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Miles DavisKind Of Blue

Label:

Analogue Productions – UHQR 0004, Analogue Productions – AUHQR 0004, Columbia – CS 8163, Sony Music Commercial Music Group – 19075978621

Series:

UHQR by Analogue Productions – UHQR 0004

Format:

Vinyl, LP, Album, Numbered, Reissue, Repress, Stereo, 200 g, Clarity Vinyl
Box Set, Deluxe Edition, Limited Edition

Country:

US

Released:

Genre:

Jazz

Style:

Modal, Hard Bop

Tracklist

A1So What
A2Freddie Freeloader
A3Blue In Green
B1All Blues
B2Flamenco Sketches
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Companies, etc.

  • Copyright ©Columbia Records
  • Copyright ©Acoustic Sounds Inc.
  • Record CompanySony Music Entertainment
  • Record CompanyAcoustic Sounds Inc.
  • Manufactured ForAnalogue Productions
  • Manufactured BySony Music Entertainment
  • Marketed ByAcoustic Sounds
  • Printed ByStoughton Printing Co.
  • Mastered AtBernie Grundman Mastering
  • Lacquer Cut AtBernie Grundman Mastering
  • Pressed ByQuality Record Pressings

Credits

  • Alto SaxophoneJulian Adderley* (tracks: A1, A2, B1, B2)
  • BassPaul Chambers (3)
  • Crew [Quality Control, QRP Team]Jen Crough
  • DrumsJames Cobb*
  • Lacquer Cut ByBG*
  • Liner NotesBill Evans, Robert Palmer
  • Liner Notes [Analogplanet.com]Michael Fremer
  • Liner Notes [August 2019]Ashley Kahn
  • Liner Notes [Classic Records Founder]Michael Hobson (2)
  • Liner Notes [UHQR Insert]Chad Kassem
  • Management [Packaging Manager, QRP Team]Tina Nuss
  • Management [Plant Manager, QRP Team]Gary Salstrom
  • Mastered ByBernie Grundman
  • Photography By [Photo, On Front Cover]Jay Maisel
  • PianoBill Evans (tracks: A1, A3 to B2), Wyn Kelly* (tracks: A2)
  • Plated By [Plating, QRP Team]Stan Bishop
  • Supervised By [Quality Control Supervisor, QRP Team]Tony Blair (3)
  • Technician [Pressing Operator, QRP Team]Scott Wendell
  • Tenor SaxophoneJohn Coltrane
  • Trumpet, LeaderMiles Davis
  • Written-ByM. Davis*

Notes

© 1959, 2020 Columbia Records, a division of Sony Music Entertainment / Originally released 1959.
All rights reserved by Columbia Records, a division of Sony Music Entertainment /
Manufactured for Analogue productions by Sony Music Entertainment.

Handmade limited run reissue.
Pressed 33 1/3 RPM LP, limited to 25,000 numbered copies.
Housed in a full-colour, tip-on, Stoughton, gatefold jacket inside a textured slip-case w/ leatherette dowell featuring gold-foil stamp numbering.
Mastered directly from the original 3-Track master tapes by Bernie Grundman.
Pressed using Clarity Vinyl® on a manual Finebilt press.

Julian Adderley, courtesy of Riverside Records.
Wyn Kelly, courtesy of Riverside Records.

Barcode and Other Identifiers

  • Barcode (Text on sticker): 7 53088 40001 8
  • Barcode (Scanned from sticker, UPC-A): 753088400018
  • Matrix / Runout (Side A label): 19075978621A
  • Matrix / Runout (Side B label): 19075978621B
  • Matrix / Runout (Side A runout): CS 8163-C BG UHQR-0004 A
  • Matrix / Runout (Side B runout): CS 8163-B BG 08 T UHQR-0004 B

Other Versions (5 of 545)

View All
Title (Format)LabelCat#CountryYear
Kind Of Blue (LP, Album, Stereo)ColumbiaCS 8163US1959
Recently Edited
Kind Of Blue (LP, Album, Mono)ColumbiaCL 1355US1959
Recently Edited
Kind Of Blue (LP, Album, Misprint, Promo, Mono, '4' cover)ColumbiaCL 1355US1959
Recently Edited
Kind Of Blue (LP, Album, Mono)Coronet (2), Coronet (2), Coronet (2)KLP893, KLP-893, KLP - 893Australia1959
Recently Edited
Kind Of Blue (LP, Album, Mono)ColumbiaCL 1355Canada1959

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Reviews

  • circularlogic's avatar
    Edited 27 days ago
    I'm still forming my thoughts about this pressing. It's definitely impressive. It boasts outrageous separation and detail, allowing the listener to really dissect what's going on musically, and the Clarity vinyl is remarkably quiet. It does feel to me (at least on the first couple of listens) like the emphasis on separation/stereo stage has led to a bit of "ungluing", though - I'm failing miserably at describing this, but the band feels less cohesive/like a unit than on other versions I've heard. Bill Evans is over here, Miles is over there, Cobb is in the corner, and so on. Again, this is in some ways pretty cool, as you can really pick apart what each player is doing, but it loses a bit of the smokey, ethereal vibe of the original to me. Just one person's opinion. I think they've certainly succeeded at what they set out to do, but I don't know if everyone wants to hear this album the way that Chad Kassem seems to want to hear it. I'd be really curious to hear how a mono cut overseen by AP would sound.
    • tomwebb101's avatar
      tomwebb101
      STUNNING

      There is no other word needed for this reissue. My copy is dead flat, dead centered and but for one pop its impossible to hear theres a record in play with my AT microline. I washed before hand as clearly alot of static was built up in the sleeve/jacket and all new records warrant a clean before going near a stylus anyway.

      Such a low noise floor allows Bernie G to shine in the mastering stakes.... rich, expansive and tonally entirely believable. Easily betters the MOV 33rpm issue i had. I have suprised myself by not going for the 45rpm edition but as the 33 is done so good i dont feel the need.

      The way Coltrane explodes into action midway during Freddie Freeloader took me back and here my room is alive with glorious sound!

      Honestly id fell out of love with this album. It is overplayed so much and usually in low quality that i forgot just how ESSENTIAL IT IS. This version has made me love it all over again.
      I cant say fairer than that but i would love AP to do a Bernie G SACD to go with.
      • ryanstratton's avatar
        ryanstratton
        Edited 2 months ago
        Save your money is my opinion. This is not only a bit noisy but I think it's rather aggressive sounding overall. They juiced it up in a bad way. I'll never buy another one of these UHQR pressings, it's a joke in my opinion. I would way rather have an OG pressing, I'm sure the sound is warm and loverly this is bright and aggressive. Some like that, so more power to you. I've never really understood why everyone loves this album so much, it's the top jazz album of all time. I'll take Miles more wild music all day over this. I try to listen with respect and reverence but I just don't hear it.
        • AmauryW's avatar
          AmauryW
          The only UHQR in my collection and easily one of the noisiest pressing in my collection. Mastering sounds amazing, but there are pops and clicks, and no cleaning can make it go away. When you pay 125€ for a record that is supposed to be of the highest sound quality, and that you find out it is not better than a 20€ pressing it is really dissapointing and upsetting. Never again will I buy any UHQR from analogue productions, they're good marketers but QRP is just a bad pressing plant in my opinion. Also it was difficult to get here in europe and no return was possible from the online store. I might just end up selling it, but with all the bad reviews I doubt anyone would pay half of the retail price. Don't get fooled by the marketing around these ultra premium releases, they're just over-hyped. Maybe a bad copy? For that price, you'd think the quality control doesn't let any default go through, again this is not the case. Shame on QRP, analogue productions and all the people involved in this deceiving release.
          • michaelcarr4's avatar
            michaelcarr4
            Replayed recently after spending countless sessions cleaning since purchasing new to attempt to achieve the fantastic sound quality expected from UHQR. Alas no improvements were gained. Put through new ultrasound cleaner before replaying to confirm this recording will never be a go-to version for me as several areas of very audible surface noise and one very loud tick on side B destroy the majesty of the recording. No more UHQR’s in my collection.
            • robjennings's avatar
              robjennings
              This sounds so amazing I have hard time imagining what the 45rpm UHQR sounds like. I'm not sure the diminishing returns would be worth getting up to flip a record after every song...
              • Nick8712's avatar
                Nick8712
                Wow….this record sounds incredible! It’s perfect in every way. Quiet pressing, terrific mastering, wonderful box. Easily one of the best sounding records I own!
                • pdkvinyl's avatar
                  pdkvinyl
                  I’ve always thought that my hi fi is too old and i was on the verge of changing it… but after hearing this vinyl I realized that it’s the the rest of my vinyls that needs to be thrown away…..
                  • FranksAndBeenz's avatar
                    Edited 5 months ago
                    Somebody had to make an entry to brag they have the one and only teat pressing. Hahahah Chad? Is that you? 😂
                    • goboston34's avatar
                      goboston34
                      Really incredible pressing. Sounds like the band is right in front of you.

                      Release

                      For sale on Discogs

                      Sell a copy

                      131 copies from $79.99

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