Bomb The Bass – Beat Dis

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Label:	Mister-Ron Records – DOOD 121, Mister-Ron Records – D00D 121
Format:	Vinyl, 12", 33 ⅓ RPM, Single
Country:	UK
Released:	Jan 18, 1988
Genre:	Electronic
Style:	House, Breaks

Tracklist

A	Beat Dis [Extended Dis]	6:02
B1	Beat Dis [Radio Edit]	3:50
B2	Bonus Beats	5:09

Companies, etc.

Phonographic Copyright ℗ – Mister-Ron Records
Copyright © – Mister-Ron Records
Recorded At – Lunarville 7
Published By – Copyright Control
Marketed By – Rhythm King Records
Licensed To – Rhythm King Records
Licensed Through – Mute Records Ltd.
Pressed By – P.R. Records Limited
Record Company – The Voice Of The Underground

Credits

Bass [Bassline] – Captain Black (3), Emilio Pasquez
Design [Thanx To... For Bomb Pattern] – Artful Dodger (4)
Design [Uncredited] – Barnsley
Drum Programming [Bomb Pattern] – DJ Kid 33
Plated By – PAG
Producer [Produced by] – Emilio Pasquez, Tim Simenon
Programmed By [Bomb Pattern] – DJ Kid 33
Recorded By – The Planet Control
Written By – E. Pasquez/C. Black/K.33
Written-By – C. Black*, K.33*, E. Pasquez*

Notes

Catalog number on back sleeve, labels: D00D 121
Catalog number on spine: DOOD 121

B1 is not listed on the back cover, only on the centre label.

[On label:]
Mister-Ron Records
"The names have been changed to protect the innocent"
114 BPM
℗ © 1987
Recorded at Lunarville 7
Copyright Control
Licensed to Rhythm King Records in association with Mute Records Ltd.

[On back sleeve:]
Made in England
The Voice Of The Underground
Mister-Ron Records: Marketed thru Rhythm King Records
Rhythm King Records in association with Mute Records
Produced by Tim Simenon and Emilio Pasquez (stated in different order to database linked credits)

Barcode and Other Identifiers

Barcode (Text): 5 016026 201012
Matrix / Runout (Runout Side A - 121 appears below scored out 001): DOOD - 121 0̶0̶1 A1 PAG
Matrix / Runout (Runout Side B - 121 appears below scored out 12001): DOOD - 121 1̶2̶0̶0̶1 B1 PAG

Other Versions (5 of 53)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Beat Dis (7", 45 RPM, Single)	BCM Records	B.C. 7-2093-41	Germany, Austria, & Switzerland	1988
	Beat Dis (12")	Mister-Ron Records	DOOD 12 001	UK	1988
Recently Edited	Beat Dis (12", 33 ⅓ RPM)	Torso	TORSO 12057	Netherlands	1988
Recently Edited	Beat Dis (CD, Maxi-Single)	BCM Records	B.C. 50-2093-44	Europe	1988
Recently Edited	Beat Dis (12", 33 ⅓ RPM)	4th & Broadway	BWAY 462	US	1988

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Reviews

Allan-Collectables Jul 5, 2024
This such a great track, I haven't listened to it in years and its still got it!
MISTER_DIA-TRIBE_73 Oct 23, 2022
The bassline is probably copied from Bad Bascomb - Give The Bass A Taste...
debx_2000 Jun 17, 2022
The 7" hit version of this can not be found on any CD as 'The Good, The Bad And The Ugly' sample was removed.
humanagainchris Jun 17, 2021
Edited 2 years ago
Despite what others have said here this still sounds amazing to me. Heard it for the first time in years this morning and it still bangs hard. For me this is a record that would have only been made in London. A true reflection of the scene then. Definitely wouldn't put it in the house category though.
Also was number 2 in the UK pop charts f0r 3 weeks and was kept off the top by....Kylie Minogue. Life can be so unfair.
knebaih111 Nov 10, 2020
ABSOLUTE GEM! Way ahead of his time. Priceless. Timeless. Ageless.
Alreigt Jul 26, 2020
One of the most famous records full of samples. Tim Simenon almost created a new genre with this record back in 1987.
8892sales Jun 12, 2018
Edited 4 years ago
The only decent track on here is the Bonus Beats track. As it's pretty good for chopping with other records and for linking non four to the floor tracks with house rhythm beats. The beats are pretty raw as well. The other versions are inundated with cheesy ass crappy vocal samples taken from various sources and that awful tacky live vocal aswell. The main mixes are not very playable in my opinion and haven't really stood the test of time. Very tacky even for back then.

The Bonus Beats can be played alongside the more underground forms of freestyle, electro and rougher house tunes of that era. Definitely freestyle, pushing into the more commercial end of electro, maybe, if freestyle as a style never actually existed or had a name. Definitely NOT house. Definitely NOT acid house either.
sianmak May 20, 2015
Edited 9 years ago
One more sample for the trainspotters is the opening one: "The names have been changed to protect the innocent" - lifted from the opening credits to the US TV show "Dragnet" from the 1950s. So now you now people :-)