Malcolm McLaren And The Bootzilla Orchestra – Deep In Vogue
Tracklist
| A | Deep In Vogue (Banjie Realness) | 9:03 | |
| B | Deep In Vogue (LP Version) | 4:06 |
Companies, etc.
- Phonographic Copyright ℗ – CBS Inc.
- Published By – Malcolm McLaren Publishing
- Published By – Long March Music
Credits
- Mixed By, Producer [Additional] – Mark Moore, William Orbit
- Producer – David Lebolt, Malcolm McLaren, Phil Ramone
- Written-By – D. Lebolt*, M. McLaren*
Barcode and Other Identifiers
- Barcode (Text): 7464-68801-1
- Barcode (Scanned): 074646880111
- Matrix / Runout (Label A): XSS 68801A
- Matrix / Runout (Label B): XSS 68801B
- Rights Society: BMI
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Deep In Vogue (12", Promo) | CBS | XPR 1522 | UK | 1989 | ||
Recently Edited | Deep In Vogue (12", 45 RPM, Maxi-Single) | Epic | EPC 655261 6 | Spain | 1989 | ||
New Submission | Deep In Vogue (CD, Single) | Epic | WALTZ C6 | UK | 1989 | ||
New Submission | Deep In Vogue (7", Single Sided, Promo) | Epic | ARIE 2268 | Spain | 1989 | ||
New Submission | Deep In Vogue (Deeper Mix) (7", 45 RPM, Single) | Epic | XPS 238 | UK | 1989 |
Recommendations
Released1991 — USVinyl —12", 33 ⅓ RPM
Vinyl —12", 33 ⅓ RPM, Maxi-Single
Released1989 — USVinyl —12", 33 ⅓ RPM, Misprint, Stereo
Released1989 — USVinyl —12", 33 ⅓ RPM, Stereo
Released1988 — USVinyl —12", 33 ⅓ RPM, Stereo
Pump Up The JamTechnotronic Featuring FellyReleased1989 — USVinyl —12", 33 ⅓ RPM, Single, Stereo
Vinyl —12", 45 RPM, Maxi-Single
Released1990 — USVinyl —12", 33 ⅓ RPM
Released1990 — USVinyl —12", 33 ⅓ RPM, Single
Released1989 — USVinyl —12", 33 ⅓ RPM, Maxi-Single
Reviews
- Edited 19 years agoA great track already in the original edit, and a brilliant remix by Moore and Orbit. Together they lift the song to a dance poem with extraordinary sensuousness and cool grooves. It predated Madonna's "Vogue" by about a year, and her track is shows some obvious nicking of McLaren's basslines and general concept: the imagery of fashion->dance->vogue. (Ok, so he took the cue from the NYC semi-transvestite "vogueing" scene, but this one's a lot more original than Madonna's single).
Uncredited playing by David Stewart on guitar and, I think, Candy Dulfer on sax - the interplay sounds very much like their subsequent single "Lili Was Here". Note the trademark fanfare of Mark Moore running before the sax solo - the same riff as in "Theme from S'Express".
Release
For sale on Discogs
Sell a copy64 copies from $1.77