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TensnakeIn The End (I Want You To Cry)

Label:Running Back – RB015
Format:
Vinyl, 12", 33 ⅓ RPM, 45 RPM, EP
Country:Germany
Released:
Genre:Electronic
Style:House, Disco

Tracklist

AIn The End (I Want You To Cry)8:20
B1Holding Back (My Love)7:53
B2TheThenUnknown5:41
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Credits

Notes

Side A: 45 RPM
Side B: 33 1/3 RPM

Mastered @ Dubplates & Mastering, Berlin.

Barcode and Other Identifiers

  • Barcode: 827170291461
  • Matrix / Runout (Runout side A): RB015 so mAny tears 3960589-01 A1 LOOP-O/D&M drippin and droppin and drippin and droppin and drippin and droppin
  • Matrix / Runout (Runout side B): RB015 B LOOP-O/D&M let it go 3960589-01 B1
  • Rights Society: GEMA

Other Versions (3)

View All
Title (Format)LabelCat#CountryYear
In The End (I Want You To Cry) (4×File, MP3, 320kbps)Running BackRB015Germany2009
New Submission
In The End (I Want You To Cry) (12", White Label, EP, 45 RPM, 33 ⅓ RPM)Running BackRB015Germany2009
New Submission
In The End (I Want You To Cry) (4×File, FLAC)Running BackRB015Germany2009

Recommendations

Reviews

  • Corbello's avatar
    Corbello
    Holding back (my love) is the pick of the tracks for me. Absolute monster.
    • DJ_MBq's avatar
      DJ_MBq
      I still play holding back my love, 8 years later. Massive guitars!
      • jancito303's avatar
        jancito303
        TheThenUnknown is where its at. Here's them extra words, suckah.
        • dmp's avatar
          dmp
          "as time went by I want you to cry cause in the end (you left with my best friend)"
          This phrase in the title track has been samples from "The Funk Masters - It's Over" (1983).
          • restless's avatar
            restless
            Why is this record above the rest of the generally high level retrofuturist electronic disco/boogie production of nowadays?
            Well perhaps because of a lack of self-consciousness, not trying to be "clever" or "sophisticated" or "just the right level of undergroundness" ; but rather focusing on genuine fun, loose and relaxed vibe, the right beats and frequencies just to feel good and dance, the right amount of joy, generosity, melodic sense and let-go aesthetic.
            The thing is, you can be sure that Tensnake actually knows one thing or two about "underground disco" and has a lot of friends in that scene, but he can be really praised for letting that aside and focusing on the dancefloor rather than trying to impress his disco-trainspotting-headz-buddies. And eventually succeeds in both levels!
            A marvellous record.

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