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Pink FloydThe Wall

Label:CBS/Sony – 40AP 1750~1
Format:
2 x Vinyl, LP, Album, Stereo
Country:Japan
Released:
Genre:Rock
Style:Art Rock, Alternative Rock, Prog Rock

Tracklist

A1In The Flesh?3:16
A2The Thin Ice2:27
A3Another Brick In The Wall (Part I)3:21
A4The Happiest Days Of Our Lives1:46
A5Another Brick In The Wall (Part II)3:59
A6Mother5:32
B1Goodbye Blue Sky2:45
B2Empty Spaces2:10
B3Young Lust3:25
B4One Of My Turns3:41
B5Don't Leave Me Now4:08
B6Another Brick In The Wall (Part III)1:48
B7Goodbye Cruel World0:48
C1Hey You4:40
C2Is There Anybody Out There?2:44
C3Nobody Home3:26
C4Vera1:35
C5Bring The Boys Back Home1:21
C6Comfortably Numb6:23
D1The Show Must Go On1:36
D2In The Flesh4:15
D3Run Like Hell4:20
D4Waiting For The Worms4:04
D5Stop0:39
D6The Trial5:13
D7Outside The Wall1:41
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Companies, etc.

  • Recorded AtSuper Bear Studios
  • Recorded AtStudio Miraval
  • Recorded AtProducers Workshop
  • Recorded AtCBS Studios, New York
  • Manufactured ByCBS/Sony Inc.
  • Published ByPink Floyd Music Publishers Ltd.
  • Copyright ©Pink Floyd Music Publishers Ltd.
  • Copyright ©Pink Floyd Music Ltd.
  • Phonographic Copyright ℗Pink Floyd Music Ltd.

Credits

Notes

Japanese 1st pressing; gatefold cover with blue "cap" obi, (2) inner sleeves with lyrics in English, and 4-page insert with song titles and timings in Japanese and English, lyrics and a discography in Japanese.

Blue "cap" OBI has title, catalog number, price (¥ 4,000) and additional Japanese text that folds over the top of the jacket.
CBS card.

Recorded At
Superbear, France
Miravel, France
Producers Workshop, Los Angeles
C.B.S., New York
Between April And November, 1979

© 1979 Pink Floyd Music Ltd.
All songs © 1979 Pink Floyd Music Publishers, Ltd. (BMI)

© 1979 Pink Floyd Music Limited / ℗ Pink Floyd Music Limited / Manufactured by CBS/SONY Inc. (Tokyo Japan) / ® CBS Inc. / SONY ® Sony Corp. (kp)
Inside my copy, (sealed) bought in the USA in 1999, there was a flexi-disc (X-82041) glued with a scotch tape in plaine white sleeve.
https://www.discogs.com/release/1399113-No-Artist-Expander-Calibration-Record

Barcode and Other Identifiers

  • Rights Society: BMI
  • Rights Society: JASRAC
  • Matrix / Runout (Side A & B label): 40AP 1750
  • Matrix / Runout (Side C & D label): 40AP 1751
  • Matrix / Runout (Side A runout, stamped, var 1): 40AP-1750A1 〄
  • Matrix / Runout (Side B runout, stamped, var 1): 40AP-1750B1
  • Matrix / Runout (Side C runout, stamped, var 1): 40AP-1751A1 〄
  • Matrix / Runout (Side D runout, stamped, var 1): 40AP-1751B1
  • Matrix / Runout (Side A runout, stamped, var 2): 40AP-1750A1 1F14+
  • Matrix / Runout (Side B runout, stamped, var 2): 40AP-1750B1 1A40
  • Matrix / Runout (Side C runout, stamped, var 2): 40AP-1751A1 1A34
  • Matrix / Runout (Side D runout, stamped, var 2): 40AP-1751B1 1F1
  • Matrix / Runout (Side A runout, stamped, var 3): 40AP-1750A1 〄 1F24
  • Matrix / Runout (Side B runout, stamped, var 3): 40AP-1750B1 1A24
  • Matrix / Runout (Side C runout, stamped, var 3): 40AP-1751A1 〄 1A5+
  • Matrix / Runout (Side D runout, stamped, var 3): 40AP-1751B1 1AG
  • Matrix / Runout (Side A runout, stamped, var 4): 40AP-1750A1 〄 1A9 +
  • Matrix / Runout (Side B runout, stamped, var 4): 40AP-1750B1 1A7
  • Matrix / Runout (Side C runout, stamped, var 4): 40AP-1751A1 〄 1A7+
  • Matrix / Runout (Side D runout, stamped, var 4): 40AP-1751B1 1A12
  • Matrix / Runout (Side A runout, stamped, var 5): 40AP-1750A1 〄 1 F 11
  • Matrix / Runout (Side B runout, stamped, var 5): 40AP-1750B1 1 A 39
  • Matrix / Runout (Side C runout, stamped, var 5): 40AP-1751A1 〄 1 A 31
  • Matrix / Runout (Side D runout, stamped, var 5): 40AP-1751B1 1 F 5
  • Matrix / Runout (Side A runout, stamped, var 6): 40AP-1750A1 〄 C6
  • Matrix / Runout (Side B runout, stamped, var 6): 40AP-1750B2 1 B 5
  • Matrix / Runout (Side C runout, stamped, var 6): 40AP-1751A1 〄 1 A 44
  • Matrix / Runout (Side D runout, stamped, var 6): 40AP-1751B1 1 J 4
  • Matrix / Runout (Side A runout, stamped, var 7): 40AP-1750A1 1 N 2 + SO〄
  • Matrix / Runout (Side B runout, stamped, var 7): 40AP-1750B2 1 A 2
  • Matrix / Runout (Side C runout, stamped, var 7): 40AP-1751A1 1 A 43 〄
  • Matrix / Runout (Side D runout, stamped, var 7): 40AP-1751B1 1 J 1
  • Matrix / Runout (Side A runout, stamped, var 8): 40AP-1750A1 1 F 2 〄
  • Matrix / Runout (Side B runout, stamped, var 8): 40AP-1750B1 1 A 2 ⏒
  • Matrix / Runout (Side C runout, stamped, var 8): 40AP-1751A1 1 A 25 〄
  • Matrix / Runout (Side D runout, stamped, var 8): 40AP-1751B1 1 A 22
  • Matrix / Runout (Side A runout, stamped, var 9): 40AP-1750A1 〄 1 F 1
  • Matrix / Runout (Side B runout, stamped, var 9): 40AP-1750B1 1 A 15
  • Matrix / Runout (Side C runout, stamped, var 9): 40AP-1751B1 〄 1 A 5
  • Matrix / Runout (Side D runout, stamped, var 9): 40AP-1751B1 1 A 20
  • Price Code: ¥ 4,000
  • Matrix / Runout (Side A runout, stamped, var 10): 40AP-1750A1 〄 + 1 A 1
  • Matrix / Runout (Side B runout, stamped, var 10): 40AP-1750B1 1 A 15
  • Matrix / Runout (Side C runout, stamped, var 10): 40AP-1751A1 〄 + 1 A 15
  • Matrix / Runout (Side D runout, stamped, var 10): 40AP-1751B1 1 A 5

Other Versions (5 of 920)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
The Wall (2×LP, Album, Reissue, Stereo, Gatefold)Harvest, Harvest1A 158-63410, 1A 158-63411Netherlands1979
Recently Edited
The Wall (2×LP, Album, Stereo, Gatefold)EMI Electrola, Harvest1C 198-63 410/11Germany1979
Recently Edited
The Wall (2×LP, Album, Pitman Press, First Sleeve)Columbia, ColumbiaPC2 36183, 36183US1979
Recently Edited
The Wall (2×LP, Album, Santa Maria, Second Sleeve)Columbia, ColumbiaPC2 36183, 36183US1979
Recently Edited
The Wall (2×LP, Album, Gatefold)EMI, Harvest7C 156-63410, 7C 156-63410/11Scandinavia1979

Recommendations

Reviews

  • nhollinger's avatar
    nhollinger
    My goodness. This thing sounds like butter. Might be the best sounding record in my collection. No notes.
    • _ZERO_'s avatar
      _ZERO_
      My first Japanese pressing of any record. WOW. This is insane. Lucky to find a near mint copy with a very clean jacket. I’m comparing to the 2016 release and aside from being totally silent (minus 3 low sound pops) compared to the constant pops of the new pressing it just sounds better. The dynamics are so refined and balanced compared to the in your face cut of the 2016 pressing. The Japanese pressing never looses control on the highs or lows on every mm of the wax. You can push up the volume and it keeps composed. The 2016 pressing lacks this finesse and quickly looses its range when pushed. Like others have noted the drums moves throughout the speakers and seem to fill the room. Such an important part of the recording. Every instrument is separated that creates a 3D experience. This pressing is so good with such a refined presentation that it transforms the album into something I can listen too much more than modern cut. It’s clear but warm with great lows, mids and highs. It moves you with the music rather than forcing you to listen due to be louder passages on the modern cut. Maybe it’s the analog process vs digital? I can’t recommend this pressing enough.
      • lsmdinesco's avatar
        lsmdinesco
        I guess it is that time to add my two cents. I bought this new @ GNP Stereo, Pasadena, CA in 1983 with my friend who bought the MFSL Dark Side of the Moon. LOL. Its my best piece of wax that I have. As an earlier reviewer stated, its got that analog goeyness and warmth and oh so quiet. I have never AB'd it against a British press but I really dont care. It has only been played 1/2 dozen times to tape.
        • Kirky70's avatar
          Kirky70
          Even on my modest set up the clarity, instrument separation and soundstage dwarfs my New Zealand pressing by along way (which I thought was pretty good initially). Much to love here.
          • RunStu's avatar
            RunStu
            It's the drums, they are so clear and punchy on this press. Other sounds come through clear, excellent soundstage. Preferred to my UK first...
            • firstman1957's avatar
              firstman1957
              I compared three records: the English original vinyl, the Japanese first press and the 1991 UDCD MFSL. Theta Compli Transport CD Player with Theta DAC. Pioneer PL-70 vinyl player, Shure V15-2 heads, AT OC9 Shibata, Sumiko Blue Point-2 (Shibata). Definitely the first Japanese vinyl press replays the English vinyl original, and UDCD MFSL.
              • marcohualpa's avatar
                marcohualpa
                Alguien sabe donde puedo conseguir el OBI subido al Internet, buena calidad para imprimirlo. Muchas gracias, soy de Ecuador
                • pgross's avatar
                  pgross
                  Got this press in mint condition . No foxing on the sleeve which is a rare find. The sound quality is great . Im not using high end cart , just the ortofon concorde mix for my dj stuffs. Have not tried on other expensive cart but the sound seperation , instruments is perfect . I have the german 1st press which is more punchy on its lows slight warm sound . This japan mastering is more neutral in a good way . Good buy if you able to get in vg / mint condition and plus the obi .
                  • Bronson2022's avatar
                    Bronson2022
                    What is the deal with the large clear rectangular sticker on the front (says Pink Floyd The Wall)? I have two copies of this. One has the large clear sticker on it and the other doesn’t. Was this factory placed or did the sticker come inside and the first owner could apply it to the jacket? Or is it just that some had it and others didn’t?
                    • gigglerump's avatar
                      gigglerump
                      Picked this up during a recent visit to Japan, and it sounds great. The drums sound huge and booming but still tight, the guitar solos have all the screaming bite you want, the bass punches easily through the mix, and everything remains very detailed during quiet parts. It's easily one of the best sounding records in my collection, and definitely doesn't suffer from any lack of bottom-end like many people report for Japanese pressings.

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