Portishead – Roseland NYC Live

More images

Label:	Go! Beat – 559 424-1
Format:	2 x Vinyl, LP, Album
Country:	UK & Europe
Released:	1998
Genre:	Electronic, Jazz, Funk / Soul
Style:	Trip Hop

Tracklist

A1		Humming Alto Flute – Ben Waghorn Oboe – Will Gregory Synthesizer [Moog] – Adrian Utley Trombone – John Cornick Trumpet – Andy Hague, Dave Ford (2)
A2		Cowboys
A3		All Mine Alto Saxophone – Ben Waghorn Baritone Saxophone – Will Gregory Trombone – John Cornick Trumpet – Andy Hague, Dave Ford (2)
B1		Mysterons
B2		Only You Alto Flute, Tenor Saxophone – Ben Waghorn Baritone Saxophone – Will Gregory Flugelhorn – Andy Hague, Dave Ford (2) Trombone – John Cornick Written-By – Stewart, Thorne, Hardson*
B3		Half Day Closing Drums – Geoff Barrow Percussion – Clive Deamer Synthesizer [Moog] – Adrian Utley Turntables [Decks] – Andy Smith* Written-By – Byrd*
B4		Over
C1		Glory Box Written-By – Hayes*
C2		Sour Times Engineer – John Neilson Engineer [Assistant] – Paul Read Mixed By – Rik Simpson Producer – Adrian Utley, Geoff Barrow Written-By – Schifrin*
D1		Roads Engineer – Oystein Halvorsen* Engineer [Assistant] – Paul Read Producer – Adrian Utley, Geoff Barrow
D2		Strangers Alto Flute, Alto Saxophone – Ben Waghorn Baritone Saxophone – Will Gregory Trombone – John Cornick Trumpet – Andy Hague, Dave Ford (2) Written-By – Shorter*

Companies, etc.

Licensed To – Polydor Ltd. (UK)
Phonographic Copyright ℗ – Go! Beat
Copyright © – Go! Beat
Pressed By – MPO
Published By – Chrysalis Music Ltd.
Published By – EMI Music Publishing
Published By – Rondor Music Ltd.
Published By – Warner/Chappell Music
Published By – MCA Music
Recorded At – Roseland Ballroom
Recorded At – The Warfield
Recorded At – Quart Festival
Designed At – Ryan Art

Credits

Bass – Jim Barr
Bass [Orchestra] – David Finck (tracks: A1 to C1, D2), Jeffry Carney* (tracks: A1 to C1, D2), John Miller (2) (tracks: A1 to C1, D2)
Cello – Carol Paisner* (tracks: A1 to C1, D2), Jesse Levy (tracks: A1 to C1, D2), Stephanie Cummins (tracks: A1 to C1, D2), Susie Katayama* (tracks: A1 to C1, D2)
Conductor – Nick Ingman (tracks: A1 to C1, D2)
Design – Sarah Sherley-Price
Directed By – Adrian Utley, Geoff Barrow
Drums – Clive Deamer (tracks: A2 to B2, B4 to D2)
Engineer – Ian Huffam (tracks: A1 to C1, D2), Rik Simpson (tracks: A1 to C1, D2)
Engineer [Live Sound] – Keith Grant
Guitar – Adrian Utley (tracks: A2 to D2)
Keyboards – John Baggott
Lacquer Cut By – JA*
Leader [Orchestra Manager] – Jesse Levy
Management – Fruit (8)
Orchestrated By – Adrian Utley, Nick Ingman
Producer – Portishead (tracks: A1 to C1, D2)
Recorded By – Dave Hewitt*, Phil Gitomer, Sean McClintock
Turntables [Decks] – Geoff Barrow
Viola – Alfred Brown (tracks: A1 to C1, D2), Harold Colette* (tracks: A1 to C1, D2), Olivia Koppell (tracks: A1 to C1, D2), Susan Follari (tracks: A1 to C1, D2)
Violin – Andrew Stein* (tracks: A1 to C1, D2), Ashley Horne (tracks: A1 to C1, D2), Belinda Whitney-Barratt (tracks: A1 to C1, D2), Byung Kwak (tracks: A1 to C1, D2), Carmel Malin (tracks: A1 to C1, D2), Carol Pool (tracks: A1 to C1, D2), Natalie Cummins* (tracks: A1 to C1, D2), Israel Chorberg (tracks: A1 to C1, D2), Joanna Jenner (tracks: A1 to C1, D2), Joel Pitchon (tracks: A1 to C1, D2), Joyce Hammann (tracks: A1 to C1, D2), Katsuko Esaki (tracks: A1 to C1, D2), Lenard Rivlin (tracks: A1 to C1, D2), Pamela Porta (tracks: A1 to C1, D2), Regis Iandiaro* (tracks: A1 to C1, D2), Richard Clark (3) (tracks: A1 to C1, D2), Anthony Posk* (tracks: A1 to C1, D2)
Vocals – Beth Gibbons
Written-By – Utley* (tracks: A1, A3 to D2), Gibbons*, Barrow*

Notes

Includes a four-panel poster and printed inner sleeves with photos and credits.

All tracks recorded live at the Roseland Ballroom, New York City 24th July 1997.
Except track C2 recorded live at the Warfield, San Francisco 1st April 1998; track D1 recorded live at the Quart Festival, Kristiansand 3rd July 1998.

A1 to B1, B4, D1: Chrysalis Music Ltd.
B2, B3: Chrysalis Music Ltd/EMI Music Publishing
C1: Chrysalis Music Ltd/Rondor Music Ltd
C2: Chrysalis Music Ltd/Warner Chappell Music
D2: Chrysalis Music Ltd/MCA Music

℗ 1998 Go Beat
© 1998 Go Beat
The copyright in this sound recording is owned by Go Beat under exclusive license to Polydor Ltd. (UK)

Barcode and Other Identifiers

Barcode (Text): 7 31455 94241 5
Barcode (Scanned): 731455942415
Label Code: LC 7142
Matrix / Runout (Runout Disc 1 Side A - Etched): MPO 559598-1 A-1 JA
Matrix / Runout (Runout Disc 1 Side B - Etched): MPO 559598-1 B-1
Matrix / Runout (Runout Disc 2 Side A - Etched): MPO 559599-1 A-1 JA
Matrix / Runout (Runout Disc 2 Side B - Etched): MPO 559599-1 B-1
Rights Society: BIEM/MCPS
Price Code: PY 281
Other (Cat# Disc 1): 559598-1
Other (Cat# Disc 2): 559599-1

Other Versions (5 of 69)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Roseland NYC Live (CD, Album, Enhanced, Digipak, Slipcase)	Go! Beat	559 446-2	UK	1998
Recently Edited	Roseland NYC Live (CD, Album)	Polydor, Go! Beat	POCP-7333	Japan	1998
	Roseland NYC Live (CD, Album, Club Edition)	Go! Beat, London Records	P2 59424	US	1998
Recently Edited	Roseland NYC Live (CD, Album)	Go! Beat	559 424-2	Argentina	1998
Recently Edited	Roseland NYC Live (Cassette, Album)	PolyGram Polska	559 424-4	Poland	1998

Reviews

Show All 11 Reviews

brinkley Dec 5, 2022
can anyone let me know which samples-go to which-song:

Humming
Cowboys
All mine
Only you
Half day…
Over
= = = ken horne “inspector clouseau”
= = = the pharcyde “she said”
= = = smokey brooks “spin it jig”
thanks in-adnvance, on-their first album
This-is explanatory = whereinwhich i
have that/info & the “songs” they
were sampled-from 😊
Jorge_mpbn Jan 16, 2022
What I like about this sound is the fact that it is raw, I mean, there is audible feedback, a sibilant Beth Gibbons voice and noises from an ecstatic public! Real live experience!
going_hiking Nov 5, 2021
All I can say is this performance is mind blowing and equally solid pressing, this record is a gem and a keeper!
djased1 Mar 21, 2021
Is there any difference, sound-wise, between the Go-Beat! 2008 Repress and the 2012 Music-on-Vinyl reissue?
reTcon Jun 5, 2020
Edited 2 years ago
I avoided this live album back then, because neither did it contain all the songs from the Roseland Ballroom concert nor were all the recordings from that concert. What a strange release. I really don't know what the point of buying this would have been. I already had the DVD with the whole concert, and there was a brilliant bootleg CD floating about that year - which I unfortunately lost.
8bitBarry Nov 16, 2017
Edited 2 years ago
As far as the quality goes, it's a great clean pressing, with good bass reproduction, nice placement of instruments, but my only criticism is its a little too mono sounding.

2021 EDIT - it really does sound dire.
severeabomination May 31, 2016
The song "Sourtimes" is different in the CD audio version compared with the DVD one, the first one is slower... I prefer the DVD one...
DWHremote Dec 18, 2015
Recorded by Keith Grant and David Hewitt on Remote Recording Services' Silver Truck
Music-Maestro Mar 22, 2015
This one is also released on double pack Video CD, by Polygram Video USA
33602 Feb 23, 2013
the dvd contains 16 songs... Seven Months, Numb, Undenied, Elysium and Western Eyes add to the Tracklist. All in very nice versions.