Various – Trace
Label: | Audio Research Editions – ARECD102 |
---|---|
Format: | 2 x CD, Compilation, Limited Edition |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Abstract, Musique Concrète, Noise, Experimental |
Tracklist
1-1 | ARPARP– | Bass Space Trace |
1-2 | Oliver Augst & Suspicion Breeds Confidence– | Spuren |
1-3 | Steven Ball– | Brittle Creek Stalker Track |
1-4 | Peter Batchelor– | Fleeting |
1-5 | Beat Science (2)– | Traces |
1-6 | Beat Theatre– | Transit |
1-7 | Rene Beekman– | Residuum |
1-8 | Steve Bradley– | Trace Elements: Articulated In Pairs |
1-9 | Leif Brush– | Terrain Instrument: Windribbon |
1-10 | Hank Bull– | Bear Shit |
1-11 | Warren Burt– | Amanda's Silhouttes |
1-12 | Mr. Campbell & Mr Whitehead– | Footprint In Snow |
1-13 | Loren Chasse– | Records Of Touching |
1-14 | Tim Cole– | ExTRA CEnsored inception |
1-15 | Peter Cusack– | Airborne (1909/1999) |
1-16 | Los Dansing Queenc– | Where Is Stief Winwoet? |
1-17 | Roger Dean– | Traces Of Reason |
1-18 | Paul Devens & Benga!– | Lost My Lead |
1-19 | Tim Mark Didymus– | What Is Left On The Surface Is Swept Away |
1-20 | Diledadafish– | Trace In |
1-21 | Ivan Mitev Dragolov– | Etude For Victoria No. 11 |
1-22 | John Levack Drever & Alaric Summer– | Sound |
1-23 | Nigel Helyer– | Pacific Trace |
1-24 | Max Eastley– | Ten |
1-25 | Egghatcher– | Trace: The Observable Region |
1-26 | Equius– | Trace |
1-27 | Fon– | Crosswise |
1-28 | Paul Fretwell– | A Fragmented History |
1-29 | Kevin Furlong– | Myam |
1-30 | William Furlong– | Primary Residue |
1-31 | Andrew Garton– | Donnerstag Remains |
1-32 | Roddie Gilliard– | Liverpool-Leipzig = Zeichnen |
1-33 | Martin e Greil & Thomas J. Schroffenegger– | Heart_Bit_T_Race_Lap_One |
1-34 | Greyworld– | Sound Award 161 |
1-35 | The Groceries– | Untraced |
2-01 | Martin Hull– | Buffer |
2-02 | Phil Hardgreaves– | If You Look Closer |
2-03 | The Hearing Trumpet– | Without Trace |
2-04 | Humming Experiments– | Airs On Airs |
2-05 | Aidan Mark Humphreys– | Söyleyecegine Dikkat Et |
2-06 | Philip Jeck– | In Loving Memory: Walter Gibbons and Arthur Russell |
2-07 | Noel Jones– | 1471 |
2-08 | Robert Kennedy– | r = 0.5m |
2-09 | Petri Kuljuntausta– | False Step |
2-10 | Brandon Labelle– | B_G_D (Butterfly Words) |
2-11 | The Land Of Nod– | C.O.B.E. |
2-12 | Longstone– | Auto//:Stirling/.Trace |
2-13 | Tony Maas– | 2:00 + 0 |
2-14 | Russell Mills & Undark– | Soft Bullets |
2-15 | The Mindwinder– | Trace Elements |
2-16 | Phil Mouldycliff & Maurice Watson– | A Line Through The Debris Field |
2-17 | Yoko Ono– | Trace '99 |
2-18 | Other People's Children– | Maps And Ceilings |
2-19 | Al Willard Peterson– | Drum 'n' Brass |
2-20 | Ian Potter– | Giacometti Wordscape |
2-21 | Henry Priestman– | The Faintest Trace |
2-22 | Lee Ranaldo– | Midnight Headlights |
2-23 | Steve Roden– | Pencil Line |
2-24 | Rob Rowlands– | Trace Elements |
2-25 | Semiconductor– | Tonedual |
2-26 | Will Sergeant– | Trace Elements |
2-27 | Vergil Sharkya– | Vanilla Trace |
2-28 | Dallas Simpson– | Trace The Source |
2-29 | Andrea Sodomka– | Timetraces |
2-30 | Stylus (2)– | Grinding #8 |
2-31 | Carla Thakrah– | Snad Lines |
2-32 | Riou Tomita– | My Trace |
2-33 | Transient v Resident– | Christopher Trace |
2-34 | Glynn Williams– | Olrhain |
2-35 | Sonia Sheridan & Generative Systems– | Sound Of A Hand |
Notes
TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minutes duration for the CD on the theme of TRACE. The artists on TRACE range from well known world figures, to individuals and groups making their first works in this field.
Trace was produced to coincide with the Liverpool Biennial of Contemporary Art 1999.
Founded by Colin Fallows in 1998, Audio Research Editions is a limited edition imprint for artists' soundworks. It has to date published over 150 works by artists from over 20 countries. Publications include: HOPE [1998, ARE101] which coincided with the ninth International Symposium on Electronic Art; and TRACE [1999, ARE102] which coincided with the first Liverpool Biennial of Contemporary Art.
Trace was produced to coincide with the Liverpool Biennial of Contemporary Art 1999.
Founded by Colin Fallows in 1998, Audio Research Editions is a limited edition imprint for artists' soundworks. It has to date published over 150 works by artists from over 20 countries. Publications include: HOPE [1998, ARE101] which coincided with the ninth International Symposium on Electronic Art; and TRACE [1999, ARE102] which coincided with the first Liverpool Biennial of Contemporary Art.
Reviews
Release
Edit Release
New Submission
New Submission
Marketplace
No items for sale for this Release.