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Contributors
Teddy Pendergrass – Teddy Pendergrass
Label: | Philadelphia International Records – PZ 34390, Philadelphia International Records – 34390 |
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Format: | Vinyl, LP, Album, Stereo, Santa Maria pressing |
Country: | US |
Released: | |
Genre: | Funk / Soul |
Style: | Soul, Disco |
Tracklist
A1 | You Can't Hide From Yourself | 4:06 | |
A2 | Somebody Told Me | 5:13 | |
A3 | Be Sure | 5:17 | |
A4 | And If I Had | 4:23 | |
B1 | I Don't Love You Anymore | 3:59 | |
B2 | The Whole Town's Laughing At Me | 4:28 | |
B3 | Easy, Easy, Got To Take It Easy | 4:55 | |
B4 | The More I Get, The More I Want | 4:27 |
Companies, etc.
- Copyright © – CBS Inc.
- Phonographic Copyright ℗ – CBS Inc.
- Distributed By – CBS Records
- Distributed By – CBS Inc.
- Recorded At – Sigma Sound Studios
- Mastered At – Frankford/Wayne Recording Labs
- Pressed By – Columbia Records Pressing Plant, Santa Maria
Credits
- Arranged By – Bobby Martin (tracks: A1, A4 to B4), Jack Faith (tracks: A2, A3)
- Bass – James Williams*, Michael "Sugar Bear" Foreman*
- Congas, Bongos – Larry Washington
- Design [Album] – Ed Lee
- Drums – Charles Collins, Karl Chambers, Keith Benson
- Engineer – Jay Mark, Jim Gallagher, Joe Tarsia
- Engineer [Assistant] – Arthur Stoppe, Darrell Rogers, Jim Dougherty, Peter Humphreys
- Guitar – Dennis Harris, Roland Chambers
- Keyboards – Dexter Wansel, Ron Kersey, Victor Carstarphen
- Photography By – Frank Laffitte
- Producer – Kenneth Gamble & Leon Huff* (tracks: A1, A3, A4, B1), John Whitehead, Gene McFadden* (tracks: A2, B3, B4), Sherman Marshall (tracks: B2), Victor Carstarphen (tracks: A2, B3, B4)
- Strings, Horns – MFSB
Notes
Catalog number on spine & inner label: PZ 34390
Catalog number on back of sleeve: 34390
A4 formerly entitled "Someone To Love Me".
Recorded at Sigma Sound Studios, Philadelphia, Pa.
Mastered at Frankford/Wayne Recording Labs, Philadelphia, Pa.
© ℗ 1977 CBS Inc.
Catalog number on back of sleeve: 34390
A4 formerly entitled "Someone To Love Me".
Recorded at Sigma Sound Studios, Philadelphia, Pa.
Mastered at Frankford/Wayne Recording Labs, Philadelphia, Pa.
© ℗ 1977 CBS Inc.
Barcode and Other Identifiers
- Pressing Plant ID (Etched in runout): \S
- Matrix / Runout (Matrix side A, on label): AL 34390
- Matrix / Runout (Matrix side B, on label): BL 34390
- Matrix / Runout (Runout side A, etched): \S P.I.R. AL-34390-1H F/W :-)
- Matrix / Runout (Runout side B, etched): \S P.I.R. BL-34390-1H F/W :-)
Other Versions (5 of 29)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Teddy Pendergrass (LP, Promo) | Philadelphia International Records | PIR 81756 | UK | 1977 | ||
Recently Edited | Teddy Pendergrass (LP, Album, Stereo) | Philadelphia International Records | PIR 81756 | Netherlands | 1977 | ||
Teddy Pendergrass (LP, Album) | Philadelphia International Records | PIR 81756 | Italy | 1977 | |||
New Submission | Teddy Pendergrass (8-Track Cartridge, Album) | Philadelphia International Records | PZA 34390 | US | 1977 | ||
Teddy Pendergrass (LP, Album, Promo) | Philadelphia International Records, Philadelphia International Records | PZ 34390, 34390 | US | 1977 |
Recommendations
Reviews
Edited one year ago
After leaving Harold Melvin And The Blue Notes, Teddy Pendergrass came roaring out the gate with his solo debut. And man what an album!! Everything on here is pure butter!! Not a sorry song in the bunch! He may sounds serious on "I Don't Love You Anymore", but to me, it was funny because he sounded so serious! "You Can't Hide From Yourself" was a straight up, in your face, get yourself together type jam. The the crown jewels, "The Whole Town's Laughing At Me" and "The More I Get, The More I Want", which makes this album the classic that it is! Maybe Teddy made the right decision going solo, because once he did, he never looked back!
Edited 4 years ago
How well this album has held up after 40 years...but then again with a voice like that, great song writing, real melodies, and Sigma Sound players...why would it not. It captured the zeitgeist of the times....you'll remember what if felt like if you were anywhere around Philadelphia at that time...there was a special magic coming out of the city....music made and produced by The Sound of Philadelphia for discos in NYC and around the world. The seminal three--"You Can't Hide From Yourself", "The More I Get", and "I Don't Love You Anymore" are superlative. The latter then remixed by Tom Moulton out to 9:04 with long instrumental passages interplayed with Teddy's gruff vocals will create a yearning, a desire, a need deep down within that will feel insatiable...as though 9:00 minutes isn't long enough, and that you just can't get enough. Pure musical pleasure!

Edited 16 years ago
What huge Disco masterpiece is "You Can't Hide From Yourself". Definitely a 'must-have-it' kind. It's easy to realize that the seventies brought most of the greatest vocals of the contemporary dance music, and the ones of Teddy Pendergrass are situated among them, no doubt about it. This is a singer that shall be remembered not only for his solo career, but also for what he did on Harold Melvin And The Blue Notes - times when Soul and the other styles of dance music were often seen together.