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E.R.P. – Evoked Potentials (Part One)
| Label: | Semantica Records – SEMANTICA 14 |
|---|---|
| Format: | Vinyl, 10", 33 ⅓ RPM, Limited Edition, Transparent |
| Country: | Spain |
| Released: | |
| Genre: | Electronic |
| Style: | Electro |
Tracklist
| A | Sensory Process | 8:17 | |
| B | Lodestone | 7:28 |
Notes
10'' transparent vinyl limited to 100 copies, handmade details.
Other Versions (4)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Evoked Potentials (Part One: A) (10", Single Sided, Limited Edition, 33 ⅓ RPM, Transparent) | Semantica Records | SEMANTICA 14A | Spain | 2011 | |||
Recently Edited | Evoked Potentials (Part One: B) (10", Single Sided, Limited Edition, 33 ⅓ RPM, Transparent) | Semantica Records | SEMANTICA 14B | Spain | 2011 | ||
New Submission | Evoked Potentials 1/3 (10", Repress, Clear) | Semantica Records | SEMANTICA 14 | Spain | 2017 | ||
New Submission | Evoked Potentials 1/3 (2×File, FLAC) | Semantica Records | SEMANTICA 14 | Spain | 2017 |
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Reviews
Edited 3 years ago
People moaning about 2 x 10'' repress of this. I have them and mix em together. No problems. Anyway looks like its getting repressed again.
What can I say...
Gerard Hanson started making records in a long lost Detroit tradition under his Convextion moniker in 1995. He managed to add something to the equation which made his music sort of Detroit music 2.0. Gerard posesses that quality of "Pulling Soul Out Of Machines", just like the great names from the early Detroit scene.
Most of his records are rare and limited, which shows he doesn't care about getting big bucks for his tunes, and has become a much sought after artist.
Although this record is a gem and a fantastic example of his skill, he doesn't manage to add any surprise. Don't get me wrong... It is a great record and not to be missed, but it is just another fantastic E. R. P. record.
Gerard Hanson started making records in a long lost Detroit tradition under his Convextion moniker in 1995. He managed to add something to the equation which made his music sort of Detroit music 2.0. Gerard posesses that quality of "Pulling Soul Out Of Machines", just like the great names from the early Detroit scene.
Most of his records are rare and limited, which shows he doesn't care about getting big bucks for his tunes, and has become a much sought after artist.
Although this record is a gem and a fantastic example of his skill, he doesn't manage to add any surprise. Don't get me wrong... It is a great record and not to be missed, but it is just another fantastic E. R. P. record.