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Simon FinnPass The Distance

Label:Mushroom (2) – 100 MR 2
Format:
Vinyl, LP, Album
Country:UK
Released:
Genre:Rock
Style:Folk Rock, Psychedelic Rock, Acid Rock

Tracklist

A1Very Close Friend
A2The Courtyard
A3What A Day
A4Fades (Pass The Distance)
A5Jerusalem
B1Where's Your Master Gone
B2Laughing 'Til Tomorrow
B3Hiawatha
B4Patrice
B5Big White Car
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Credits

Notes

"Composed by Simon Finn" credit on side A & B label.
Released on a brown/white Mushroom label.
Come with member photos & some data credit insert.

℗ 1970

Barcode and Other Identifiers

  • Matrix / Runout (Side A runout): (stamped) 100MR2A-4E (hand-etched) A/C
  • Matrix / Runout (Side B runout): (stamped) 100MR2B-3E (hand-etched) A/F

Other Versions (5 of 11)View All

Title (Format)LabelCat#CountryYear
Pass The Distance (CD, Album, Reissue)Durtro, Jnana RecordsDURTRO/JNANA 1970 CDCanada2004
New Submission
Pass The Distance (CD, Album, Reissue, Unofficial Release)Not On LabelnoneCanada2004
New Submission
Pass The Distance (CD, Album, Reissue, Remastered)Durtro, Jnana RecordsDURTRO JNANA 1970CDCanada2004
Pass The Distance (CD, Album, Limited Edition, Reissue, Remastered, Stereo, Papersleeve)Merry Go RoundBMRC-0003South Korea2006
Pass The Distance (CD, Album, Reissue)Durtro, Jnana RecordsDURTRO/JNANA 1970CDRussia2007

Reviews

black-shuck's profile picture
black-shuck
re message below i have the sleeve and would buy the lp or swap the sleeve.
Bykergroove's profile picture
Bykergroove
I have the LP for this album but not sleeve, if anyone has just a sleeve, please message me, cheers
Alexstudentmusic2011's profile picture
Alexstudentmusic2011
Kisho_Reggio's profile picture
Kisho_Reggio
Front Sleeve lower left linear has been printed from the original (ID 2010934), not the dirt from the later.
marcelrecords's profile picture
marcelrecords
This is pretty strange fare indeed, to put it mildly. Sounding very much like Tom Rapp on a horror trip, Finn sets out on a journey of nightmare folk, which knows no appeasement. The mania shining through is greatly enhanced by the uncanny ability of multi-instrumentalist Toop to play several different songs simultaneously, often seemingly not related to the song the other two are playing. Guitars appear in the wrong key, song structures are blissfully ignored. This bordering on the edge of chaos, makes for some fascinating listening when it gels, but at times can get on your nerves. Unexpected dissonances occur constantly, while the lyrics are very serious without being patronising and, of course, very down too. The cover (also by Toop) has its own share of subtle fright and is an excellent visual accompaniment to this soundtrack of assorted willies.