Mal Waldron – The Call
Label: | Japo Records – japo 60001 st, Japo Records – japo records 60001 ST |
---|---|
Format: | |
Country: | Germany |
Released: | |
Genre: | Jazz |
Style: | Fusion |
Tracklist
A | The Call | 18:53 | |
B | Thoughts | 21:50 |
Companies, etc.
- Published By – ECM Verlag
- Recorded At – Tonstudio Bauer
- Copyright © – ECM
Credits
- Cover [Cover Design], Design [Cover Design] – B&B Wojirsch*
- Drums – Fred Braceful
- Electric Bass – Eberhard Weber
- Electric Piano, Composed By [All Composed By] – Mal Waldron
- Organ – Jimmy Jackson (2)
- Written-By – Waldron*
Notes
On rear cover:
Published by ECM-verlag/gema
Recorded on February 1st, 1971 at Tonstudio Bauer Ludwigsburg
p 1971 printed in w.germany
On labels:
© copyright 1971 by ECM
Made in Germany
Later pressing with picture cover.
Release credit on the spine is: mal waldron the call
Catalogue number variations are: japo 60001 st on cover, japo records 60001 ST on labels.
Runouts are etched except for 'ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-A' and 'ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-B' which are stamped.
Published by ECM-verlag/gema
Recorded on February 1st, 1971 at Tonstudio Bauer Ludwigsburg
p 1971 printed in w.germany
On labels:
© copyright 1971 by ECM
Made in Germany
Later pressing with picture cover.
Release credit on the spine is: mal waldron the call
Catalogue number variations are: japo 60001 st on cover, japo records 60001 ST on labels.
Runouts are etched except for 'ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-A' and 'ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-B' which are stamped.
Barcode and Other Identifiers
- Rights Society (On rear cover): gema
- Rights Society (On labels, boxed): GEMA
- Matrix / Runout (Side A runout): JA-PO 60.001-A ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-A
- Matrix / Runout (Side B runout): JA-PO 60.001-B ST-I⃫I⃫I⃫I⃫I⃫I⃫ I⃫I⃫I⃫I⃫I⃫I⃫-B
Other Versions (5 of 8)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Call (LP, Album, Stereo) | Japo Records, Japo Records | 60001, japo records 60001 ST | Germany | 1971 | ||
Recently Edited | The Call = ザ・コール (LP, Album, Stereo) | Globe (9), Globe (9) | SMJX-10125, SGL-10041 | Japan | 1971 | ||
New Submission | The Call = ザ・コール (LP, Album, Promo, Stereo) | Globe (9), Globe (9) | SMJX-10125, SGL-10041 | Japan | 1971 | ||
Recently Edited | The Call (CD, Album, Limited Edition, Reissue, Remastered, Stereo, Paper Sleeve) | Japo Records, Japo Records, Japo Records | UCCE-9070, JAPO 60001, JAPO 60001 ST | Japan | 2006 | ||
New Submission | The Call (2×File, MP3, Album, Reissue, 320kbps) | Not On Label | none | 2009 |
Recommendations
Reviews
- Great piece on this album by the good folks at Aquarium Drunkard here: https://aquariumdrunkard.com/2024/03/04/mal-waldron-the-call/
- Edited 14 years agoThis album features some very funky jazzy keyboards, with a classic electric piano sound (Fender Rhodes?). It's Waldron at perhaps his most accessible, with tight interplay with Jimmy Jackson on keyboards too, and a tight rhythm section that lays down some wonderful grooves here. It is a shame this album is not more widely released and heard. I think someone could do an amazing remix of this.
There also is an excellent alternate recording of the title track, The Call, featuring half the players from this Japo/ECM recording, Mal & Jimmy, backed by the German rock/fusion band Embryo. This was my introduction to Waldron, and led me to be very happy finding a copy of Waldron's version of it too.
Mal Waldron was active in the New York jazz scene of the 1950's but moved to Munich Germany in 1965. Around 1967 he was backed by a couple of hippies who went on to form the krautrock group Embryo. Later, some of those 1967 recordings featuring Waldron and members of Embryo got released as Embryo's CD 'For Eva' in the 1990s.
In 1973, Waldron and Jimmy Jackson, who also plays organ on this release, recorded with Embryo and did a version of 'The Call', released on the Embryo albums Steig Aus (aka This Is Embryo) and also both play on another Embryo album, Rocksessions.
Embryo has also worked closely with Charlie Mariano and Trilok Gurtu, as well as dozens of obscure musicians as they've toured Africa, Asia and the Middle East jamming with local musicians. They've got roots in the German jazz of the 60's and 70's and also head off into their own funky hippie spacey world of improvisation in a way that I think any fan of The Call would enjoy.
Release
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