Low – Hey What
Label: | Sub Pop – SP1435 |
|---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Electronic, Rock |
Style: | Ambient, Noise, Post Rock, Experimental |
Tracklist
| A1 | White Horses | |
| A2 | I Can Wait | |
| A3 | All Night | |
| A4 | Disappearing | |
| A5 | Hey | |
| B1 | Days Like These | |
| B2 | There's A Comma After Still | |
| B3 | Don't Walk Away | |
| B4 | More | |
| B5 | The Price You Pay (It Must Be Wearing Off) |
Companies, etc.
- Phonographic Copyright ℗ – Sub Pop Records
- Copyright © – Sub Pop Records
- Lacquer Cut At – Chicago Mastering Service
- Mastered At – Record Technology Incorporated – 38192
- Pressed By – Record Technology Incorporated
Credits
- Artwork [Cover] – Peter Liversidge
- Lacquer Cut By – BW*
- Mastered By – Huntley Miller
- Producer, Mixed By – BJ Burton
- Written-By, Performer – Low
Notes
'Loser Edition' first pressing on colored vinyl. Housed in a gatefold sleeve with a printed inner sleeve. The band's name appears on a semi-transparent sticker on top of the shrink wrap.
The colored pressing's UPC is stickered on shrink, atop the printed UPC on sleeve.
CAT# on spine/sleeve : SP1435
Side A ends on a locked groove.
Track A1 has been edited down for this release and does not include the last minute and a half found on the CD and digital releases.
Lacquer cutting company/engineer, plating, and pressing companies derived from runouts.
The colored pressing's UPC is stickered on shrink, atop the printed UPC on sleeve.
CAT# on spine/sleeve : SP1435
Side A ends on a locked groove.
Track A1 has been edited down for this release and does not include the last minute and a half found on the CD and digital releases.
Lacquer cutting company/engineer, plating, and pressing companies derived from runouts.
Barcode and Other Identifiers
- Barcode (Text (Printed on sleeve)): 0 98787 14351 5
- Barcode (Text (Stickered)): 0 98787 14350 8
- Barcode (Scanned (Stickered)): 098787143508
- Matrix / Runout (Etched Side A): SP1435-A [CMS logo] BW 210608 38192.1(3)...
- Matrix / Runout (Etched side B): SP1435-B [CMS logo] BW 210608 38192.2(3)...
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Hey What (10×File, FLAC, Album) | Sub Pop | none | US | 2021 | ||
Recently Edited | Hey What (LP, Album, Limited Edition, Special Cut, Transparent [Crystal Clear], Loser Edition) | Sub Pop | SP1435 | Europe | 2021 | ||
Recently Edited | Hey What (LP, Album, Gatefold) | Sub Pop | SP1435 | Europe | 2021 | ||
Recently Edited | Hey What (CD, Album) | Sub Pop | SP1435 | USA & Europe | 2021 | ||
New Submission | Hey What (LP, Album, Limited Edition, Red) | Sub Pop | SP1435 | US | 2021 |
Recommendations
2000 CanadaVinyl —LP, Album
Reviews
Absolutely love this album. Have heard a copy on my a friend’s system and was
Impressed by the reviews here. However my copy is relatively quiet. I have to turn my Rega integrated up at least 2 steps higher than normal to get a good volume. Also the levels are all over place. Maybe that’s just vinyl mastering compared the digital? Thoughts?
this album is amazing, just to clear things up. the edited track is on all vinyl versions- This is the first vinyl record I have ever bought without hearing a single track, over radio/streaming, or reading any critical review. As a big fan of Low since 2005 or so, I was going to buy it at some point... so it was pretty great to just spin the LP for a first listen. One and Sixes was a big departure from their sound, and seemed to miss more than hit. Double Negative was much tighter in every way and showed some of the improvement on the sound that Low /// S. Carey hinted towards. This release is just brilliant, even on the first listen I was transported back to Things We Lost In the Fire and almost moved to tears by side 2. Gorgeous harmonies in a wash of captivating noise. Expect to see on many album of the year lists. Nice pressing, low surface noise, sound is good and adds to the experience
Sounds amazing, maybe the album of the year. Mine doesn't have the locked groove though, is it just me or my (admittedly low end) AT-LP60XBT turntable?
Edited 3 years agoFantastic pressing. I’m hearing way more detail than I did before. I miss some of the noise and ambient interludes, which I feel add a lot to this record. But I get why they had to cut them. AOTY, 2021.
Edited 3 years agoSounds overall very good. Unforunately, as with almost all gatefold, shrinkwrapped, 1x LP releases, this came with a significant dish warp. It does not impact play, however.
Wow this really does sound pretty great. Maybe it's just listening to it on my home theater speakers for the first time but I swear some songs sound like they have slightly different mixes (the sudden rush of distortion and bass in the 2nd half of disappearing in particular sounds way heavier and louder than I remember from my first couple listens)- This has just become one of my reference pressings. Actually more than that: One of those I’ll use to test my system. Incredible pressing, and it helps that the music is REALLY good too.
- This has just become one of my reference pressings. Actually more than that: One of those I’ll use to test my system. Incredible pressing, and it helps that the music is REALLY good too.
This is the undisputed 2021 album of the year. Word.
Release
For sale on Discogs
Sell a copy16 copies from $20.00