Tracklist
| A1 | Jo-Ann Kelly– | Rollin' And Tumblin' | 2:27 |
| A2 | Andy Fernbach– | Duckin' And Dodgin' | 3:08 |
| A3 | Tony McPhee– | Death Letter | 4:10 |
| A4 | Steve Rye– | Elevator Woman | 2:50 |
| A5 | Jo-Ann Kelly– | Make Me A Pallet On Your Floor | 3:20 |
| A6 | Simon* & Steve*– | Heart Struck Sorrow | 4:05 |
| A7 | Dave Kelly (3)– | When You Got A Good Friend | 3:15 |
| A8 | Tony McPhee– | Me And The Devil | 3:55 |
| B1 | Simon* & Steve*– | You Better Mind | 2:28 |
| B2 | Andy Fernbach– | Hard Time Killing Floor | 5:55 |
| B3 | Jo-Ann Kelly– | Same Thing On My Mind | 1:48 |
| B4 | Andy Fernbach– | Broke Down Engine | 4:05 |
| B5 | Dave Kelly (3)– | Arkansas Woman | 3:32 |
| B6 | Tony McPhee– | No More Doggin' | 3:48 |
| B7 | Jo-Ann Kelly & Dave Kelly (3)– | Diamond Ring | 2:13 |
Companies, etc.
- Record Company – Liberty Records, Inc.
- Mastered At – Audio Matrix, Inc.
- Published By – Metric Music Co.
- Published By – Leeds Music Co.
- Published By – Getaway Songs Ltd.
Credits
- Art Direction – Woody Woodward
- Design – Ron Wolin
- Engineer – Gery Collins
- Illustration [Backliner Illustration] – Bill Robles
- Producer – Mike Batt
Notes
Tracks A1, A2, A5, A6, A8 and B1 to B7 published by Metric Music Co. - BMI
Track A4 published by Leeds Music Co. - ASCAP
Track A7 published by Getaway Songs Ltd.
Some copies have "Not For Sale Promotional Use Only",
pressure stamped on the top right corner of the front sleeve.
Runouts are etched except 'AudioMatrix' is stamped.
Track A4 published by Leeds Music Co. - ASCAP
Track A7 published by Getaway Songs Ltd.
Some copies have "Not For Sale Promotional Use Only",
pressure stamped on the top right corner of the front sleeve.
Runouts are etched except 'AudioMatrix' is stamped.
Barcode and Other Identifiers
- Rights Society (A1, A2, A5, A6, A8, B7): BMI
- Rights Society (A4): ASCAP
- Matrix / Runout (Side A runout): LP-12434- 1 -RE AudioMatrix
- Matrix / Runout (Side B runout): LP-12434-2 -RE AudioMatrix
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Me And The Devil (LP, Stereo) | Liberty | LBS 83190 | UK | 1968 | ||
New Submission | The Anthology Of British Blues: Me And The Devil (LP, Album, Mono) | Liberty | LBL-83190 | UK | 1968 | ||
New Submission | The Anthology Of British Blues: Me And The Devil (LP, Album, Stereo) | Liberty, Liberty | LBS 83190, LBS 83190E | UK | 1968 | ||
New Submission | The Anthology Of British Blues: Me And The Devil (LP, Album, Stereo) | Imperial | LP-12434 | US | 1968 | ||
New Submission | The Anthology Of British Blues: Me And The Devil (LP, Album, Stereo) | Liberty | LP 8722 | Japan | 1968 |
Recommendations
Released1970 — USVinyl —LP, Album, Stereo
Released1985 — USVinyl —LP, Album
Released1969 — USVinyl —LP, Album
Released1972 — USVinyl —LP, Album, Stereo
Released1973 — USVinyl —LP, Album
Released1977 — USVinyl —LP, Album
Released1971 — USVinyl —LP, Album
Released1969 — USVinyl —LP, Album, Stereo
Released1971 — USVinyl —LP, Album, Stereo
Released1975 — USVinyl —LP, Album, Stereo
Reviews
- Edited 2 years agoAs a long time collector, there is a totally ludicrous statement made with this listing that I need to point out:
Some copies have "Not For Sale Promotional Use Only",
pressure stamped on the top right corner of the front sleeve.
Liberty/Imperial had at least 3-4 different ways of designating promos - some had a rounded corner cover, some were embossed as the lister states, some had promo stickers, and some had "AUDITION COPY" or "FOR PROMOTION ONLY" stamped on the back in red or black ink. There were no rules back then. It is very concerning/frustrating to me how some listers misconstrue that how the copy they found designated itself as a promo, is the way all promos were designated. It is simply not true. Just felt a need to point this out.
