Release
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Contributors
Embryo (3) Featuring Charlie Mariano – We Keep On
Tracklist
| A1 | No Place To Go | 12:32 | |
| A2 | Flute And Saz | 5:57 | |
| B1 | Ehna, Ehna, Abu Lele | 8:43 | |
| B2 | Hackbrett-Dance | 3:54 | |
| B3 | Abdul Malek | 3:15 | |
| B4 | Don't Come Tomorrow | 3:48 |
Companies, etc.
- Published By – Faruk Musik
- Recorded At – Dierks Studio, Ascona
- Lacquer Cut At – Tonstudio Pfanz
Credits
- Design – Holger Matthies
- Drums, Percussion, Vocals, Marimba, Vibraphone [Vibes], Dulcimer [Hackbrett], Mellotron [Mellotrone] – Christian Burchard
- Electric Piano [Fender Rhodes], Piano, Clavinet [Bass Piano On Hohner Clavinet] – Dieter Miekautsch
- Guitar, Baglama [Saz], Vocals, Percussion – Roman Bunka
- Lacquer Cut By – PF*
- Liner Notes – Rainer Blome
- Liner Notes [Translation] – Mary McGlory
- Producer – Embryo (3)
- Producer, Photography By [Portraits] – Othmar Schreckeneder
- Soprano Saxophone, Alto Saxophone, Flute, Nadaswaram [Nagasuram], Flute [Bamboo] – Charlie Mariano
- Written-By – Mariano* (tracks: A1 to B2, B4), Burchard*, Miekautsch* (tracks: A1, B1, B4), Bunka* (tracks: A1 to B1, B3, B4)
Notes
Promo issues of this release include a 5-page promotional insert.
Recorded at Dierks Studio, Ascona, December 1972.
℗ 1973
Recorded at Dierks Studio, Ascona, December 1972.
℗ 1973
Barcode and Other Identifiers
- Rights Society: GEMA
- Matrix / Runout (Runout etching side A): 2021865-1-A PF
- Matrix / Runout (Runout etching side B): 2021865-1-B PF
Other Versions (5 of 10)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | We Keep On (LP, Album, Gatefold) | BASF | 20 21865-1 | Brazil | 1973 | ||
New Submission | We Keep On (LP, Album, Test Pressing, Gatefold) | BASF | 20 21865-1 | Germany | 1973 | ||
New Submission | We Keep On (LP, Album) | BASF | BC 21865 | US | 1974 | ||
| We Keep On (LP, Album) | BASF Española, S.A. | 32 53 460 (21865-1) | Spain | 1974 | |||
New Submission | We Keep On (LP, Album) | BASF | BFL 3088 | South Africa | 1974 |
Recommendations
Reviews
Some consider this album from the ethno-jazz-group Embryo as an early masterpiece. Why not, after playing with Mal Waldron on Steig Aus and Rocksession Christian Burchard found a competitive working partner in Charlie Mariano who graces this album, released as their first on the german BASF label with his remarkable soprano and alto sax playing.
Their free-flow rock-jazz improvisations are equivalent to any international fusion group you may try to compare but they were absolutely freaking out on eastern and ambient sounds here.
A great record anyway and if you are interested in more session recordings engineered by legendary Dieter Dirks you should get the CD version released by Disconforme.
They were restless and acoustically striking up to international fusion bands in 1972.
As Miles Davis said here: "That german hippy group (Embryo) where Mal (Waldron) used to play; They are doing interesting things. You know, man? They are creative, good musicians, just playing good shit".
This is it.
Their free-flow rock-jazz improvisations are equivalent to any international fusion group you may try to compare but they were absolutely freaking out on eastern and ambient sounds here.
A great record anyway and if you are interested in more session recordings engineered by legendary Dieter Dirks you should get the CD version released by Disconforme.
They were restless and acoustically striking up to international fusion bands in 1972.
As Miles Davis said here: "That german hippy group (Embryo) where Mal (Waldron) used to play; They are doing interesting things. You know, man? They are creative, good musicians, just playing good shit".
This is it.