Daft Punk ‎– Homework

Virgin ‎– V 2821, Virgin ‎– 7243 8 42609 10, Soma Quality Recordings ‎– V 2821
2 × Vinyl, LP, Album, Embossed Cover

Tracklist Hide Credits

A1 Daftendirekt 2:44
A2 WDPK 83.7 FM
Producer [Broadcasted By] – Daft Punk
A3 Revolution 909
Producer [Déclenchée By] – Daft Punk
A4 Da Funk
Producer [Funked Up By] – Daft Punk
A5 Phœnix
Producer [Preached By] – Daft Punk
B6 Fresh
Producer [Surfed Up By] – Daft Punk
B7 Around The World
Producer [Dispatched By] – Daft Punk
B8 Rollin' & Scratchin'
Producer [Rolled & Schratched By] – Daft Punk
C9 Teachers
Producer [Learned By] – Daft Punk
C10 High Fidelity
Producer [E.q'd By] – Daft Punk
C11 Rock'n Roll
Producer [Twisted By] – Daft Punk
C12 Oh Yeah
Guest [Introducing Special Guests] – DJ Crabbe, DJ Deelat*Producer [Shouted By] – Daft Punk
D13 Burnin'
Producer [Set On Fire By] – Daft Punk
D14 Indo Silver Club
Producer [Hosted By] – Daft Punk
D15 Alive
Producer [Created By] – Daft Punk
D16 Funk Ad
Producer [Added By] – Daft Punk

Companies, etc.



Mixed and recorded @ Daft House, in Paris, France.
Mastered at The Exchange, in London.

Published by Zomba Music for World excluding France
Delabel Editions / Daft Music for France
℗&© 1996 Daft Trax under exclusive license to Virgin France / Virgin Records Ltd.
© 1996 Daft Trax / Printed in France.

"Daftendirekt" recorded live at a Fuse Party in Gent.
"Indo Silver Club" contains a sample of "Hot Shot" performed by Karen Young.
"Da Funk", "Rollin' & Scratchin'", "Indo Silver Club" & "Alive" were originally released on Soma Quality Recordings.

The labels and colour printed inner sleeves have different catalogue numbers printed for the french release: Side A & B: 7243 8 42610 16 / Side C & D: 7243 8 42611 15.

Comes in a gatefold embossed sleeve with colour printed inner sleeves.

Printed in France.

On spine, printed: DAFT PUNK "Homework" UK: V 2821 / F: 7243 8 42609 10

BPM is not provided on the record.
A1: 111 | A2: 111 | A3: 127 | A4: 111 | A5: 127
B6: 127 | B7: 121 | B8: 130
C9: 123 | C10: 126 | C11: 135 | C12: 127
D13: 124 | D14: 126 | D15: 129 | D16: 112

Barcode and Other Identifiers

  • Matrix / Runout (Runout Side A): DAFT PUNK = HOMEWORK" 84260910/A 426 101 A iO/TR
  • Matrix / Runout (Runout Side B): DAFT PUNK = HOMEWORK" 84260910/B 426 101 B IO/TR
  • Matrix / Runout (Runout Side C): DAFT PUNK = "HOMEWORK" 84260910/C 426 111 C by iO/TR
  • Matrix / Runout (Runout Side D): DAFT PUNK = HOMEWORK = 84260910/D 426 111 D iO/TRANSLAB
  • Label Code: LC 3098
  • Rights Society: bel BIEM
  • Barcode (Text): 724384 260910
  • Barcode (String): 724384260910
  • Price Code (F): PM 213
  • Other (Cat # LP 1): 7243 8 42610 16
  • Other (Cat # LP 2): 7243 8 42611 15

Other Versions (5 of 64) View All

Cat# Artist Title (Format) Label Cat# Country Year
V 2821, 7243 8 42609 10 Daft Punk Homework(2xLP, Album) Virgin, Virgin, Soma Quality Recordings, Soma Quality Recordings V 2821, 7243 8 42609 10 UK & Europe 1997 Sell This Version
7243 8 42609 41, VKPC-0216 Daft Punk Homework(Cass, Album) Virgin, LKC Music Co, Ltd 7243 8 42609 41, VKPC-0216 South Korea 1997 Sell This Version
UK: CDV 2821, F: 7243 8 42609 27 Daft Punk Homework(CD, Album, Unofficial) Virgin, Virgin UK: CDV 2821, F: 7243 8 42609 27 Russia 1997 Sell This Version
TCV 2821, 7243 8 42609 4 1 Daft Punk Homework(Cass, Album) Virgin, Virgin, Soma Quality Recordings TCV 2821, 7243 8 42609 4 1 France 1997 Sell This Version
TOCP-53579 Daft Punk = ダフト・パンク* Daft Punk = ダフト・パンク* - Homework = ホームワーク(CD, Album, Promo) Virgin TOCP-53579 Japan 2005 Sell This Version


Reviews Show All 18 Reviews

Add Review



May 17, 2016
Seems there are two different UK and Europe Embossed cover issue's (V 2821) the difference being that https://www.discogs.com/Daft-Punk-Homework/release/236605 does not have a cover sticker whilst https://www.discogs.com/Daft-Punk-Homework/release/2947655 does have a cover sticker. The version without the sticker is more popular. You're welcome ;)


February 17, 2016

One of their best albums ever. If not their best. Definitely worth it! This album still holds up after all these years.


April 1, 2015
This being their first album you can tell they are well rooted in techno and house, and over time they worked in their more varied influences. Just listen to who they name drop in Teachers - lots of true tech and house legends. For lovers of underground house and techno, this is a gem, and my personal fave. People who think their subsequent albums are better are fans of the more popular influences. I personally love the underground tech and house DaftPunk more, but respect to DP on their progress based on their varied love of all music.


September 11, 2014
as a teenager grown up in the 90s, i think that this album was one of the greatest musical creations of that wonderful decade.
the new generations who find homework boring compared to the newer DP albums, should slow down a little bit and take the right amount of time to listen and get in touch with this absolute masterpiece.
it won't be wasted time.


August 29, 2014
edited over 5 years ago
this is more of a mixing album than a 'listening all the way through' album. all the more reason i love it.


July 17, 2014
This album, for me, is overrated. Yes, I know my opinion goes against the popular one, but aside from two or three stand out tracks, I actually find the album quite boring. Not bad for a listen at home, I've only ever heard 'around the world' played out. The album is mostly lacking in energy and is not as funky as some believe it to be.


August 14, 2013
edited over 6 years ago
Most people, especially fans of DP's new material, complain that this record is boring, repetitive, sterile. I too had the same feelings about it for a while. I can't tell you how to change your mind, just give it a couple of listens, put it down and listen to some other house tracks/albums, and come back to this one after a while and give it another go. And maybe the next time you listen to a house track, you get the feeling the producers didn't get it quite right like Daft Punk did on Homework. The kick drums never quite as relentless, the bass never quite as deep, the hi-hats never quite as crispy, the groove never quite as organic and the licks never quite as funky. And then when you play Homework again, by the time Daftendirekt is over you realize Homework is not trying to revolutionize or sell itself, but instead is just 70 minutes of leisurely grooving, crystalline house intended as a timeless record meant to be enjoyed for no other reason than the love of groovy music.


April 27, 2013
This album completely shook up the house scene as soon as it was released, I have fond memories of those days. The french filtered sound that followed was a direct result of this album. Daft Punk have never managed to equal the high's of their debut release, although some of their solo projects have come close.


September 3, 2010
edited over 9 years ago
This surely brings me back to 1996! A cool breeze of electronic basslines and plain beats. Back then there was no stress yet in the sound. It could all still be relaxed and fun. The music unfolds in an easy manner. Really great music and never lets me down! The only thing is that it is a bit slow compared with the shit from now. And I never liked the artwork! Hahaha! I think it's so ugly! But it's all about the vibe of hte music ofcourse.


September 29, 2006
edited over 13 years ago
This album's importance in electronic music history may have only become apparent recently, nearly 10 years after its release, for it can be readily observed how commonly at least some aspect of the style portrayed here has been knocked off by other artists to freshen their own productions. Quite strange, considering it is an album that basically explores the past, ranging from disco ("Fresh", "Indo Silver Club") to Kraftwerk-esque minimalism ("Daftendirekt", "Da Funk", "Around The World", "Alive"). Combining an element of a more modern outlook on club sounds ("Revolution 909") and that something that makes it all Daft Punk ("Rollin' & Scratching", "Rock N Roll"), you have yourself quite a unique album and one whose importance should never be underestimated.