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Hardrive – Deep Inside
| Label: | Strictly Rhythm – SR EP2 |
|---|---|
| Format: | Vinyl, 12", 33 ⅓ RPM, EP |
| Country: | US |
| Released: | |
| Genre: | Electronic |
| Style: | House, Deep House, Garage House |
Release
Marketplace
40 For Sale from $16.85Statistics
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Contributors
Tracklist
| A1 | Deep Inside | 6:28 | |
| A2 | No Cure | 6:09 | |
| B1 | Just Believe | 5:54 | |
| B2 | Maurice's Vibe | 5:34 | |
| B3 | Deep Inside (The Dub) | 5:14 |
Companies, etc.
- Phonographic Copyright ℗ – Strictly Rhythm Records, Inc.
- Copyright © – Strictly Rhythm Records, Inc.
- Mixed At – Double Platinum Studios
- Mixed At – Prime Cuts (3)
- Mixed At – Dungeon Tape
- Mastered At – Europadisk
- Manufactured By – Strictly Rhythm Records, Inc.
- Marketed By – Strictly Rhythm Records, Inc.
- Produced For – Masters At Work Productions, Inc.
- Published By – Indilu Publishing
- Published By – New York House Music
- Published By – K-Dope Music
- Published By – Strictly Rhythm Publishing
Credits
- Executive-Producer – G. Pizarro*
Notes
Some covers have a white sticker printed with "Deep Inside" Featuring Vocals by Ms. Barbara Tucker.
B1: Special thanks to Blaze.
Publishing:
A1, B1, B3: Indilu Publishing(BMI), New York House Music(BMI).
A2: Indilu Publishing(BMI), New York House Music(BMI), K-Dope(ASCAP), Strictly Rhythm Pub.(ASCAP)
B2: Indilu Publishing(BMI), New York House Music(BMI), K-Dope(ASCAP)
A1, B1, B3 Mixed at Double Platinum Studios.
A2 Mixed at Prime Cuts Studios.
B2 Mixed at Dungeon Tape Studio, Brooklyn
B1 *Special Thanks To Blaze
℗© 1993 Strictly Rhythm Records, Inc.
Direct Metal Mastering (DMM).
BPM are not provided on the record.
BPM:
A1: 124 | A2: 123
B1: 120 | B2: 124 | B3: 124
B1: Special thanks to Blaze.
Publishing:
A1, B1, B3: Indilu Publishing(BMI), New York House Music(BMI).
A2: Indilu Publishing(BMI), New York House Music(BMI), K-Dope(ASCAP), Strictly Rhythm Pub.(ASCAP)
B2: Indilu Publishing(BMI), New York House Music(BMI), K-Dope(ASCAP)
A1, B1, B3 Mixed at Double Platinum Studios.
A2 Mixed at Prime Cuts Studios.
B2 Mixed at Dungeon Tape Studio, Brooklyn
B1 *Special Thanks To Blaze
℗© 1993 Strictly Rhythm Records, Inc.
Direct Metal Mastering (DMM).
BPM are not provided on the record.
BPM:
A1: 124 | A2: 123
B1: 120 | B2: 124 | B3: 124
Barcode and Other Identifiers
- Barcode (Text): 7-3218-39998-1 8
- Barcode (Scanned): 732183999818
- Matrix / Runout (Side A etched runout, variant 1): SR-EP 2-A Dmm Europadisk NY USA S1
- Matrix / Runout (Side B etched runout, variant 1): SR-EP 2-B - Re 2 S2 Dmm Europadisk NY USA
- Matrix / Runout (Side A etched runout, variant 2): SR-EP 2-A º¹² Dmm Europadisk NY, USA
- Matrix / Runout (Side B etched runout, variant 2): SR EP 2-B - Re 2 Dmm Europadisk NY, USA. P2
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 32)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Deep Inside (Remix) (12", 33 ⅓ RPM) | UMM | UMM 117 | Italy | 1993 | |||
| Harddrive EP (12", 33 ⅓ RPM, EP) | Natural Records | NT 6704075 | Netherlands | 1993 | |||
| Deep Inside (12", 33 ⅓ RPM, Orange Labels) | UMM | UMM 114 | Italy | 1993 | |||
New Submission | Deep Inside (12", 33 ⅓ RPM, White Center Label) | UMM | UMM 114 | Italy | 1993 | ||
New Submission | Deep Inside (12", EP, 33 ⅓ RPM, Test Pressing) | Strictly Rhythm | SR EP2 | US | 1993 |
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Reviews
Show All 13 Reviews
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None of the original versions of Deep Inside do anything for me. Far too skippy garage for my tastes and totally under produced.
However... Visnadi's "Heavy Weather Mix" is an absolute bomb that saved this from obscurity in my humble opinion, still sounds amazing today.
Lil Mo Yin Yang's - Reach is a far better collaboration by Louie Vega and Erick Morillo. I'm more into my house than garage.
However... Visnadi's "Heavy Weather Mix" is an absolute bomb that saved this from obscurity in my humble opinion, still sounds amazing today.
Lil Mo Yin Yang's - Reach is a far better collaboration by Louie Vega and Erick Morillo. I'm more into my house than garage.
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duh-dum dum dum dum... Strip down Deep Inside and it is incredibly simple built up with very basic plink-plonk sounds. Yet a catchy drum programming and only Masters can put something like this together.
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I’ve always found it hard to understand the obsession with this track. Strangely obtaining a cult-like obsession in the UK, particularly with Garage DJ’s.
Perhaps one of the most un-Louie Vega tracks I can think of, that he put his name to. Made more understandable by the fact that it was actually Erick Morillo twiddling the knobs on this. Louie also confirmed recently (on the Red Bull Music Academy Lecture that MAW did), that mastering killed this track (which makes sense when you hear how hard the kick is in relation to the rest of the track).
Released a year in advance of “Beautiful People” to make people aware of the hook, before unleashing the Barbara Tucker monster into clubland (which IMHO is far superior).
Perhaps one of the most un-Louie Vega tracks I can think of, that he put his name to. Made more understandable by the fact that it was actually Erick Morillo twiddling the knobs on this. Louie also confirmed recently (on the Red Bull Music Academy Lecture that MAW did), that mastering killed this track (which makes sense when you hear how hard the kick is in relation to the rest of the track).
Released a year in advance of “Beautiful People” to make people aware of the hook, before unleashing the Barbara Tucker monster into clubland (which IMHO is far superior).
Another classic. Kenny Dope/MAW were slammin' cuts back then. Goes well with a Lady Miss Kier.
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