Label:Prolekult – KULT010
Vinyl, 12", 45 RPM
Style:Hard Trance


ANeurodancer (Original Version)
BNeurodancer (White 'N' Wood Mix)

Companies, etc.



Published by Edition Magic Wonderland/BMG UFA.
Licensed from Hyper Hype Records Germany.
℗ 1996 Prolekult Records
© 1996 Prolekult Records

As part of Prolekult's policy of depicting radical political figures, the A-side label shows a picture of Malcolm X.

Barcode and Other Identifiers

  • Barcode: 5 021904 033968
  • Matrix / Runout (Etchings Side A): KULT 010 B̶ A1 PR-E
  • Matrix / Runout (Etchings Side B): KULT 010 A̶ B1 PR-E Masterpiece. Miles.

Other Versions (5 of 7)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Neurodancer (12", 45 RPM)Hyper HypeHH 0176Germany1995
Recently Edited
Neuro Dancer (CD, Maxi-Single)Hyper HypeHH 0175Germany, Austria, & Switzerland1995
Recently Edited
Neuro Dancer (12", 33 ⅓ RPM)HumpyHMP 003Italy1995
Recently Edited
Neurodancer (12", 33 ⅓ RPM)Made In DJMDJ 09Spain1995
New Submission
Neurodancer (12", 45 RPM, Promo, Stereo)Hyper HypeHH 0176Germany1995


  • djease's avatar
    Mrs Woods doesn't do this justice with her lightweight re mix. However it was a big ask of anyone to be fair - as the original is a 10/10 classic. Outstanding tune.
    •'s avatar
      If you were partying in the mid 90's no doubt you'd have heard this beast of a track!! Played to death at the time, along wth a few other Prolekult Releases ' Global Phases ' top stuff for the era and genre!!
      • Universe's avatar
        Edited 15 years ago
        Forget about running for cover, there's no escaping this record. In the acid trance stakes, this is unique in so far as it even manages to make 'Lost In Love' by Legend B sound like a chill out record!

        It all starts off innocuously enough, like someone casing the perimeter of a bank, minding his own business, the all off a sudden it's all systems go for a 'smash'n'grab' raid that would hit the headlines the world over. The track goes into overdrive as the acid tweaks rain down with ferocious intensity and fog-horns raise the roof. There's a crazy vocal that sounds like "Girl in the house", but I could be wrong.

        Anyone who has witnessed this track on a dancefloor will know that nothing comes close to touching it in term of whipping up the crowd into frenzy.

        Years later, it still has the same impact that it had back in the mid 1990s.

        The ultimate euphoric hard acid trancer.



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