1-4 | The Disaster | 10:26 | |
1-5 | Bodyfarm² | 7:13 | |
1-6 | Hellracer | 6:10 | |
1-7 | Wonderland | 9:29 | |
1-8 | Friday, Saturday, Sunday | 9:20 | |
Day | |||
2-1 | Germania | 9:16 | |
2-2 | The Angst & The Angst Pt 2 | 13:18 | |
2-3 | Carte Blanche | 1:00 | |
2-4 | Nightclubbing | 2:15 | |
2-5 | I Prefer Women To Men Anyway | 5:01 | |
2-6 | Action | 0:41 | |
2-7 | Hell's Kitchen | 8:28 | |
2-8 | Silver Machine | 5:32 |
Companies, etc.
- Phonographic Copyright ℗ – International Dee Jay Gigolo Records & Publishing GmbH & Co KG
- Copyright © – International Dee Jay Gigolo Records & Publishing GmbH & Co KG
- Recorded At – G-Stone Studio
- Recorded At – PSI Studio
- Mixed At – G-Stone Studio
- Mixed At – PSI Studio
- Mastered At – The Exchange
- Pressed By – Docdata Media
- Published By – BMG Ufa
- Published By – Copyright Control
- Published By – Edition Babelfish
- Published By – Edition Terranova
- Published By – EMI Publishing
- Published By – Eevo Lute Songs
- Published By – Fab World Music
- Published By – Fanfare Musikverlag
- Published By – Fanfare Musikverlag Publishing
- Published By – Fauna Songs
- Published By – Freibank
- Published By – Justin Combs Publishing
- Published By – No Limits (2)
- Published By – Peyo Musica
- Published By – Universal Music
Credits
- Directed By, Conductor – DJ Hell*
- Mastered By – Simon Davey
- Programmed By, Drum Programming, Synthesizer, Vocals, Effects – Christian Prommer
- Recorded By, Mixed By, Synthesizer, Acoustic Guitar, Electronic Drums [Rhythm Machines], Effects – Peter Kruder
- Synthesizer [Roland SH 101] – Patrick Pulsinger
- Synthesizer, Electric Guitar, Acoustic Guitar, Organ [Wurlitzer], Electronic Drums [Beatbox], Vocals – Roberto Di Gioia
Notes
Release comes in a gatefold cardboard slipcase.
Tracks 1-1, 2-1 to 2-7 recorded and mixed at G-Stone Studio 1, Vienna using SupaSound.
Track 1-2 mixed and recorded at PSI Studio/Germany.
Track 1-7 recorded at PSI Studio Germany Europe.
Track 2-8 original performed by Hawkwind featuring vocals by Lemmy.
The track 'Nightclubbing' contains a sample from the movie 'Liquid Sky'. DJ Hell and friends are honoured to include the work of Slava Tsukerman and dearly hope that he hears this album and contacts International Deejay Gigolo Records to be compensated for his contribution to 'Teufelswerk'.
All tracks mastered at The Exchange, London, UK.
Published by No Limits/BMG Ufa, Peyo Musica, FAUNA SONGS c/o Fanfare Musikverlag, Fanfare Musikverlag Publishing, Fab World Music, BMI, Justin Combs Publishing admn. by EMI April Music, Inc. (ASCAP), Ed. Babelfish/ Freibank, Eevo Lute Songs, Edition Terranova/Universal Music, EMI Publishing and Copyright Control.
[p]&[c] 2009 International Dee Jay Gigolo Records & Publishing GmbH & Co KG.
On backcover track 1-8 is written as "Friday Saturday Sunday".
Tracks 1-1, 2-1 to 2-7 recorded and mixed at G-Stone Studio 1, Vienna using SupaSound.
Track 1-2 mixed and recorded at PSI Studio/Germany.
Track 1-7 recorded at PSI Studio Germany Europe.
Track 2-8 original performed by Hawkwind featuring vocals by Lemmy.
The track 'Nightclubbing' contains a sample from the movie 'Liquid Sky'. DJ Hell and friends are honoured to include the work of Slava Tsukerman and dearly hope that he hears this album and contacts International Deejay Gigolo Records to be compensated for his contribution to 'Teufelswerk'.
All tracks mastered at The Exchange, London, UK.
Published by No Limits/BMG Ufa, Peyo Musica, FAUNA SONGS c/o Fanfare Musikverlag, Fanfare Musikverlag Publishing, Fab World Music, BMI, Justin Combs Publishing admn. by EMI April Music, Inc. (ASCAP), Ed. Babelfish/ Freibank, Eevo Lute Songs, Edition Terranova/Universal Music, EMI Publishing and Copyright Control.
[p]&[c] 2009 International Dee Jay Gigolo Records & Publishing GmbH & Co KG.
On backcover track 1-8 is written as "Friday Saturday Sunday".
Barcode and Other Identifiers
- Barcode: 5 414165 027652
- Label Code: LC 10195
- Matrix / Runout (CD1): docdata media NEWS GIGOLO250CDP
- Matrix / Runout (CD2): docdata media NEWS GIGOLO250CDP-2
- Mastering SID Code: IFPI LJ82
- Mould SID Code (Variant 1): IFPI 3613
- Mould SID Code (Variant 2): IFPI 3614
Other Versions (3)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Teufelswerk (2×CD, Album, Promo) | International Deejay Gigolo Records | GIGOLO 250 | Germany | 2009 | |||
Recently Edited | Teufelswerk (3×12", 33 ⅓ RPM, Album) | International Deejay Gigolo Records | GIGOLO250LP | Germany | 2009 | ||
Recently Edited | Teufelswerk (2×CD, Album) | Wakyo Records | WKYCD023 | Japan | 2009 |
Recommendations
Reviews
- Edited one year agoI can't help but chuckle every time I blast 'The DJ' at full volume. Couldn't care less about the rest of his or Diddy's catalogue but this one is an outstanding, proper banger with a hilarious rant by the latter – and most of what he says resonates with me. First heard it on LG's Essential Mix, thank you Laurent Garnier.
- ''I prefer women to men anyway'' is a cover/hommage/plagiarism/ of brenda hutchinson & clive smith's ''aliens theme I & II made from the motion picture soundtrack liquid sky (1983)
- Edited 11 years agoP. Diddy, on the track "The DJ," exhorts DJs to hit people 'with that 13-14 minute version' of tracks, to 'engulf them' in the music. And Hell, on his double album TEUFELSWERK, does just that, immersing his listeners in long, extended grooves for the 'Night' disc. Bryan Ferry's smooth vocals on "You Can Dance" provides a nice contrast to the steady electro thrum underneath. For those who prefer more robotic vocals, "Electronic Germany" or "Bodyfarm²" will do the trick. But it's the high-pitched, twitchy "The Disaster" that should catch the most attention (the plinking strings of "Wonderland," though, come in a close second.) The 'Day' disc starts with the ever-morphing ambience of "Germania," while "The Angst" has a quiet beat that steadies it at first, and the breakdown for a guitar interlude, it tottles into light acid territory. "Nightclubbing" is all strings and romance. The awesomely titled "I Prefer Women To Men Anyway" goes for a more rhythmic approach, and "Hell's Kitchen" almost gets us back onto the dance floor. But, really, this album is good for any time of day.