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- 👌 by psyance_QL
- Tunes played by tony De VitAny help with some rarer one is welcome. Not including his own productions by tdv123
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- Various records that DJ's have played/owned - Tom Wilson. by John_Galbraith
- Pearsall presents Eurotrash 7 [Old Skool European Acid Techno] by hodderian
- Various records that DJ's have played/owned - Davie Forbes. by John_Galbraith
- Tune! by LaCargo
- Various records that DJ's have played/owned - The DJ Producer. by John_Galbraith
- Various records that DJ's have played/owned - DJ Fergus. by John_Galbraith
- Various records that DJ's have played/owned - Lenny Dee. by John_Galbraith
- Various records that DJ's have played/owned - DJ Obsession. by John_Galbraith
- Various records that DJ's have played/owned - Mark McLaughlan. by John_Galbraith
- Various records that DJ's have played/owned - DJ Selector. by John_Galbraith
- Best 90's Hard Trance by El_Sando
- Soundgarden Part 3 (94-96) by forrest_funk
- Acid Techno Selection by ursa
- Techno contemporaries by ursa
Contributors
DJ Misjah & DJ Tim – Access
Label: | X-Trax – X-002 |
---|---|
Format: | Vinyl, 12", 33 ⅓ RPM, 45 RPM |
Country: | Netherlands |
Released: | |
Genre: | Electronic |
Style: | Hard Trance, Acid, Techno |
Tracklist
A | Access | 7:04 | |
AA1 | The Switch | 7:29 | |
AA2 | Extravaganza | 6:15 |
Companies, etc.
- Published By – Fokuss Music
- Published By – Ratel Music Publishing
- Distributed By – Mid-Town Distribution
- Produced For – Fokuss Productions
- Mastered At – The Masters – 874277
Credits
- Lacquer Cut By – HCB*
- Producer, Written-By – DJ Misjah & DJ Tim
Notes
Uncredited vocal samples on 'Access' were taken from Deee-Lite - Picnic In The Summertime (Picnicapella) - which samples the title track from Bill Doggett - Honky Tonk Popcorn LP.
All tracks written and produced for Fokuss Productions.
Publishing by Fokuss / Ratel Music.
Distribution by Mid-Town.
Made in Holland.
45 RPM for A Side
33 ⅓ RPM for AA Side
All tracks written and produced for Fokuss Productions.
Publishing by Fokuss / Ratel Music.
Distribution by Mid-Town.
Made in Holland.
45 RPM for A Side
33 ⅓ RPM for AA Side
Barcode and Other Identifiers
- Barcode (Text): 8 713299 000324
- Barcode (Scanned): 8713299000324
- Matrix / Runout (Run-out Side A): X002-A HCB874277.
- Matrix / Runout (Run-out Side AA): X002-B HCB 874277.
- Rights Society: BIEM
- Rights Society: STEMRA
Other Versions (5 of 7)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Access (12") | Progressive Platter | PP003 | Canada | 1995 | ||
Access (12", 33 ⅓ RPM) | Quality Madrid | QR-164 | Spain | 1995 | |||
Recently Edited | Access (12", 33 ⅓ RPM, 45 RPM) | D.I.A.S. | DIAS 002 | Germany | 1995 | ||
Access (12", grey marbled) | X-Trax | X-002 | Netherlands | 1995 | |||
Access (3×File, MP3, 320 kbps) | X-Trax | X-002 | Netherlands | Unknown |
Recommendations
Reviews
Show All 11 Reviews
Takes me back to 6am at a random rave on a housing estate, somewhere in East London, whole crowd bouncing in unison while some biker in leathers was MCing like a maniac on the mic... absolute belter of a track, and an absolutely mental night/morning. Always remember the cab driver home being called Rudy Number 8 lol

Never understood why Access is that famous. It is extremely simple, repetitive, and lacking creativity.
They finished the track in 2 hours by the way, which is not surprising at all.
They finished the track in 2 hours by the way, which is not surprising at all.
Here's some useless trivia: the 303 comes in at 3:03.
You can tell that to your new pal at 7 in the morning while you're trying to chew the inside of your cheek.
Time has not been kind to a lot of music of this era, but the simplicity and energy of Access puts it firmly in the techno hall of fame.
You can tell that to your new pal at 7 in the morning while you're trying to chew the inside of your cheek.
Time has not been kind to a lot of music of this era, but the simplicity and energy of Access puts it firmly in the techno hall of fame.

Edited 3 years ago
The switch tune oh my days I can't play it loud enough, I need a power amp for this little treacle. Bouncy and mahoosive sound chuggy tune
Thanks Misjah, cheers Tim
This one remains timeless for those that were there and for future generations who will come back round to it
This one remains timeless for those that were there and for future generations who will come back round to it

Yeah, we know, Access is a great track, we get it. But how awesome is extravaganza!? It builds in a way that reminds me of Red 3 from Dave Clarke, which came out around the same time. Incredible dancefloor-smashing energy.
God dam, this is one of the best dance songs on earth. Just a few come on par, like "O.T. Quartet - Hold That Sucker Down"...
It's very difficult now to capture in words the devastating effect Access had on the worlds dancefloors at the time. Although plenty decent acid tracks had been released prior to 95, the 303 sound had taken a breather after the onslaught of the late 80's & early 90's and was then more familiar within the goa/hardtrance sounds.
The hard dance scene was absolutely huge in the uk due to the previous 7 years of innovation and as that had started to become stale the scene was screaming out for a fresh path.
Then Access Arrived!!!
Nothing had been heard quite like this and it was like a nod to the past with a wink to the future, combining a mixture of the best acid tweaking of days gone by but with the strength and power of very early 90's gabba in a new hardtrance kinda style, very fresh at the time.
The minute that kickdrum and stab broke through a track in the mix, you could feel it like a tremor literally shaking and pounding the club, testing the sound system to it's max like it was invented to play this track. Whatever was played before it became irrellevant, whatever was played after could not compete. Simply it caused crowds to go absolutely wild resulting in Total Dancefloor Annihilation!!! Exactly what Misjah and Tim intended it to do, i'm sure. X-Trax Rocks!!!
The hard dance scene was absolutely huge in the uk due to the previous 7 years of innovation and as that had started to become stale the scene was screaming out for a fresh path.
Then Access Arrived!!!
Nothing had been heard quite like this and it was like a nod to the past with a wink to the future, combining a mixture of the best acid tweaking of days gone by but with the strength and power of very early 90's gabba in a new hardtrance kinda style, very fresh at the time.
The minute that kickdrum and stab broke through a track in the mix, you could feel it like a tremor literally shaking and pounding the club, testing the sound system to it's max like it was invented to play this track. Whatever was played before it became irrellevant, whatever was played after could not compete. Simply it caused crowds to go absolutely wild resulting in Total Dancefloor Annihilation!!! Exactly what Misjah and Tim intended it to do, i'm sure. X-Trax Rocks!!!

Seriously now, Access is one of the most inspiring pieces of electronic music - ever! Starting off with a ridiculously hard and fast drum kick accompanied by an equally menacing bass line, it stops only for a brief moment a few minutes into the track, and then following a crescendo of screaming 303s, it transforms into a high octane acid techno burner, never looking back once it really takes off!
Fairly simple in all its greatness, but it's perfectly pitched, with a classic build up, which is just turgid with desire to be unleashed upon the party crowd. It still occasionally slips into modern DJ sets, and believe me, it has lost zero power and its devastating effect is still fully in tact. Truly a classic, and quite probably the best track to have ever been recorded under the X-Trax imprint, although Temple Of Acid is my own personal favorite.
My only complaint with this otherwise awesome release is the feeble choice of tracks on the flip side. Switch is a track which goes nowhere, but samples an anti Vietnam war speech courtesy of Martin Luther King, which is cool to mix with a more intense sounding tune. Extravaganza is all but extravagant... Just a dull six and a half minutes of music, but you won't even notice you've been listening to anything else but the title track. Trust me, if you still haven't, whenever and wherever might it be that you see a CD or a 12" with DJ Misjah & DJ Tim- Access written on it, don't waste time and count your dimes, just grace yourself with a copy. Your music collection deserves one.
Fairly simple in all its greatness, but it's perfectly pitched, with a classic build up, which is just turgid with desire to be unleashed upon the party crowd. It still occasionally slips into modern DJ sets, and believe me, it has lost zero power and its devastating effect is still fully in tact. Truly a classic, and quite probably the best track to have ever been recorded under the X-Trax imprint, although Temple Of Acid is my own personal favorite.
My only complaint with this otherwise awesome release is the feeble choice of tracks on the flip side. Switch is a track which goes nowhere, but samples an anti Vietnam war speech courtesy of Martin Luther King, which is cool to mix with a more intense sounding tune. Extravaganza is all but extravagant... Just a dull six and a half minutes of music, but you won't even notice you've been listening to anything else but the title track. Trust me, if you still haven't, whenever and wherever might it be that you see a CD or a 12" with DJ Misjah & DJ Tim- Access written on it, don't waste time and count your dimes, just grace yourself with a copy. Your music collection deserves one.