Laurent Garnier – The Sound Of The Big Babou
| Label: | F Communications – F 111, F Communications – F111 |
|---|---|
| Format: | Vinyl, 12", 45 RPM, Reissue, Repress |
| Country: | Europe |
| Released: | |
| Genre: | Electronic |
| Style: | Tribal, Techno |
Tracklist
| A | The Sound Of The Big Babou | 7:10 | |
| B | Sore Fingers | 5:00 |
Companies, etc.
- Phonographic Copyright ℗ – F Communications
- Copyright © – F Communications
- Published By – Basic Groove Publishing
- Licensed To – PIAS Benelux
- Licensed To – PIAS UK
- Licensed To – PIAS Germany
- Produced At – Wake Up Lab
- Mastered At – DFI
- Pressed By – Optimal Media Production – B521101
- Distributed By – PIAS France – 137 0111 30
- Distributed By – Charged
- Distributed By – Vital (2)
- Distributed By – Connected Music Vertrieb GmbH
Credits
- Design – Seb Jarnot
- Mixed By – Laurent Collat
- Producer, Written-By, Mixed By – Laurent Garnier
Notes
ha ! ha ! ha !
Written and produced at the Wake Up Lab around Paris.
"Respect to all the big babous around the world"
From the forthcoming album ”Unreasonable behaviour”
P&C 1999 F Communications
Released under license by PIAS Benelux, PIAS UK & PIAS Germany.
Distributed in France by PIAS France, UK by Charged/Vital, Germany by Connected.
Made in Europe.
The release was issued using the same labels and sleeve as the original version. It has additional faintly stamped job numbers ‘B 521101-01’ in the run-out grooves. The pressing company and the release date were derived from that job number. ‘Mastered At DFI’ stands for a ‘Plated At’ role, meaning this repress was done using original 1999 DFI metalworks. The original version which lacks this job number can be found there.
Written and produced at the Wake Up Lab around Paris.
"Respect to all the big babous around the world"
From the forthcoming album ”Unreasonable behaviour”
P&C 1999 F Communications
Released under license by PIAS Benelux, PIAS UK & PIAS Germany.
Distributed in France by PIAS France, UK by Charged/Vital, Germany by Connected.
Made in Europe.
The release was issued using the same labels and sleeve as the original version. It has additional faintly stamped job numbers ‘B 521101-01’ in the run-out grooves. The pressing company and the release date were derived from that job number. ‘Mastered At DFI’ stands for a ‘Plated At’ role, meaning this repress was done using original 1999 DFI metalworks. The original version which lacks this job number can be found there.
Barcode and Other Identifiers
- Barcode (Text): 5 413356 724332
- Matrix / Runout (Run-out side A): DFI-99.7- F 111 A-02-01-1 137.0111 130 A B 521101-01 A1
- Matrix / Runout (Run-out side B): DFI-99-7- F 111 B-02-01-1 137.0111 130 B B 521101-01 B1
- Label Code: LC 07800
- Price Code: 080P
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Sound Of The Big Babou (CD, Single) | F Communications, F Communications, F Communications | F 111CD, F111 CD, 137 0111 22 | UK & Europe | 1999 | |||
| The Sound Of The Big Babou (12", Promo) | F Communications | F 111 | France | 1999 | |||
| The Sound Of The Big Babou (CD, Single, Promo, Cardsleeve) | F Communications | F 111 PROMO CD | France | 1999 | |||
| The Sound Of The Big Babou (12") | Plastika (2) | PLASTIKA 01 | Portugal | 1999 | |||
| The Sound Of The Big Babou (CD, Single) | Plastika (2) | 11.70 7098 | Portugal | 1999 |
Recommendations
Released1997 — USVinyl —12", EP, 33 ⅓ RPM
Released1998 — UK & EuropeVinyl —12", 45 RPM
Released1997 — UK & EuropeVinyl —12", 33 ⅓ RPM, 45 RPM, Misprint
Released2000 — EuropeVinyl —12", 33 ⅓ RPM
Vinyl —LP, Album, Reissue
Released1999 — USVinyl —12", 33 ⅓ RPM, EP
Vinyl —12", 33 ⅓ RPM, EP
Vinyl —12", 45 RPM
Released1997 — UK & EuropeVinyl —12", 33 ⅓ RPM
Released1998 — FranceVinyl —12", 33 ⅓ RPM, Single Sided, Single, Etched
Reviews
I'll never forget Justin Robertson closing his set with The Sound of the Big Babou at my first Bugged Out Liverpool in 1999. Absolutely epic as all the lights came on during the breakdown and then when it kicked in the whole place erupted every sweaty, boggle eyed raver lost it. Wonderful.
You can die while listening to this in Shadow Moses man!, that place was a bomb!
Edited 9 years ago"sore fingers", it;s all about "sore" here. mad, mad tune. slow tempo with tribal, bongos. reminds me a trip to Africa. a trip to nowhere. what a beatiful journey. sth. for headz!- for me the focus of this ep is all about the B side 'Sore Fingers', exclusive to this release.
swelling saunderson-like 'sweep' bassline under incredible live percussions and 909 low tom interplay.
a confident laugh from l.g. at the climax...incorporated into an absolutely sophisticated piece.
bridges both the traditional world and pure electronics.
immense! - Get this one and check out 'Sore Fingers', which you can't find on the Vinyl album. It's a dark and dubby Percussion-stomper and goin' damn forward ! Seems to me that the percussions are played live, because of some really wicked breaks ... good stuff !!
Release
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Contributors
JE:5, Haze, koil, calife, DaTiGaPoWa, tom, alienboy, Paul-B, tomazy, stak, ManuChaman, Onkel-Tom, selected-sounds, geoffreysxb, vadz, dub_e_72, cereal