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Bill Evans – Inner Spirit: The 1979 Concert At The Teatro General San Martín, Buenos Aires
| Label: | Resonance Records – HLP-9062 |
|---|---|
| Format: | 2 x Vinyl, LP, Deluxe Edition, Limited Edition, Numbered, Mono, 180g |
| Country: | Worldwide |
| Released: | |
| Genre: | Jazz |
| Style: |
Tracklist
| A1 | Stella By Starlight | 7:26 | |
| A2 | Laurie | 8:17 | |
| A3 | Theme From M*A*S*H | 4:56 | |
| B1 | Turn Out The Stars | 5:57 | |
| B2 | I Do It For Your Love | 6:40 | |
| B3 | My Romance | 7:24 | |
| B4 | Letter To Evan | 4:42 | |
| C1 | I Loves You, Porgy | 7:34 | |
| C2 | Up With The Lark | 7:25 | |
| C3 | Minha (All Mine) | 4:10 | |
| C4 | Someday My Prince Will Come | 6:44 | |
| D1 | If You Could See Me Now | 6:30 | |
| D2 | Nardis | 17:20 |
Companies, etc.
- Record Company – Rising Jazz Stars, Inc.
- Phonographic Copyright ℗ – Resonance Records
- Copyright © – Resonance Records
- Mastered At – Bernie Grundman Mastering
- Lacquer Cut At – Bernie Grundman Mastering
- Recorded At – Teatro Municipal General San Martin Of Buenos Aires
- Pressed By – Record Technology Incorporated – 38317
- Published By – Catharine Hinen Music
- Published By – Sony/ATV Harmony
- Published By – WC Music Corp
- Published By – Ludlow Music, Inc.
- Published By – Sony/ATV Songs LLC
- Published By – Lorenz Hart Publishing Co.
- Published By – Williamson Music Co.
- Published By – Dubose & Dorothy Heyward Memorial Fund Publishing
- Published By – Frankie G. Songs
- Published By – Nokawi Music
- Published By – Universal - Polygram International Publishing, Inc.
- Published By – Jay Livingston Music, Inc.
- Published By – St. Angelo Music
- Published By – Bourne Co.
- Published By – EMI Robbins Catalog Inc.
- Published By – Music Sales Corp.
- Published By – Jazz Horn Music Corporation
Credits
- Art Direction, Design – Burton Yount, John Sellards
- Bass – Marc Johnson (2)
- Drums – Joe LaBarbera
- Editor [Album Package Editor] – John Koenig (2)
- Executive Producer – George Klabin
- Lacquer Cut By – BG*
- Legal [Legal Counsel] – John Koenig (2)
- Liner Notes ["Booklet - "Bill Evans In Buenos Aires, 1979] – Claudio Parisi
- Liner Notes [Booklet - "Carlos Melero On Recording Bill Evans In Buenos Aires"] – Carlos Melero
- Liner Notes [Booklet - "Dark Side Of The Tango"] – Marc Myers
- Liner Notes [Booklet - "Some Kind Of Religious Experience: Marc Johnson On Playing With Bill Evans In Buenos Aires"] – Marc Johnson (2)
- Liner Notes [Booklet - "The Road To Buenos Aires"] – Zev Feldman
- Liner Notes [Booklet - "Unbelievable Dedication: Joe LaBarbera Remembers Playing With Bill Evans"] – Joe LaBarbera
- Liner Notes [Booklet: "A New Expressive Period: Marc Vasey Interviews Bill Evans In 1979"], Interviewee – Bill Evans
- Liner Notes [Booklet: "A New Expressive Period: Marc Vasey Interviews Bill Evans In 1979"], Interviewer – Marc Vasey
- Mastered By [LP Mastering By] – Bernie Grundman
- Photography By – Tito Villalba
- Photography By [Back Cover Photos], Photography By [Gatefold Interior Photo], Photography By [Photo By - Booklet Pp 3 to 5, 7, 12] – Tito Villalba
- Photography By [Front Cover Photo] – CTSIMAGES, Carlo Verri
- Photography By [Photo By - Booklet Pg 10] – Jorge Negro Gonzalez*
- Photography By [Photo By - Booklet Pg 1] – Hans Harzheim
- Photography By [Photo By - Booklet Pg 8] – Christian Rose
- Piano – Bill Evans
- Producer [Associate Producer] – Zak Shelby-Szyszko
- Producer [Produced For Release By] – Zev Feldman
- Product Manager [Production Manager] – Zak Shelby-Szyszko
- Project Manager [Project Assistance] – Cynthia Garcia, James Batsford
- Recorded By – Carlos Melero
- Research [Photo Research] – Zak Shelby-Szyszko, Zev Feldman
- Restoration [Sound Restoration] – Fran Gala, George Klabin
Notes
Record Store Day exclusive release, part of the April 23rd drop. Limited edition 1st pressing of 6,500.
Hand numbered on the back cover.
Comes in a gatefold sleeve and 12-page full size booklet, inside a resealable plastic outer that has 3 stickers: Record Store Day April 23, 2022; RTI HQ-180; and hype sticker.
On "Minha (All Mine)" - track C3 - Francis Hime is identified as 2 people - F. Hime & W. Victor. His full name is Francis Victor Walter Hime.
[From back]
Recorded live on September 27, 1979 at the Teatro General San Martín, Buenos Aires, Argentina
LP mastering by Bernie Grundman at Bernie Grundman Mastering, Hollywood, CA
℗© 2021 Resonance Records, a division of Rising Jazz Stars, Inc., a California nonprofit corporation.
Made in the USA.
[From booklet]
Additional photos as provided:
Pp 2, 4, 6 - Courtesy Centro de Documentación de Teatro y Danza Ana Itelman (teatro San Martin, Complejo Teatral Bueonos Aires)
Pg 3 - Courtesy of Claudio Parisi
Pp 6, 7, 9 - Courtesy of the Tito Villalba family
Pg 9 - Courtesy of Jorge Negro Gonzalez
Pg 11 - Courtesy of Marc Johnson
Pg 11 - Courtesy of Joe LaBarbera
[From sticker]
"First official release of Bill Evans' mesmerizing 1979 concert in Argentina!
• Deluxe limited-edition of 6,500 180g hand-numbered 2-LP sets
• Mastered at 33⅓ by Bernie Grundman and pressed by RTI
• Audio transferred from the original tape reels and restored
• Includes 12-page insert with photos by Tito Villalba; essays by authors Marc Myers, Claudio Parisi and the album's producer Zev Feldman; plus new interviews with bassist Marc Johnson drummer Joe LaBarbera, pianist Enrico Pieranunzi, and more!
*Also Available as a Deluxe 2-CD Set*"
[Publishers]
A1 <> Catharine Hinen, Sony ATV Harmony (ASCAP)
A2 <> Folkways Music Publishers. Inc. (BMI)
A3 <> WC Music Corp (ASCAP)
B1, B4 <> Ludlow Music Inc. (BMI)
B2 <> Sony/ATV Songs LLC (BMI)
B3 <> Lorenz Hart Publishing Co, Williamson Music Co. (ASCAP)
C1 <> Du Bose & Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music (ASCAP)
C2 <> Universal Polygram International Publishing Inc. (ASCAP)
C3 <> Jay Livingston Music Inc., St. Angelo Music (ASCAP)
C4 <> Bourne Co. (ASCAP)
D1 <> EMI Robbins Catalog, Inc., Music Sales Corp. (ASCAP)
D2 <> Jazz Horn Music Corporation (BMI)
Matrices in runouts are etched.
Hand numbered on the back cover.
Comes in a gatefold sleeve and 12-page full size booklet, inside a resealable plastic outer that has 3 stickers: Record Store Day April 23, 2022; RTI HQ-180; and hype sticker.
On "Minha (All Mine)" - track C3 - Francis Hime is identified as 2 people - F. Hime & W. Victor. His full name is Francis Victor Walter Hime.
[From back]
Recorded live on September 27, 1979 at the Teatro General San Martín, Buenos Aires, Argentina
LP mastering by Bernie Grundman at Bernie Grundman Mastering, Hollywood, CA
℗© 2021 Resonance Records, a division of Rising Jazz Stars, Inc., a California nonprofit corporation.
Made in the USA.
[From booklet]
Additional photos as provided:
Pp 2, 4, 6 - Courtesy Centro de Documentación de Teatro y Danza Ana Itelman (teatro San Martin, Complejo Teatral Bueonos Aires)
Pg 3 - Courtesy of Claudio Parisi
Pp 6, 7, 9 - Courtesy of the Tito Villalba family
Pg 9 - Courtesy of Jorge Negro Gonzalez
Pg 11 - Courtesy of Marc Johnson
Pg 11 - Courtesy of Joe LaBarbera
[From sticker]
"First official release of Bill Evans' mesmerizing 1979 concert in Argentina!
• Deluxe limited-edition of 6,500 180g hand-numbered 2-LP sets
• Mastered at 33⅓ by Bernie Grundman and pressed by RTI
• Audio transferred from the original tape reels and restored
• Includes 12-page insert with photos by Tito Villalba; essays by authors Marc Myers, Claudio Parisi and the album's producer Zev Feldman; plus new interviews with bassist Marc Johnson drummer Joe LaBarbera, pianist Enrico Pieranunzi, and more!
*Also Available as a Deluxe 2-CD Set*"
[Publishers]
A1 <> Catharine Hinen, Sony ATV Harmony (ASCAP)
A2 <> Folkways Music Publishers. Inc. (BMI)
A3 <> WC Music Corp (ASCAP)
B1, B4 <> Ludlow Music Inc. (BMI)
B2 <> Sony/ATV Songs LLC (BMI)
B3 <> Lorenz Hart Publishing Co, Williamson Music Co. (ASCAP)
C1 <> Du Bose & Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music (ASCAP)
C2 <> Universal Polygram International Publishing Inc. (ASCAP)
C3 <> Jay Livingston Music Inc., St. Angelo Music (ASCAP)
C4 <> Bourne Co. (ASCAP)
D1 <> EMI Robbins Catalog, Inc., Music Sales Corp. (ASCAP)
D2 <> Jazz Horn Music Corporation (BMI)
Matrices in runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 17270 12281 5
- Barcode (Scanned, UPC-A): 0617270122815
- Rights Society (A1, A3, B3, C1 to D1): ASCAP
- Rights Society (A2, B1, B2, B4, D2): BMI
- Matrix / Runout (Runout side A): 38317.1(3)… BG HLP-9062-REV-A
- Matrix / Runout (Runout side B): 38317.2(3)… BG HLP-9062-REV-B
- Matrix / Runout (Runout side C): 38317.3(3)… BG HLP-9062-REV-C
- Matrix / Runout (Runout side D): 38317.4(3)… BG HLP-9062-REV-D
Other Versions (5 of 11)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Live In Buenos Aires 1979 (2×LP, Album, Unofficial Release, Box Set, ) | Yellow Note Records | Y-200 | 1979 | |||
Recently Edited | Live In Buenos Aires 1979 (2×CD, Album, Reissue, Unofficial Release) | West Wind, ITM Records (2) | WW 2061 | Germany | 1990 | ||
New Submission | Live In Buenos Aires 1979 (2×CDr, Album, Reissue, Unofficial Release) | West Wind | WW 2061 | Germany | 1990 | ||
New Submission | Live In Buenos Aires 1979 (2×CD, Album, Unofficial Release) | West Wind | WW 2061 | Germany | 1990 | ||
New Submission | In Buenos Aires - Vol. 2 (CD, Album, Unofficial Release) | Jazz Lab Records | JLCD-2 | Switzerland | 1991 |
Recommendations
Reviews
Show All 17 Reviews
Dead quiet, perfectly flat. An intimate and intense performance of a surprising selection of standards and some unexpected tracks. Really enjoying it.
Mixed feelings about this one - the press itself is flat, quiet and the packaging and booklet are all top notch BUT it's fairly lifeless and too quiet. Last year's Behind the Dykes I would argue is a more dynamic listen. Glad I didn't pay over retail for this one (especially since retail was pretty high anyone). Of the jazz releases for this RSD - I prefer the Art Pepper and the Pepper Adams for sure.
Mine (num 5660) has a small warp on disc 1 only but is quiet and noise free, only disappointment is that this and Morning Glory are mono, for live I feel you need stereo to feel that you are immersed and "there". If I'd known I probably wouldn't have bought them at the price asked.
Edited one month ago
Neither noisy, nor quiet. Sounds similar to BG's 75th anniversary analog to digital work for BN. Still, the restoration and mastering are excellent, and the playing (especially the latter disc) is exquisite. Maybe turn up mid-treble; Labarbera's drums are subdued. Your $ is yours to spend freely, but wouldn't be happy with spending too much over the MSRP for this one.
Be interested to see the numbers out of 6500 of those who had bad copies...my guess is they're randomly dispersed. I really want to pull the trigger on this one, but I'm batting five hundred on Resonance titles as it is.
Absolutely fantastic! My discs were flawless, didn’t need to clean them, dead quiet, terrific recording, and sounds divine. Very sorry to the few that got some imperfections, but mine is a home run!
These are not great pressings. I cleaned both discs on my Hannl RCM before playing. Lots of light scratches, surface noise and pops remained, many that repeated across extended musical passages. What a pity. This really mars what is otherwise a fabulous performance. Fortunately I can engage my Sugarcube and the surface noise is removed without a trace. What a massive difference it makes when all of the ticks and pops are gone. Then it's a joy to listen to.
Can anyone confirm if this is a mono recording? Thank you
opened both today, this one and morning glory. there are fingerprints, scratches, stains, the whole program. on both records. very very very disappointed.
will have to wash them on my expense and then listen. at the moment i just don't want to.
will have to wash them on my expense and then listen. at the moment i just don't want to.
Sound quality is decent. Dig the packaging. However, my copy has a small scratch on side C that causes a repetitive "tick" for 30-40 sec. Bummer, it wasn't a cheap release. 😓