The Clifford Gilberto Rhythm CombinationI Was Young And I Needed The Money

Label:Ninja Tune – ZEN CD37
CD, Album
Genre:Electronic, Jazz
Style:Future Jazz, Jungle, Breaks, Downtempo, IDM


2Deliver The Weird5:23
3I Wish I Was A Motown Star4:15
4Ms. Looney's Last Embrace4:46
5A Different Forrest4:11
7Kula World5:23
8Skippy's First Samba Lesson4:26
9Earth Vs. Me4:33
10Giant Jumps4:48
11Concrete Cats5:46
12Brasilia Freestylee3:18
13I Was Young And Needed The Money!4:36

Companies, etc.



14 Junk Classics

Made in England.

Track 5: Timber Mix 1.
Tracks 12 & 14 taken from the original Junk Classics.

Barcode and Other Identifiers

  • Barcode: 5 021392 174129
  • Matrix / Runout: ZENCD37 02 5
  • Matrix / Runout (Mould text): MADE IN UK BY PMDC
  • Mastering SID Code: IFPI L135
  • Mould SID Code: IFPI 0449

Other Versions (5 of 13)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
I Was Young And I Needed The Money (2×LP, Album)Ninja TuneZEN 37UK1998
New Submission
''I Was Young And I Needed The Money!'' (CD, Album)Ninja TuneZEN CD37Canada1998
New Submission
I Was Young And I Needed The Money (CD, Album)Toy's FactoryTFCK 87960Japan1998
New Submission
I Was Young & I Needed The Money (CD, Album, Promo)Ninja Tunezen cd37Canada1998
New Submission
I Was Young And I Needed The Money (Cassette, Album, Unofficial Release)Stable Records (2)noneRussia1998



  • Headphone_Commute's avatar
    Squarepusher recently announced a new upcoming album, titled Just A Souvenir (out on Warp on October 27th, of 2008 - and already available via digital download on bleep). But on my first preview of the album, Tom Jenkinson seems to drift even further away from his original innovative broken beats and drill'n'bass, so dominated by the late 90s. Personally, I always applaud the efforts of an evolving artist, and Squarepusher deserves a whole separate hailing review (coming up next). But being nostalgic for that jazzy breaky genre, I dust off a copy of an overlooked album by Florian Schmitt, which cries out to be back in my rotations. Schmitt recorded only a single album for Ninja Tune back in 1998 under the lengthy pseudonym, The Clifford Gilberto Rhythm Combination. He also did a bunch of remixes later under Clifford Gilberto and his real name. But that was a decade ago, and since then, he's been pretty quiet. Nevertheless, the sound of his debut album, I Was Young And I Needed The Money, is fresh and upbeat, after all these years. I did not begin this write up with Jenkinson incidentally, though. Fans of Squarepusher, Amon Tobin, Cinematic Orchestra, µ-Ziq, and The Flashbulb will be absolutely delighted to hear the Schmitt's tracks for the first time, if they somehow missed the album when it first hit the streets. The sound fluctuates between melodic drum'n'bass (closer to a drilling jungle though, then a straight beat) and a jazzy trip-hoppy rhythms with Latin-flavored samples. The Gilberto reference in Schmitt's alias reveals his Brazilian jazz influence... maybe... His biography on Ninja Tune's site claims that he's "the unknown lovechild of Astrud Gilberto and Stan Getz", but Schmitt brings to the table much more than the musical genius of aforementioned influential bossa nova artists. Guaranteed to liven up your mood and get you to bop your head. And seriously, if you haven't heard this one, get it! Too many favorite tracks on that one to list.
    • scoundrel's avatar
      Edited 18 years ago
      Clifford Gilberto and his Rhythm Combination make their statement I WAS YOUNG AND I NEEDED THE MONEY! It’s not a cry of desperation, but one of jazz freedom. “Restless” may start off like labelmates Cinematic Orchestra, but the tracks quickly mark their own territory. “Deliver the Weird” blends in some throttling beats that aren’t at odds with the pure jazz aspects, while subsequent tracks, such as “I Was a Motown Star” up the rhythmic ante, edging into manic drum ‘n’ bass. “A Different Forrest” allows for a melodic return, especially in the form of a sweet synth line at the beginning. Or some different flavor, “Kula World” contains some hints of Latin jazz, while “Skippy’s First Samba Lesson,” obviously has some Brazilian influences, though these are all subsumed under Gilberto’s own aesthetics. The beautiful crazed jazz continues through to “Giant Jumps” and gets somewhat more fractured on “Concrete Cats.” The title track goes back to the frenetic, kitchen sink approach (though the Looney Tunes samples might be superfluous). And tell me that “Ridiculo” couldn’t be a lost µ-Ziq track. Funky and fascinating.


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