Tracklist
| A1 | Enter Sandman | 5:29 | |
| A2 | Sad But True | 5:24 | |
| A3 | Holier Than Thou | 3:47 | |
| B1 | The Unforgiven | 6:26 | |
| B2 | Wherever I May Roam | 6:42 | |
| B3 | Don't Tread On Me | 3:59 | |
| C1 | Through The Never | 4:01 | |
| C2 | Nothing Else Matters | 6:29 | |
| C3 | Of Wolf And Man | 4:16 | |
| D1 | The God That Failed | 5:05 | |
| D2 | My Friend Of Misery | 6:47 | |
| D3 | The Struggle Within | 3:51 |
Companies, etc.
- Recorded At – One On One Studios
- Published By – Creeping Death Music
- Copyright © – Blackened Recordings Inc.
- Phonographic Copyright ℗ – Blackened Recordings Inc.
- Licensed To – Universal International Music B.V.
- Mastered At – Lurssen Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Mastered At – Gateway Mastering
- Manufactured By – Blackened Recordings Inc.
- Manufactured By – Pallas USA
- Pressed By – Schallplattenfabrik Pallas GmbH – 51241
- Pressed By – Schallplattenfabrik Pallas GmbH – 51242
Credits
- Bass – Jason Newsted
- Drums – Lars Ulrich
- Guitar, Vocals – James Hetfield
- Lacquer Cut By – CB*
- Lead Guitar – Kirk Hammett
- Mastered By [Digital] – Bob Ludwig
- Producer – Bob Rock, Hetfield*, Ulrich*
- Recorded By – Randy Staub
- Recorded By [Assisted] – Mike Tacci
- Remastered By [Vinyl] – Reuben Cohen
Notes
Comes in a wide spine sleeve, includes an insert with lyrics.
Includes digital download.
Back-cover writes 2021 Blackened Recordings, while label on records writes 2019.
Made in Germany.
Includes digital download.
Back-cover writes 2021 Blackened Recordings, while label on records writes 2019.
Made in Germany.
Barcode and Other Identifiers
- Barcode (Text): 6 02508 50708 3
- Barcode (EAN-Code, Scanned): 0602508507083
- Matrix / Runout (Side A): BLCKND-008R-1A You Just Stood There Pressing Vinyl CB -51241- P.USA
- Matrix / Runout (Side B): BLCKND-008R-1B Made On The MetalliPress CB -51241- P.USA
- Matrix / Runout (Side C): BLCKND-008R-1C You Just Stood There Pressing Vinyl CB -51242- P.USA
- Matrix / Runout (Side D): BLCKND-008R-1D Made On The MetalliPress CB -51242- P.USA
- Rights Society: BIEM/SDRM
- Label Code: LC 01633
Other Versions (5 of 499)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Metallica (2×LP, Album) | Vertigo | 510 022-1 | Brazil | 1991 | ||
| Metallica (2×LP, Album) | Elektra, Elektra | 61113-1, 9 61113-1 | US | 1991 | |||
| Metallica (2×LP, Album) | Vertigo | 510 022-1 | Europe | 1991 | |||
Recently Edited | Metallica (CD, Album) | Sony | SRCS 5577 | Japan | 1991 | ||
| Metallica (CD, Album) | Elektra | CD 61113 | Canada | 1991 |
Recommendations
Reviews
Show All 25 Reviews
Gatefold would've been more than justified for this 30th. It's the only thing lacking from this release. Music is tight, mix is wide, cut and pressing are good.- Maybe is the best vinyl sound in my collection... If someone come to my house and tell me i want to hear a vinyl for a first time this will be the one
My copy sounds incredible. The drums really kicks, no noise and pretty silent. Just a few pops at the start of Nothing Else Matter but that’s it.- I've heard these songs a million times since 1991...and this pressing makes them sound fresh, alive, and headbang-worthy.
A great record, it sounds dynamic, biting and juicy. I recommend it.- Picked this up on sale for $20 and pleasantly surprised. Have listened to this album a thousand times over the years and this pressing is excellent. Artwork is poor but for $20, I can overlook it.
The first copy i owned had some major issues with brightness to the point i had to turn all the way down the treble in my reciever. Idk if it was my old copy or just a change in my equipment (Used to have an AT LP60 and I upgraded to a Technics SLQ3 still with an AT cartridge) and now it sounds amazing, even dynamic.
Didn’t have faith in those blackned represses, but i’ve been gladly surprised
Sounds really impressive. But wish better print quality. I thing it’s the best issue for affordable price. I wish to have original ‘91 press, but the price.
Sounds very good, but in direct comparison with the old 80’s pressing, seems like it is somehow compressed, like loud sounds are turned down and soft sounds upped to a more level sounding stage, also bass seems better with higher dynamics on the older pressing
I really don’t see why everyone has issues with this record. This has become a firm favourite in my collection, bass sounds fantastic.
