Release
Marketplace
122 For Sale from $27.50Statistics
Videos (10)
EditContributors
Pink Floyd – Live At Knebworth 1990
| Label: | Pink Floyd Records – PFRLP34, Pink Floyd Records – 19439740331 |
|---|---|
| Format: | 2 x Vinyl, LP, 45 RPM, Album, Stereo, 180 Gram |
| Country: | US |
| Released: | |
| Genre: | Rock |
| Style: | Classic Rock |
Tracklist
| A1 | Shine On You Crazy Diamond, Parts 1-5 | |
| A2 | The Great Gig In The Sky | |
| B1 | Wish You Were Here | |
| B2 | Sorrow | |
| C1 | Money | |
| D1 | Comfortably Numb | |
| D2 | Run Like Hell |
Companies, etc.
- Phonographic Copyright ℗ – Pink Floyd (1987) Ltd.
- Copyright © – Pink Floyd (1987) Ltd.
- Licensed To – Sony Music Entertainment
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – Concord Copyrights Limited
- Published By – Roger Waters Music Overseas Ltd.
- Published By – BMG Rights Management (UK) Limited
- Published By – BMG Platinum
- Published By – TRO-Hampshire House Publishing Corp.
- Recorded At – Knebworth
- Mastered At – Tube Mastering
- Mastered At – Metropolis Studios
- Produced For – Silver Clef Productions Ltd
- Produced For – Medialab Limited
- Pressed By – Record Industry – 29956
Credits
- Art Direction [Art Director] – Aubrey Powell, Hipgnosis (2)
- Backing Vocals – Clare Torry, Durga McBroom, Sam Brown, Vicki Brown
- Bass Guitar, Vocals – Guy Pratt
- Design [Sleeve Design], Artwork [Colourist] – Peter Curzon, StormStudios
- Drums, Percussion – Nick Mason
- Executive-Producer [For Medialab Ltd.] – John Gaydon
- Guest [Special Guest], Keyboards – Michael Kamen (tracks: D1, D2)
- Guest [Special Guest], Saxophone [Sax] – Candy Dulfer (tracks: A1, C1)
- Guitar – Tim Renwick
- Guitar, Vocals – David Gilmour
- Keyboards, Backing Vocals – Richard Wright
- Keyboards, Vocals – Jon Carin
- Lacquer Cut By – Stu.*
- Lead Vocals – Clare Torry (tracks: A2)
- Lighting [For Silver Clef Productions] – Marc Brickman
- MC [Concert Master Of Ceremonies, For Silver Clef Productions] – Dave Dee (2)
- Management [Pink Floyd Management 1990] – EMKA Productions, Steve O'Rourke (2)
- Management [Pink Floyd Management, For David Gilmour] – Andy Murray (2), Elena Bello, One Fifteen, Paul Loasby
- Management [Pink Floyd Management, For Nick Mason] – Jo Greenwood, Tony Smith (13), Tony Smith Personal Management
- Management [Pink Floyd Management, For The Estate Of Richard Wright] – Andrew Gummer, Gala*, Jamie Wright (2)
- Management [Sony Music] – Charlie Stanford, Elliot Stubbs, Greg Linn, Jeffrey Schulberg, Jim Tosney, John Conroy (9), John Jackson (11), Lisa Marchese, Patti Matheny, Richard Alcock, Richard Story, Rob Stringer (3), Syd Schwartz, Tammie Holt, Tom Mackay
- Management [Warner Music] – Derek Allen (11), Dirk Ewald, James Radice, Lara Norgrove, Max Lousada, Paul Fletcher (8), Peter Breeden, Sarah O'Shea (3), Steve Cooke (14), Tom Gallacher, Tony Harlow
- Mastered By [Audio Mastering] – Andy Jackson
- Mastered By [Vinyl Mastering] – Stuart Hawkes
- Mixed By [Audio Remix Assisted By] – Damon Iddins
- Mixed By [Audio Remix By] – Andy Jackson
- Mixed By [Audio Remix With] – David Gilmour
- Percussion – Gary Wallis
- Photography By [Concert Photography] – Denis O'Regan, Dimo Safari, Peter Still*
- Photography By [Front Cover Photograph] – Aubrey Powell, Hipgnosis (2)
- Photography By [Photographic Retouching] – Bayeux Ltd., Benny Trickett
- Presenter [Concert Presented By] – Andrew Miller*, Paul King (8)
- Producer [For Medialab Ltd.] – Richard Leyland
- Producer [Produced By] – Chris Kimsey, Steve Smith (3)
- Producer [Production Assistant, For Medialab Ltd.] – Sonia Hampson
- Producer [Production Secretary, For Medialab Ltd.] – Penny West (2)
- Production Manager [For Silver Clef Productions] – Pete Edmunds
- Promotion [Concert Promoter, For Silver Clef Productions] – Andrew Miller*
- Promotion [P.A. To Andrew Miller, For Silver Clef Productions] – Sarah Morgan (8)
- Public Relations [Clearance, Co-ordination] – Andy Murray (2), Elena Bello, Paul Loasby
- Public Relations [PR] – Fran Defeo PR*
- Public Relations [Pinkfloyd.com] – Jabeye, Peter Robson (2)
- Public Relations [Publicity, For Silver Clef Productions] – Tony Brainsby P.R. Ltd.*
- Recorded By, Engineer [Engineered By] – Mike Fraser
- Research [Archivist] – Pink Floyd Archive*, Tracey Kraft
- Set Designer [Stage Design, For Silver Clef Productions] – Jonathan Park, Michael Almond (2)
- Stage Manager [For Medialab Ltd.] – James Chads, Jane Cotton
- Technician [Live Concert Sound, For Silver Clef Productions] – Britannia Row Productions*
- Technician [O.B. Facilities, For Silver Clef Productions] – 021 Television
Notes
Track A1: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track A2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Tracks B1, D1, D2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track B2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited
Track C1: Published by Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Printed on rear artwork:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. © 2021 Pink Floyd (1987) Ltd.
Made in The Netherlands
Printed on labels:
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. ℗ 2021 Pink Floyd (1987) Ltd.
Printed on hype sticker:
Remixed from the original master tapes
Heavyweight 180 gram pressing
16-page booklet
Cut at 45 RPM for enhanced audio quality
Printed in the booklet:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, on 30 June 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
Concert presented [...] With special thanks to Bill Curbishley & Derek Green
For Medialab Ltd.: Producer [...] Thanks to David Munns
A Silver Clef Productions Ltd. and Medialab Ltd. production
A further donation has been made to Nordoff Robbins on behalf of Pink Floyd and all the musician who performed with them at the Knebworth 1990 concert
Candy Dulfer appears by courtesy of Dulfer Management
Pink Floyd management: Thanks: Justin Morris, Davie Meunier
A special thank you to Steve O'Rourke
All these tracks were also part of The Later Years 1987-2019 box set.
Track A2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Tracks B1, D1, D2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited/Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. All rights on behalf of BMG Rights Management (UK) Ltd. administered by BMG Platinum (BMI)
Track B2: Published by Pink Floyd Music Publishers Ltd., administered by Concord Copyrights Limited
Track C1: Published by Roger Waters Music Overseas Ltd., administered by BMG Rights Management (UK) Ltd. for the world excluding USA & Canada. USA & Canada: TRO-Hampshire House Publishing Corp.
Printed on rear artwork:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. © 2021 Pink Floyd (1987) Ltd.
Made in The Netherlands
Printed on labels:
℗ 2019 Pink Floyd (1987) Ltd., under exclusive license to Sony Music Entertainment for the world outside Europe. ℗ 2021 Pink Floyd (1987) Ltd.
Printed on hype sticker:
Remixed from the original master tapes
Heavyweight 180 gram pressing
16-page booklet
Cut at 45 RPM for enhanced audio quality
Printed in the booklet:
Recorded at Knebworth House, Knebworth, Hertfordshire, UK, on 30 June 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology
Concert presented [...] With special thanks to Bill Curbishley & Derek Green
For Medialab Ltd.: Producer [...] Thanks to David Munns
A Silver Clef Productions Ltd. and Medialab Ltd. production
A further donation has been made to Nordoff Robbins on behalf of Pink Floyd and all the musician who performed with them at the Knebworth 1990 concert
Candy Dulfer appears by courtesy of Dulfer Management
Pink Floyd management: Thanks: Justin Morris, Davie Meunier
A special thank you to Steve O'Rourke
All these tracks were also part of The Later Years 1987-2019 box set.
Barcode and Other Identifiers
- Barcode (Text): 1 9439-74033-1 2
- Barcode (Scanned): 194397403312
- Matrix / Runout (Side A, stamped): 29956 1A 19439740331
- Matrix / Runout (Side B, stamped): 29956 1B 19439740331
- Matrix / Runout (Side C, stamped): 29956 1C 19439740331
- Matrix / Runout (Side D, stamped, 'Stu.' etched): 29956 1D 19439740331 Stu.
- Rights Society: BMI
Other Versions (5 of 10)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Live At Knebworth 1990 (CD, Album) | Pink Floyd Records, Pink Floyd Records | PFR34, 0190295258498 | Europe | 2021 | |||
Recently Edited | Live At Knebworth 1990 (CD, Album, Stereo) | Sony Records Int'l | SICP 6382 | Japan | 2021 | ||
| Live At Knebworth 1990 (2×LP, 45 RPM, Album, Stereo, 180 Gram) | Pink Floyd Records, Pink Floyd Records | PFRLP34, 0190295258504 | Europe | 2021 | |||
Recently Edited | Live At Knebworth 1990 (CD, Album, Stereo) | Pink Floyd Records, Pink Floyd Records | PFR34, 19439849122 | USA & Canada | 2021 | ||
| Live At Knebworth 1990 (CD, Album, Unofficial Release) | Pink Floyd Records (2), Pink Floyd Records (2) | PFR34, 0190295258498 | Russia | 2021 |
Recommendations
Reviews
Show All 24 Reviews
Excellent sounding pressing. Nice flat 180g vinyl. Also includes a booklet.
I’m confused by the praise of this offering, especially at 45, which I can tell you was completely unnecessary. Sound quality is iffy, records on the two I bought were flat, which was a nice change. Sound quality is okay, but when comparing this to a studio album by the Floyd it’s a far cry. Nothing to write home about, pick it up used.
5 stars. Don’t give ‘em often but this one hit me. Excellent pressing, Excellent sound. Excellent Floyd!
Sharp riffs nice base the louder the better. Great pressing no complaints.
I love this record. Great track list. Great sound. 4.5+ out of 5 on the sound.
Buy it, you will love it.
Buy it, you will love it.
Edited 11 months ago
This is a post-Waters live concert, so it is missing that crazy edge, haha... and it is so far from their small time psychedelic roots; by this point Pink Floyd were a bloated stadium pomp rock band. In the wrong mood, I find this as awful as any stadium filling commercial behemoth. It must also be said that the blurry photographs in the booklet look like they were just blown up from the cd booklet. Nevertheless, whilst this is little more than a tired greatest hits set, "Comfortably Numb" shines through as the truly great song it is. Moreover, I have to say that the recording and mastering and pressing are excellent. My copy says made in the Netherlands on the back and it seems to have been pressed at Record Industries there. Back in the 60s, 70s and 80s the Dutch pressing plants put out amongst the highest quality, lowest noise pressings money could buy. I still have many fabulous Philips classical pressings from those Dutch plants which have nary a click or pop, let alone such abominations as end of side distortion, non-fill etc. Are we returning to that golden age? I sure hope so.
About as good as you can get. These recent Pink Floyd releases are killing it. Feels like you are right there.
Great sounding pressing. Such incredible space and minimal surface noise. Just WOW !
This is probably the best sounding LP set for the modern 2016 and forward re-masters and re-issues. The sound at 45rpm is mind blowing.
They also did Knebworth in July 1975, Captain Beefheart,, Steve Miller Band, Roy Harper. NOW THAT a brilliant show, both Beefheart and Miller sounded like a studio recording, might have been the solid though, we Nep temple ball at the time.