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  • Avg Rating:

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Mark SummersSummers Magic

Label:4th & Broadway – 12 BRW 205, 4th & Broadway – 878 667-1
Format:
Vinyl, 12", 45 RPM, Picture Sleeve
Country:UK & Europe
Released:
Genre:Electronic
Style:Breakbeat, House, Techno

Tracklist

A1Summers Magic (Unit Mix)
EngineerZebbie
3:55
A2Summers Magic (Original Mix)
EngineerTim Bran
4:16
B15p Like A Micro
EngineerTim Bran
5:39
B2Party Children (Remix)
EngineerTim Bran
4:16
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Credits

Notes

℗ 1990 Owned By Island Records Ltd

Direct Metal Mastering

Made in Great Britain

Barcode and Other Identifiers

  • Barcode (Text): 042287 866719
  • Label Code: LC 0407
  • Rights Society: BIEM/STEMRA
  • Matrix / Runout (Runout etchings side A): TOWNHOUSE DMM

Other Versions (5 of 7)View All

Title (Format)LabelCat#CountryYear
Summers Magic (7", 45 RPM, Single, Stereo, Paper labels)4th & Broadway, 4th & BroadwayBRW 205, 878 666-7UK1990
Summers Magic (12", 45 RPM, Stereo, Die-cut sleeve)4th & Broadway, 4th & Broadway12 BRW 205, 878 667-1Europe1990
New Submission
Summers Magic (Cassette, , Cassette Single)4th & Broadway, 4th & BroadwayBRCA 205, 878 666-4Europe1990
New Submission
Summers Magic (12", 45 RPM, Maxi-Single)4th & Broadway614128 (3A)Spain1990
New Submission
Summers Magic (7", Silver Injection Labels)4th & Broadway, 4th & BroadwayBRW 205, 878 666-7UK1990

Reviews

d1111s's profile picture
d1111s
5p Like A Micro ! !
need i say more ?
ok...
'Good morning Sodom and Gomorrah, good morning sinners'
KWOCR's profile picture
KWOCR
Edited 10 years ago
This does not only sample TV series and it obviously use the sampler as the main, if not sole, instrument !
A side use bits of Kraftwerk, early 90's Northern UK bleeps and even the bass line and bits of percussion from jazz funk pioneer Lonnie Liston Smith title 'Expansions'. This sort of music can be just (for) fun if you're in the mood, make you smile but can also be disgusting at time of intense abuse.
The first track on the B side is a way more 'serious' techno rave type of tune (even if I'm pretty sure it use many samples too) but the second B side track do it again with a large range of borrowed Hip-Hop MCs voices sliced all the way with some snippets of Suzanne Vega's voice (that one featured on DNA 'Tom's Dinner'). I keep it: this -is- a Sampladelic 'classic', if you recognize that sub-genre…