Moby – Reprise
Label: | Deutsche Grammophon – 483 9867 |
|---|---|
Format: | |
Country: | Europe |
Released: | |
Genre: | Electronic, Funk / Soul, Pop, Classical |
Style: | Classical, Leftfield, Breakbeat, Downtempo, Ambient |
Tracklist
| A1 | Everloving | |
| A2 | Natural Blues | |
| A3 | Go | |
| A4 | Porcelain | |
| B1 | Extreme Ways | |
| B2 | Heroes | |
| B3 | God Moving Over The Face Of The Waters | |
| C1 | Why Does My Heart Feel So Bad? | |
| C2 | The Lonely Night | |
| C3 | We Are All Made Of Stars | |
| D1 | Lift Me Up | |
| D2 | The Great Escape | |
| D3 | Almost Home | |
| D4 | The Last Day |
Companies, etc.
- Phonographic Copyright ℗ – Little Idiot
- Copyright © – Little Idiot
- Licensed To – Deutsche Grammophon GmbH
- Pressed By – Optimal Media GmbH – BK27755
- Pressed By – Optimal Media GmbH – BL36286
- Lacquer Cut At – Optimal Media GmbH
- Recorded At – Eastwest Studios
- Recorded At – Moby's Studio
- Recorded At – Masterkey Studios, Iceland
- Recorded At – A'ala Recording, Maui, HI
- Recorded At – Marquee Sound
- Recorded At – Audrey Studios
- Recorded At – Studio G, Brooklyn, NY
Credits
- Arranged By – Clark Rhee, Jason Lazarus, Max Davidoff-Grey, Pietro Milanesi
- Conductor, Producer [Orchestra] – Joe Trapanese*
- Contractor [Orchestra] – Miklós Lukács (3)
- Coordinator [Product Management] – Daniel González Moya
- Coordinator [recording] – Anthony Circo, Celeste Chada
- Cover, Artwork, Design – Jordan Marks*
- Creative Director – Oliver Kreyssig
- Lacquer Cut By – KR*
- Management [Studio] – Jonathan Nesvadba
- Mastered By – Mark Wilder
- Mixed By – Alan Meyerson
- Orchestra – The Budapest Art Orchestra
- Orchestrated By – Jennifer Hammond
- Photography [Additional] – Moby
- Photography [Portrait] – Travis Schneider
- Producer – Jonathan Nesvadba, Moby
- Product Manager – Marc Fritsch
- Recorded By – Laurence Anslow
Notes
℗ 2021 LITTLE IDIOT, UNDER EXCLUSIVE LICENSE TO DEUTSCHE GRAMMOPHON GMBH, BERLIN.
2 LPs in a gatefold sleeve including 2 printed innersleeves with photos and credits.
2 LPs in a gatefold sleeve including 2 printed innersleeves with photos and credits.
Barcode and Other Identifiers
- Barcode (Text+Scanned): 028948398676
- Label Code: LC 00173
- Rights Society: BIEM / SDRM
- ASIN: B08W7SPMDS
- Matrix / Runout (Runout side A variant 1 & 2): BK27755-02 A1 KR 4860039
- Matrix / Runout (Runout side B variant 1 & 2): BL36286-01 B2 KR 4860039
- Matrix / Runout (Runout side C variant 1 & 2): BK27755-02 C1 KR 4860040
- Matrix / Runout (Runout side D variant 1): BK27755-02 D1 KR 4860040
- Matrix / Runout (Runout Side D variant 2): BK27755-02 D2 KR 4860040
- Matrix / Runout (Runout side A variant 3): BK27755-01 A1 KR 4860039 3+
- Matrix / Runout (Runout side B variant 3): BL36286-01 B2 KR 4860039 =1S
- Matrix / Runout (Runout side C variant 3): BK27755-02 C1 KR 4860040 S1
- Matrix / Runout (Runout side D variant 3): BK27755-02 D2 KR 4860040 T.S
Other Versions (5 of 17)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Reprise (2×LP, Album, Limited Edition, Stereo, Grey ) | Deutsche Grammophon | 486 0469 | Europe | 2021 | ||
New Submission | Reprise (Cassette, Album, Limited Edition) | Deutsche Grammophon, Deutsche Grammophon | 4860920, 028948609208 | Europe | 2021 | ||
New Submission | Reprise (2×LP, Album, Crystal) | Deutsche Grammophon | 483 9868 | Europe | 2021 | ||
Recently Edited | Reprise (CD, Album, Limited Edition, Stereo) | Deutsche Grammophon | 4839865 | Europe | 2021 | ||
New Submission | Reprise (CD, Album) | Deutsche Grammophon | 486 0787 | Argentina | 2021 |
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Reviews
Edited 4 months agoGood pressing and sound. Interesting "interpretation" of the classics Moby songs. Unnaceptable paper inner sleevs.
Techics SL1200-MK5 - Jelco SA250-LB - Ortofon VMS - Pro Ject Phono Box DS2
great record, but pressing is not up to the deutsche gramophone standards! click and pops all over...
My copy has some non-fill. I have a feeling that this is probably one that will be better served by the CD version.- Had this a few months, just given it a second spin. Very clean and quiet pressing even though I have some surface dust present from static - need to run through the spin clean and place in some anti-static sleeves, but no pops or crackles anywhere on my copy.
As for the music, well it's all a matter of taste, but suited my weekend morning mood.... - did I get a wrong sample? this recording is really poor in terms of quality, I’m disappointed.
Not so warm and dynamic sound as I excepted, but almost perfect. Great cover and printing. May the beauty still remain.
UPD: after upgrading my system record sounds way better than on older setup, more clear, crisp and dynamic
Edited 2 years agoMoby is Moby and for sure you know what you are buying. The idea is very good and the "reprise" as an idea is done very well.
But the sound of vinyl in comparison to the digital Tidal version is just unacceptable. This impression comes from 2 different copies of the same album.
Comparison done on the vinyl side with a ZYX Ultimate 1000 on a DPS 3 with Bonnec phono stage. On digital with Bryston BDA-3.14 Tidal through Roon without dsp
A quick wet clean and this gorgeous album sounds excellent.
Great release musically, sounds great, arrangements are great, but LPs are in paper inner sleeve and my copy is full of scratches and spots, and as a result there are a lot of crackles and clicks. After opening factory sealed LP, you are risking to get NM at the best or even worse.- side A lot of crackles . sides B,C,D no problem . i replaced the copy and the second one had exactly the same crackles
Release
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