Masters At Work Featuring India – I Can't Get No Sleep

Masters At Work - I Can't Get No Sleep album cover

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Label:	Cutting Records – CR-273
Format:	Vinyl, 12", 33 ⅓ RPM, Single
Country:	US
Released:	Feb 18, 1993
Genre:	Electronic, Hip Hop
Style:	House, Deep House, Hip Hop, Garage House

Tracklist

	Dope Side A
A1	I Can't Get No Sleep (Ken/Lou 12")	6:42
A2	I Can't Get No Sleep (Her Fantasy Mix)	6:20
A3	I Can't Get No Sleep (The Bar Beats)	4:02
	Madd Side B
B1	I Can't Get No Sleep (The Down Low Mix)	6:09
B2	I Can't Get No Sleep (The Down Low Instrumental)	5:14

Companies, etc.

Published By – Indilu Publishing
Published By – It's Time Music
Copyright © – Cutting Records, Inc.
Phonographic Copyright ℗ – Cutting Records, Inc.
Produced For – Masters At Work Productions, Inc.
Produced For – 23 West Productions, Inc.
Produced For – One Rascal Productions Inc.
Mastered At – DMS (2)
Pressed By – Specialty Records Corporation

Credits

Edited By – Albert Cabrera
Engineer – David Darlington (tracks: B1, B2), Steve Barkan* (tracks: A1 to A3)
Executive-Producer – Amado & Aldo Marin
Featuring, Vocals, Arranged By [Vocal Arrangements] – India
Keyboards [Additional] – Lem Springsteen
Mastered By – Herb "The Pump" Powers, Jr.*
Producer, Mixed By – Kenny "Dope" Gonzalez, "Little" Louie Vega*
Written-By – India, L. Vega*

Notes

From the album release Masters At Work "The Album" 2006-2/4/1

Produced & Mixed for Masters At Work Productions, Inc.
Engineered for 23 West Productions, Inc.
Edited for One Rascal Productions, Inc.
Mastered at Hit Factory-D.M.S.
Special Thanks: India, Derek Whitaker, Darryl James, Tony Humphries & Danny Morales

Direct Metal Mastering (DMM)

BPM:
A1: 123 | A2: 123 | A3: 123
B1: 100 | B2: 100

Barcode and Other Identifiers

Barcode (Text): 2876-20273-1
Barcode (Scanned): 028762027318
Matrix / Runout (Runout side A): SRC (Large S with the R and C in the loops) CR-273-A-Dmm HF HERbiE JR :v) PS ALICIA + AMANDA SP2-1
Matrix / Runout (Runout side B): SRC (Large S with the R and C in the loops) HF HERbiE JR :v) CR-273-B1
Rights Society: BMI

Other Versions (5 of 30)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	I Can't Get No Sleep (12", 33 ⅓ RPM)	UMM	UMM 072	Italy	1993
	I Can't Get No Sleep / All That (12", Limited Edition, 33 ⅓ RPM)	Cutting Records, Cutting Records	CR-277, CR 277	US	1993
Recently Edited	I Can't Get No Sleep (CD, Maxi-Single)	Feel The Rhythm	FTR 3818-2	France	1993
Recently Edited	I Can't Get No Sleep (12", 45 RPM, Maxi-Single)	Feel The Rhythm	FTR 3818-6	France	1993
Recently Edited	I Can't Get No Sleep (New York Underground Vol. 3) (CD, Maxi-Single)	Ausfahrt, Ausfahrt	EFA Maxi CD 06318 04, EFA MAXI CD 06318 04	Germany	1993

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Reviews

VinylVendors Aug 12, 2019
Either this samples the release linked below, or vice versa (Same year, no exact dates);
https://www.discogs.com/Power-Movement-Feel-It-Pull-It-Higher/release/199132
akimamayih Sep 17, 2011
R & B. The Unknown by Little Louie Vega MAW project worked with Kenny Dope. At the time this song had been secretly exchange information between some of the DJ's, great! ! The gritty breakbeats with a good hip MAW "Just the two of us" on track to expand the type code mellow, emotional voice of the Soul diva India has announced a partnership with numerous masterpieces MAW. Gives us great masterpieces together they moved.
julienferment Feb 27, 2007
Edited 18 years ago
Well, what can we say about it ? Definitely the best MAW track and the best garage tune. Some people wont agree with me but, the style, the construction and the voice of India are so different, so new at this time (early 90's) that make this track fresh and pumpy. I still play it often and everytime it's a souffle of fresh air and nostalgia. I can only recommend all the soulful dj's to have it in their collection. Check also the 95's mixes which are great but not better than the original !
dexterfeng Jul 24, 2005
Edited 19 years ago
And in came the power of KenLou.
This is one of the classic songs that prbably locked in and solidified Minneapolis love for house music and wailing diva's.
In the middle of proggy house, techno and the lean that Minneapolis was going on with hardcore came dj's like E-Tones who played the tar out of this record always always to wicked response. Along with Dajae; one of many records that helped close the gap between the straight and gay dance music lovers in Minneapolis and brought the two floors together.
Kevin Cole was doing it with his stategic booking of the early Depth Probe events, but without kickass djs playing kickass anthems like this. It wouldn't have been quite so easy to pull off.