Pink Floyd – Live At Knebworth 1990
Label: | Pink Floyd Records – PFRLP34, Pink Floyd Records – 19439740331 |
|---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Classic Rock, Prog Rock |
Tracklist
| A1 | Shine On You Crazy Diamond, Parts 1-5 | |
| A2 | The Great Gig In The Sky | |
| B1 | Wish You Were Here | |
| B2 | Sorrow | |
| C1 | Money | |
| D1 | Comfortably Numb | |
| D2 | Run Like Hell |
Companies, etc.
- Phonographic Copyright ℗ – Pink Floyd (1987) Ltd.
- Copyright © – Pink Floyd (1987) Ltd.
- Licensed To – Sony Music Entertainment
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – Concord Copyrights Limited
- Published By – Roger Waters Music Overseas Ltd.
- Published By – BMG Rights Management (UK) Limited
- Published By – BMG Platinum
- Published By – TRO-Hampshire House Publishing Corp.
- Recorded At – Knebworth
- Mastered At – Tube Mastering
- Mastered At – Metropolis Studios
- Produced For – Silver Clef Productions Ltd
- Produced For – Medialab Limited
- Pressed By – Record Industry – 29956
Credits
- Art Direction [Art Director] – Aubrey Powell, Hipgnosis (2)
- Backing Vocals – Clare Torry, Durga McBroom, Sam Brown, Vicki Brown
- Bass Guitar, Vocals – Guy Pratt
- Design [Sleeve Design], Artwork [Colourist] – Peter Curzon, StormStudios
- Drums, Percussion – Nick Mason
- Executive-Producer [For Medialab Ltd.] – John Gaydon
- Guest [Special Guest], Keyboards – Michael Kamen (tracks: D1, D2)
- Guest [Special Guest], Saxophone [Sax] – Candy Dulfer (tracks: A1, C1)
- Guitar – Tim Renwick
- Guitar, Vocals – David Gilmour
- Keyboards, Backing Vocals – Richard Wright
- Keyboards, Vocals – Jon Carin
- Lacquer Cut By – Stu.*
- Lead Vocals – Clare Torry (tracks: A2)
- Lighting [For Silver Clef Productions] – Marc Brickman
- MC [Concert Master Of Ceremonies, For Silver Clef Productions] – Dave Dee (2)
- Management [Pink Floyd Management 1990] – EMKA Productions, Steve O'Rourke (2)
- Management [Pink Floyd Management, For David Gilmour] – Andy Murray (2), Elena Bello, One Fifteen, Paul Loasby
- Management [Pink Floyd Management, For Nick Mason] – Jo Greenwood, Tony Smith (13), Tony Smith Personal Management
- Management [Pink Floyd Management, For The Estate Of Richard Wright] – Andrew Gummer, Gala*, Jamie Wright (2)
- Management [Sony Music] – Charlie Stanford, Elliot Stubbs, Greg Linn, Jeffrey Schulberg, Jim Tosney, John Conroy (9), John Jackson (11), Lisa Marchese, Patti Matheny, Richard Alcock, Richard Story, Rob Stringer (3), Syd Schwartz, Tammie Holt, Tom Mackay
- Management [Warner Music] – Derek Allen (11), Dirk Ewald, James Radice, Lara Norgrove, Max Lousada, Paul Fletcher (8), Peter Breeden, Sarah O'Shea (3), Steve Cooke (14), Tom Gallacher, Tony Harlow
- Mastered By [Audio Mastering] – Andy Jackson
- Mastered By [Vinyl Mastering] – Stuart Hawkes
- Mixed By [Audio Remix Assisted By] – Damon Iddins
- Mixed By [Audio Remix By] – Andy Jackson
- Mixed By [Audio Remix With] – David Gilmour
- Percussion – Gary Wallis
- Photography By [Concert Photography] – Denis O'Regan, Dimo Safari, Peter Still*
- Photography By [Front Cover Photograph] – Aubrey Powell, Hipgnosis (2)
- Photography By [Photographic Retouching] – Bayeux Ltd., Benny Trickett
- Presenter [Concert Presented By] – Andrew Miller*, Paul King (8)
- Producer [For Medialab Ltd.] – Richard Leyland
- Producer [Produced By] – Chris Kimsey, Steve Smith (3)
- Producer [Production Assistant, For Medialab Ltd.] – Sonia Hampson
- Producer [Production Secretary, For Medialab Ltd.] – Penny West (2)
- Production Manager [For Silver Clef Productions] – Pete Edmunds
- Promotion [Concert Promoter, For Silver Clef Productions] – Andrew Miller*
- Promotion [P.A. To Andrew Miller, For Silver Clef Productions] – Sarah Morgan (8)
- Public Relations [Clearance, Co-ordination] – Andy Murray (2), Elena Bello, Paul Loasby
- Public Relations [PR] – Fran Defeo PR*
- Public Relations [Pinkfloyd.com] – Jabeye, Peter Robson (2)
- Public Relations [Publicity, For Silver Clef Productions] – Tony Brainsby P.R. Ltd.*
- Recorded By, Engineer [Engineered By] – Mike Fraser
- Research [Archivist] – Pink Floyd Archive*, Tracey Kraft
- Set Designer [Stage Design, For Silver Clef Productions] – Jonathan Park, Michael Almond (2)
- Stage Manager [For Medialab Ltd.] – James Chads, Jane Cotton
- Technician [Live Concert Sound, For Silver Clef Productions] – Britannia Row Productions*
- Technician [O.B. Facilities, For Silver Clef Productions] – 021 Television
Notes
Track A1: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track A2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Tracks B1, D1, D2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track B2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited
Track C1: Published by Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Printed on rear artwork:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. © 2021 Pink Floyd (1987) Ltd.
Made in The Netherlands
Printed on labels:
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. ℗ 2021 Pink Floyd (1987) Ltd.
Printed on hype sticker:
Remixed from the original master tapes
Heavyweight 180 gram pressing
16-page booklet
Cut at 45 RPM for enhanced audio quality
Printed in the booklet:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, on 30 June 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
Concert presented [...] With special thanks to Bill Curbishley & Derek Green
For Medialab Ltd.: Producer [...] Thanks to David Munns
A Silver Clef Productions Ltd. and Medialab Ltd. production
A further donation has been made to Nordoff Robbins on behalf of Pink Floyd and all the musician who performed with them at the Knebworth 1990 concert
Candy Dulfer appears by courtesy of Dulfer Management
Pink Floyd management: Thanks: Justin Morris, Davie Meunier
A special thank you to Steve O'Rourke
All these tracks were also part of The Later Years 1987-2019 box set.
Track A2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Tracks B1, D1, D2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track B2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited
Track C1: Published by Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Printed on rear artwork:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. © 2021 Pink Floyd (1987) Ltd.
Made in The Netherlands
Printed on labels:
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. ℗ 2021 Pink Floyd (1987) Ltd.
Printed on hype sticker:
Remixed from the original master tapes
Heavyweight 180 gram pressing
16-page booklet
Cut at 45 RPM for enhanced audio quality
Printed in the booklet:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, on 30 June 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
Concert presented [...] With special thanks to Bill Curbishley & Derek Green
For Medialab Ltd.: Producer [...] Thanks to David Munns
A Silver Clef Productions Ltd. and Medialab Ltd. production
A further donation has been made to Nordoff Robbins on behalf of Pink Floyd and all the musician who performed with them at the Knebworth 1990 concert
Candy Dulfer appears by courtesy of Dulfer Management
Pink Floyd management: Thanks: Justin Morris, Davie Meunier
A special thank you to Steve O'Rourke
All these tracks were also part of The Later Years 1987-2019 box set.
Barcode and Other Identifiers
- Barcode (Text): 1 9439-74033-1 2
- Barcode (Scanned): 194397403312
- Matrix / Runout (Side A, stamped): 29956 1A 19439740331
- Matrix / Runout (Side B, stamped): 29956 1B 19439740331
- Matrix / Runout (Side C, stamped): 29956 1C 19439740331
- Matrix / Runout (Side D, stamped, 'Stu.' etched): 29956 1D 19439740331 Stu.
- Rights Society: BMI
Other Versions (5 of 21)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | The Knebworth Concert (CD, Unofficial Release) | Vigotone | VT CD-16 | 1990 | |||
New Submission | Knebworth '90 (VHS, Stereo, PAL) | Castle Music Pictures | CMP 2067 | Germany | 1990 | ||
| The Knebworth Tales '90 (CD, Unofficial Release) | Speedball Company | SBC016 | Italy | 1991 | |||
New Submission | Pink Floyd The Knebworth Tales 90' (CD, Deluxe Edition, Limited Edition, Numbered, Special Edition, Unofficial Release, Metal Box) | LTD (3) | 12 | Italy | 1991 | ||
New Submission | Superstar Concert Series (2×CD, Transcription) | Westwood One | 92-23 | US | 1992 |
Recommendations
2021 USVinyl —LP, 45 RPM, Album, Reissue, Stereo
Reviews
- Absolutely no surface noise. Powerful range from bass to full vocal top range particularly on Great Gig in the Sky. Slight popping on the right channel on Side C at the start of Money but goes away as soon as instrumentation becomes more present in the right channel. Sound stage has great separation of various instruments and voices. Such a quality pressing. Love a good 12” 45 RPM.
Its's a dead quiet pressing so it has that going for it. But the lack of soundstage and missing upper-end keep this from reaching its potential. Too bad as the band was in top form here.
I will review this álbum again. The previus one has a defect. This was pritty well, nut has some pop on the side 2 of disc 1. Other is very well recorded and sound fine. Is a nice pressing? You have to get Lucky! A cibe show and music? OF COURSE! It deserve a copy in you're house? To me is a YES becose of the others live shows are very expensive indeed (Pulse for metione one) and this is an almost 60 minutes of good music. By it cheap!- A great concert from Pink Floyd, but i got the bad pressing! Both records comes severly warped, one is skip and jump, that i have to cut the sound at instant, and the other the same way too. This is the first time that i recive a serverly warped irreproducible vinyl. So sad that has to be Pink Floyd that shine in excellence, but i have the same in other record by their, and was a paper chrush into the grooves of the record. I have to return inmediatly.
- Edited 5 months agoThis sounds annoyingly good for a release that feels very cash-grabby/marketing-y. It has 55 minutes of music which is kind of no man's land for vinyl - too much content for a single LP but not enough for a double LP. So they cut it at 45 rpm (with some mildly dubious claims about improved audio quality) and just generally spaced it all out to fill two records. There is a 10 minute version of Money (it has a jam vibe to it and is actually awesome - it is my favorite live version) which makes up the entirety of the C side for example. So you have to flip through 4 sides to get 7 tracks which is tedious. The jacket is nice and it comes with one of those mostly-pointless booklets I never look at, which adds to the marketing-y-ness of it all but in general the presentation is nice and the pressings are of high quality.
The whole album is expensive and short and superfluous for the most part (get Pulse and/or Delicate Sound of Thunder first for high quality live versions of these songs recorded in the same era, plus others) so I kind of wanted to hate it but it admittedly sounds great so, it's a worthy addition for Floyd superfans. Not a must-have for everyone else though. - Exceptional pressing. One of the very best I own in my collection
- Great, quiet and clean pressing. Big and Live sound, deep filling bass, some tracks perhaps a bit shy on highs, but overall a great show and listen!
Sounds awesome at 45 and pretty cool at 33 too. I might be high- The pressing is excellent. Dead quiet and well mixed. This is a must-own for Floydians as it contains the only live version of The Great Gig in the Sky featuring Clare Torry. She does a great job, but honestly, the singers on Pulse deliver a better performance. Wish You Were Here sounds a bit phoned-in, but other than that the band really connects well. As a complete package, it's a bit short, but well worth owning, especially when you want some live Pink Floyd and don't have time for the more expansive Pulse or Delicate Sound of Thunder.
Great package. As usual PF puts out a great product Vinyl is flat and quiet and the sound is beautiful. Bass clarity and musical balance is excellent for a live concert.
Release
For sale on Discogs
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