Release
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13 For Sale from $2.00Statistics
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Contributors
T.C. Curtis – You Should Have Known Better
| Label: | Sire – 0-20327, Virgin – 9 20327-0 |
|---|---|
| Format: | Vinyl, 12", Maxi-Single, 45 RPM |
| Country: | US |
| Released: | |
| Genre: | Electronic, Funk / Soul |
| Style: | Disco, Boogie |
Tracklist
| A | You Should Have Known Better | 7:01 | |
| B | You Should Have Known Better | 7:34 |
Companies, etc.
- Record Company – Sire Records Company
- Marketed By – Warner Bros. Records Inc.
- Record Company – Warner Communications
- Copyright © – Virgin Records Ltd.
- Phonographic Copyright ℗ – Virgin Records Ltd.
- Published By – Hot Melt Music
- Pressed By – Specialty Records Corporation
Credits
- Backing Vocals – Galaxy (4)
- Mixed By – Laurie Jago
- Producer, Written-By – William Alexander Smith
Notes
Hot Melt Music
℗ 1985 Virgin Records Ltd.
© 1985 Virgin Records Ltd.
Made in U.S.A.
Promotional copies issued with "Lent For Promotional Use Only' gold-stamped on sleeve.
℗ 1985 Virgin Records Ltd.
© 1985 Virgin Records Ltd.
Made in U.S.A.
Promotional copies issued with "Lent For Promotional Use Only' gold-stamped on sleeve.
Barcode and Other Identifiers
- Barcode (Scanned): 075992032704
- Barcode (Text): 0 7599-20327-0
- Price Code: $4.98
- Matrix / Runout (A-Side Runout Etching): SRC 0 20327 A SR2 1-1
- Matrix / Runout (B-Side Runout Etching): 0 20327-B-SR2 1-1 SRC
Other Versions (5 of 13)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | You Should Have Known Better (12", 45 RPM) | Virgin, Hot Melt | VS 754-12 | UK | 1985 | ||
Recently Edited | You Should Have Known Better (12", 45 RPM) | Hot Melt | 12 TC.003 | UK | 1985 | ||
Recently Edited | You Should Have Known Better (12") | Virgin | 601 735 | Germany | 1985 | ||
Recently Edited | You Should Have Known Better (12", 45 RPM) | Virgin | VSX1259 | Canada | 1985 | ||
Recently Edited | You Should Have Known Better (7", 45 RPM) | Virgin, Hot Melt | VS 754 | UK | 1985 |
Recommendations
Reviews
A bit repetitive for an early 80's boogie track, but there are rare cases where a progression/bassline does not need to vary, and this is a prime example of how effective it can be. (along with tracks like Suzy Q's "Get on up & do it again")